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Star Wars: The Last Jedi

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フォーマット CDアルバム
発売日 2017年12月21日
国内/輸入 輸入(アメリカ盤)
レーベルWalt Disney Records
構成数 1
パッケージ仕様 デジパック
規格品番 D002714602
SKU 050087377205

構成数 : 1枚
合計収録時間 : 01:17:49
Personnel: George Doering (guitar); Allison Allport, Jo Ann Turovsky (harp); Joel Pargman, Erik Arvinder, Lorenz Gamma, Alyssa Park, Serena McKinney, Irina Voloshina, Songa Lee, Katia Popov, Lorand Lokuszta, Ana Landauer, Helen Nightengale, Grace Oh, Nina Evtuhov, Maia Jasper White, Kevin Kumar, Phillip Levy , Lisa Sutton, Bing Wang, Amy Hershberger, Marc Sazer, Tamara Hatwan , Sara Parkins, Radu Pieptea, Lisa Liu, Jackie Grand , Jessica E. Guideri, Katie Sloan, Roberto Cani, Bruce Dukov, Julie Gigante, Natalie Leggett, Sarah Thornblade, Shalini Vijayan, Roger Wilkie, Rafael Rishik, Tereza Stanislav (violin); Caroline Buckman, Shawn Mann, Carolyn Riley, Meredith Crawford, Thomas Diener, Aaron Oltman, Marlow Fisher, Luke Maurer, Lauren Chipman, Victor de Almeida, Mike Nowak, Matt Funes, Vicky Miskolczy, Rob Brophy, Darrin McCanin, Adam Neely, Brian Dembow, Dave Walther , Alma Fernandez (viola); Trevor Handy, Armen Ksajikian, Robert deMaine, Dennis Karmazyn, Erika Duke-Kirkpatrick, Laszlo Mezo, Kim Scholes , Jacob Braun , Tim Landauer , Helen Altenbach, Stephen Erdody , Dane Little, Cecilia Tsan, John Walz (cello); Jenni Olson , Heather Clark, Larry Kaplan, Benjamin Smolen , Geri Rotella, Chris Bleth (flute); Jerry Hey (kazoo); Dan Higgins , Stuart Clark , Donald Foster , Ralph Williams , Gary Bovyer, Juan Gallegos (clarinet); Lara Wickes, Rong Huey Liu, Jessica Pearlman, Lelie Resnick, Leslie Reed (oboe); Damian Montano, Samantha Duckworth, Ken Munday, Rose Corrigan (bassoon); Bill Liston (alto saxophone); Greg Huckins, Chad Smith (bass saxophone); Jon Lewis , Daniel Rosenboom , Barry Perkins , Rob Schae, Wayne Bergeron, David Washburn (trumpet); Daniel Kelley , Kristy Morrell, Steven Becknell, Dave Everson, Jenny Kim, Dylan Hart, Andrew Bain , Mark Adams , Ben Jaber, John Mason (French horn); Alex Iles, Steven Holtman, Bill Reichenbach , Jim Miller , Steve Suminski, Phil Keen, Bill Booth (trombone); Doug Tornquist, Jim Self (tuba); Gloria Cheng, Randy Kerber, Bryan Pezzone (keyboards); Harvey Mason, Sr. (drums); Tyler Hunt (steel drum); Don Williams (timpani); Alan Estes, Steven Schaeffer, Jerry Williams , Judy Chilnick, Alex Acuna, Greg Goodall, Ken McGrath, Paulinho Da Costa, Peter Limonick (percussion). Audio Mixer: Shawn Murphy. Two years after the release of the score for Star Wars: The Force Awakens, iconic composer John Williams returned for the second installment of the blockbuster sequel trilogy. As the middle segment of a three-part story, Star Wars: The Last Jedi serves mostly to propel the action toward the grand finale of Episode IX, building upon the new themes introduced in Episode VII and playing heavily on nostalgia from the original films. Callbacks to those classic moments -- like "The Force Theme" and "Princess Leia's Theme" -- help spiritually center a movie determined to, as the tagline declared, "let the past die." Newer themes -- mainly those belonging to the central Light-and-Dark-Side pair of Rey and Kylo Ren -- confirm that Williams successfully crafted two of the more memorable Star Wars motifs for this trilogy, as their frequent appearances throughout The Last Jedi continually excite and invigorate. The Last Jedi introduces the theme for maintenance tech Rose Tico on "Fun with Finn and Rose" and elaborates on the Rey and Luke music from The Force Awakens' finale on "Ahch-To Island." The most interesting inclusion is "Canto Bight," the jaunty soundtrack to the casino scenes from Rose, Finn, and BB-8's side adventure to the politically problematic locale of the same name. Like the "Cantina Theme" and Jabba's palace jam "Lapti Nek," "Canto Bight" is an outlier that pulls listeners outside of the lush score and plants them firmly in the weirdness of the Star Wars universe, for better or worse. Lively and exciting, The Last Jedi is a pleasure to experience, even without such clear standouts as "Rey's Theme," "Snoke," or Kylo Ren's millennial Sith menace from The Force Awakens soun to be continued...
録音 : ステレオ (---)

  1. 1.[CDアルバム]
    1. 1.
      Star Wars: The Last Jedi~Main Title and Escape
    2. 2.
      Star Wars: The Last Jedi~Ahch-To Island
    3. 3.
      Star Wars: The Last Jedi~Revisiting Snoke
    4. 4.
      Star Wars: The Last Jedi~The Supremacy
    5. 5.
      Star Wars: The Last Jedi~Fun with Finn and Rose
    6. 6.
      Star Wars: The Last Jedi~Old Friends
    7. 7.
      Star Wars: The Last Jedi~The Rebellion Is Reborn
    8. 8.
      Star Wars: The Last Jedi~Lesson One
    9. 9.
      Star Wars: The Last Jedi~Canto Bight
    10. 10.
      Star Wars: The Last Jedi~Who Are You?
    11. 11.
      Star Wars: The Last Jedi~The Fathiers
    12. 12.
      Star Wars: The Last Jedi~The Cave
    13. 13.
      Star Wars: The Last Jedi~The Sacred Jedi Texts
    14. 14.
      Star Wars: The Last Jedi~A New Alliance
    15. 15.
      Star Wars: The Last Jedi~Chrome Dome
    16. 16.
      Star Wars: The Last Jedi~The Battle of Crait
    17. 17.
      Star Wars: The Last Jedi~The Spark
    18. 18.
      Star Wars: The Last Jedi~The Last Jedi
    19. 19.
      Star Wars: The Last Jedi~Peace and Purpose
    20. 20.
      Star Wars: The Last Jedi~Finale

作品の情報

メイン
アーティスト: John Williams

オリジナル発売日:2017年

商品の紹介

Two years after the release of the score for Star Wars: The Force Awakens, iconic composer John Williams returned for the second installment of the blockbuster sequel trilogy. As the middle segment of a three-part story, Star Wars: The Last Jedi serves mostly to propel the action toward the grand finale of Episode IX, building upon the new themes introduced in Episode VII and playing heavily on nostalgia from the original films. Callbacks to those classic moments -- like "The Force Theme" and "Princess Leia's Theme" -- help spiritually center a movie determined to, as the tagline declared, "let the past die." Newer themes -- mainly those belonging to the central Light-and-Dark-Side pair of Rey and Kylo Ren -- confirm that Williams successfully crafted two of the more memorable Star Wars motifs for this trilogy, as their frequent appearances throughout The Last Jedi continually excite and invigorate. The Last Jedi introduces the theme for maintenance tech Rose Tico on "Fun with Finn and Rose" and elaborates on the Rey and Luke music from The Force Awakens' finale on "Ahch-To Island." The most interesting inclusion is "Canto Bight," the jaunty soundtrack to the casino scenes from Rose, Finn, and BB-8's side adventure to the politically problematic locale of the same name. Like the "Cantina Theme" and Jabba's palace jam "Lapti Nek," "Canto Bight" is an outlier that pulls listeners outside of the lush score and plants them firmly in the weirdness of the Star Wars universe, for better or worse. Lively and exciting, The Last Jedi is a pleasure to experience, even without such clear standouts as "Rey's Theme," "Snoke," or Kylo Ren's millennial Sith menace from The Force Awakens soundtrack. With heartwarming allusions to beloved classics and enough new ideas to establish the sequel trilogy as its own entity, The Last Jedi keeps excitement stoked for the next part of the saga. ~ Neil Z. Yeung
Rovi

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