サウンドトラック
CDアルバム

Anthology: Movie Themes 1974-1998

0.0

販売価格

¥
2,690
税込
還元ポイント

在庫状況 について

フォーマット CDアルバム
発売日 2017年10月20日
国内/輸入 輸入
レーベルSacred Bones
構成数 1
パッケージ仕様 -
規格品番 SBR177CD
SKU 616892521846

構成数 : 1枚
合計収録時間 : 00:42:26
The mid-2010s found undisputed master of horror John Carpenter far busier as a musician than as a filmmaker. After releasing two volumes of original, non-soundtrack compositions (Lost Themes I and II) and touring for the first time, he revisited the themes to a baker's dozen of his most well-known movies from the '70s, '80s, and '90s. As with the Lost Themes albums and his concerts, he's joined by his son, Cody Carpenter, and his godson, guitarist Daniel Davies. The re-recordings are played straight through, with no attempts to update the sound or make the arrangements more complex, as such adjustments would simply be counterproductive. Carpenter's music had become fully in vogue by the time this album appeared, with numerous styles of rock, electronic music, and hip-hop (particularly trap) echoing his ominous themes and brilliantly minimalist arrangements. As such, the trio sounds completely au courant just by plugging in and playing. The selections aren't sequenced chronologically, which means that it starts off with the Metallica-influenced hard rock blowout "In the Mouth of Madness" (1995) before the immortal "Assault on Precinct 13" (1976). Like many early Carpenter scores, this one was composed and performed by the director himself on a minimal keyboard setup because he had no budget to hire anyone else to do the music, yet the simplicity contributed greatly to the suspense of the films, and the music became highly influential even outside of the context of the movies. The album also includes recordings of two themes to Carpenter films that he didn't compose himself (or with frequent collaborator Alan Howarth), such as Ennio Morricone's stark, pulsating "The Thing" and Jack Nitzsche's lush, romantic "Starman." Anthology won't offer any surprises to Carpenter devotees, but the music is undeniably authentic and faithful to his vision, and it sounds fantastic in any case. For anyone who isn't already familiar with Carpenter's films or music, this is a handy way to become acquainted. ~ Paul Simpson

  1. 1.[CDアルバム]
    1. 1.
      In the Mouth of Madness
    2. 2.
      Assault on Precinct 13
    3. 3.
      The Fog
    4. 4.
      Prince of Darkness
    5. 5.
      Santiago (Vampires)
    6. 6.
      Escape From New York
    7. 7.
      Halloween
    8. 8.
      Porkchop Express (Big Trouble in Little China)
    9. 9.
      They Live
    10. 10.
      The Thing
    11. 11.
      Starman
    12. 12.
      Dark Star
    13. 13.
      Christine

作品の情報

メイン
アーティスト: ジョン・カーペンター

商品の紹介

日本でもカルト的人気を誇るB級ホラー映画界の巨匠ジョン・カーペンターがこれまでに手がけた代表的な映画音楽が詰まったアンソロジー!1974年のデビュー作「ダーク・スター」から1998年の「ヴァンパイア」まで、ジョン・カーペンターが手がけた代表的な映画音楽を再録しコンパイル!
発売・販売元 提供資料(2017/09/08)

The mid-2010s found undisputed master of horror John Carpenter far busier as a musician than as a filmmaker. After releasing two volumes of original, non-soundtrack compositions (Lost Themes I and II) and touring for the first time, he revisited the themes to a baker's dozen of his most well-known movies from the '70s, '80s, and '90s. As with the Lost Themes albums and his concerts, he's joined by his son, Cody Carpenter, and his godson, guitarist Daniel Davies. The re-recordings are played straight through, with no attempts to update the sound or make the arrangements more complex, as such adjustments would simply be counterproductive. Carpenter's music had become fully in vogue by the time this album appeared, with numerous styles of rock, electronic music, and hip-hop (particularly trap) echoing his ominous themes and brilliantly minimalist arrangements. As such, the trio sounds completely au courant just by plugging in and playing. The selections aren't sequenced chronologically, which means that it starts off with the Metallica-influenced hard rock blowout "In the Mouth of Madness" (1995) before the immortal "Assault on Precinct 13" (1976). Like many early Carpenter scores, this one was composed and performed by the director himself on a minimal keyboard setup because he had no budget to hire anyone else to do the music, yet the simplicity contributed greatly to the suspense of the films, and the music became highly influential even outside of the context of the movies. The album also includes recordings of two themes to Carpenter films that he didn't compose himself (or with frequent collaborator Alan Howarth), such as Ennio Morricone's stark, pulsating "The Thing" and Jack Nitzsche's lush, romantic "Starman." Anthology won't offer any surprises to Carpenter devotees, but the music is undeniably authentic and faithful to his vision, and it sounds fantastic in any case. For anyone who isn't already familiar with Carpenter's films or music, this is a handy way to become acquainted. ~ Paul Simpson|
Rovi

メンバーズレビュー

レビューを書いてみませんか?

読み込み中にエラーが発生しました。

画面をリロードして、再読み込みしてください。