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CDアルバム

The Animal Spirits

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フォーマット CDアルバム
発売日 2017年11月上旬
国内/輸入 輸入(イギリス盤)
レーベルBorder Community
構成数 1
パッケージ仕様 -
規格品番 50BCCD
SKU 5051083122559

構成数 : 1枚
合計収録時間 : 00:48:37
Audio Mixer: James Holden. Recording information: Sacred Walls, London (2016). Photographer: Katherine Mager. Holden has been in the game for well over two decades, starting out as a trance producer before exploring left-field house and techno. However, on his third full-length album, he breaks free from the restraints of so-called computer music and embraces the spirit of human performance. This isn't meant to be dismissive of the creativity and experimentation found in various pockets of the dance/electronic scene, but the next logical step for an artist brimming with ideas yet constrained by precedent. The result is the gloriously kaleidoscopic sound of Holden evolving as a musician, which he has thoroughly earned through years of pushing at boundaries. Genre labels such as electronic-prog-jazz-psych-folk would usually ring alarm bells, signifying that a record lacks clear direction, potentially compounded, in this case, by the fact that Holden and co. decided on a rough idea for each track before letting the music and performance guide the way. It's a huge testament, then, to the talent of everyone involved that the album takes a loose-fitting approach and manages to feel perfectly cohesive. Opening track "Incantation for Inanimate Object" kicks things off in ritualistic fashion -- like a slowly widening portal to another world -- before leading into the cascade of drums found on "Spinning Dance," which sets the pace for the rest of the record. Occasionally the album follows a more rigid structure, such as on "Each Moment Like the First." In another context rigidity might be negative criticism but here it's a welcome grounding after the free-fall of the previous tracks, and even then, it's hardly straightforward due to the odd time signature. The seeds that Holden plants for each track contain enough creative vitality to grow into unique forms. Take standout tracks such as "Thunder Moon Gathering" and "The Neverending," where the core ideas act as the driving force, while the improvised elements dance and weave throughout, in turn controlling the dynamics by ebbing and flowing as required. Overall, The Animal Spirits feels very organic, brought about by the spontaneity of the performances, the brief window of time in which it was recorded, and Holden's own evolutionary arc. It also offers a glimpse into the deeper corners of his psyche, peeling back another layer to reveal just how colorful his imagination can be. ~ Liam Martin

  1. 1.[CDアルバム]
    1. 1.
      Incantation For Inanimate Object
    2. 2.
      Spinning Dance
    3. 3.
      Pass Through The Fire
    4. 4.
      Each Moment Like The First
    5. 5.
      The Beginning & End Of The World
    6. 6.
      Thunder Moon Gathering
    7. 7.
      The Animal Spirits
    8. 8.
      The Neverending
    9. 9.
      Go Gladly Into The Earth

作品の情報

メイン
アーティスト: James HoldenThe Animal Spirits

商品の紹介

1999年、弱冠19歳にしてリリースし一躍トップスターへと躍り出た"Horizons"以降、自身のレーベル"Border Community"を設立し数々のヒット曲やリミックスワーク、そしてLuke Abbottや、Kate Wax、Nathan Fakeといったアーティストの発掘を通してハウス、テクノの垣根を取り払い世界中から圧倒的な人気を博すJames Holden。早くも話題沸騰している3枚目となる自身のアルバム!!
本作では初となるバンド:The Animal Spiritsを率いテクノ、ハウスから更にサイケ、フォークトランス、クラウトロック、スピリチュアル・ジャズまでサウンドの革新と拡大を試みることに成功。従来のテクノ、ミニマルといったサウンドとは一線を画するサウンドにパーカッション、サックス、コルネット等の楽器をフィーチャーし更にコズミックでユニバースなサウンドスケープを展開!お披露目曲となった"Pass Through The Fire"は今作が革新的でボーダーレスな世界観を作り上げていることを十分に予感させるとてつもないインパクト!真のカリスマが凄まじい感性とともに放つ新たなステージの幕開け、究極のサウンド!!
発売・販売元 提供資料(2017/10/18)

Spin - "It's a remarkable album, both in its hybridized acoustic-electric sonics and its atmosphere of communal celebration."
Rovi

Holden has been in the game for well over two decades, starting out as a trance producer before exploring left-field house and techno. However, on his third full-length album, he breaks free from the restraints of so-called computer music and embraces the spirit of human performance. This isn't meant to be dismissive of the creativity and experimentation found in various pockets of the dance/electronic scene, but the next logical step for an artist brimming with ideas yet constrained by precedent. The result is the gloriously kaleidoscopic sound of Holden evolving as a musician, which he has thoroughly earned through years of pushing at boundaries. Genre labels such as electronic-prog-jazz-psych-folk would usually ring alarm bells, signifying that a record lacks clear direction, potentially compounded, in this case, by the fact that Holden and co. decided on a rough idea for each track before letting the music and performance guide the way. It's a huge testament, then, to the talent of everyone involved that the album takes a loose-fitting approach and manages to feel perfectly cohesive. Opening track "Incantation for Inanimate Object" kicks things off in ritualistic fashion -- like a slowly widening portal to another world -- before leading into the cascade of drums found on "Spinning Dance," which sets the pace for the rest of the record. Occasionally the album follows a more rigid structure, such as on "Each Moment Like the First." In another context rigidity might be negative criticism but here it's a welcome grounding after the free-fall of the previous tracks, and even then, it's hardly straightforward due to the odd time signature. The seeds that Holden plants for each track contain enough creative vitality to grow into unique forms. Take standout tracks such as "Thunder Moon Gathering" and "The Neverending," where the core ideas act as the driving force, while the improvised elements dance and weave throughout, in turn controlling the dynamics by ebbing and flowing as required. Overall, The Animal Spirits feels very organic, brought about by the spontaneity of the performances, the brief window of time in which it was recorded, and Holden's own evolutionary arc. It also offers a glimpse into the deeper corners of his psyche, peeling back another layer to reveal just how colorful his imagination can be. ~ Liam Martin
Rovi

自身のライヴ・バンドとなるアニマル・スピリッツを率いて〈MUTEK.JP 2017〉に出演したばかりのジェイムズ・ホールデン。その編成で制作に臨み、完成させたのが本作だ。かつてのシューゲイズ・エレクトロニカの面影はあるも、クラウトロック的なシンセやドラムス、スピリチュアル・ジャズを想起させるサックスのブロウで、強烈にサイケデリックでトランシーなサウンドを奏でている。とんでもないアルバムだ。
bounce (C)青木正之
タワーレコード(vol.409(2017年11月25日発行号)掲載)

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