| フォーマット | LPレコード |
| 発売日 | 2017年11月17日 |
| 国内/輸入 | 輸入 |
| レーベル | Impossible Objects of Desire |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | IODR51 |
| SKU | 634457790810 |
構成数 : 1枚
合計収録時間 : 00:00:00
Fujiya & Miyagi draw from influences like Neu! and Talking Heads to create warm, looping guitar riff-driven organic dance music that fits nicely next to other mid-2000s alternative dance bands like the Teddybears, Hot Chip, and even LCD Soundsystem. Live guitars and keyboards layer over funky basslines and mechanized drums, while Best whisper-sings about, among other things, broken bones, feeling OK, star signs, and "just pretending to be Japanese." Six of the tracks on Transparent Things, their debut full-length, had previously appeared as vinyl 10"s, but here, redone and with the addition of three new songs (and a U.S. bonus cut, "Reeboks in Heaven"), the album gives more listeners the chance to hear what the Brighton, England-based band is capable of. Mostly, this means happily quirky but accessible pieces with plenty of syncopated rhythms, elongated syllables, and trilled Rs, courtesy of Best's cordially sexy voice. The first three tracks, "Ankle Injuries," "Collarbone," and "Photocopier," are all bright and upbeat and thoroughly catchy, and probably the strongest pieces on the album, some in part because Fujiya & Miyagi's aforementioned formula isn't as noticeable then as it is later. Not that Transparent Things is too samey or predictable, because it's not. The group has found something that works and does it well, with consistently enjoyable results, so much so that songs on which they break away from that, the lighter, indie rock-esque "Cylinders," for example, are more distracting than anything else. But when F&M stick to simple dance melodies and wound-up instrumental grooves, they're as good as anyone else out there. ~ Marisa Brown

※ショッピングカートおよび注文内容の確認画面にてフラゲのお届けになるかご確認ください。
※各種前払い決済をご利用の場合、フラゲは保証しておりません。
※フラゲは配送日時指定なしでご注文いただいた場合に限ります。
読み込み中にエラーが発生しました。
画面をリロードして、再読み込みしてください。
