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| フォーマット | CDアルバム |
| 発売日 | 2017年09月29日 |
| 国内/輸入 | 輸入 |
| レーベル | Epitaph |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | EPT875422 |
| SKU | 045778754229 |
構成数 : 1枚
合計収録時間 : 00:42:23
Personnel: Tyler Bussey (vocals, guitar, banjo, synthesizer); Dylan Balliett (vocals, guitar); Joshua Cyr (vocals, harp, synthesizer); Katie Dvorak (vocals, synthesizer); Steven Karl Buttery (vocals, percussion); Chad Matheny (vocals, electronics); Sarah Cowell, Bernard Parsons, David F. Bello, Aaron Weiss (vocals); Chris Teti (guitar, synthesizer, programming); Armand Aromin (violin); Matt Hull (trumpet); Eric G Stilwell (trombone); Gary Buttery (tuba).
Recording information: Silver Bullet Studios.
Photographer: Dylan Balliett.
The third studio long-player from the Connecticut-based indie/emo rock troupe, Always Foreign finds the World Is a Beautiful Place & I Am No Longer Afraid to Die nixing the mostly positive vibes of their two prior outings in favor of a deep dive into miseries both internal and external. Raw and occasionally apoplectic, but no less big-hearted than 2015's sleeve-bearing Harmlessness, Always Foreign wants to believe in the promise of utopia, but the caustic confluence of the 2016 election and the acrimonious departure of a former bandmate seem to have eaten through the band's thick skin. It's the latter ordeal that casts the biggest shadow, with multiple tracks dealing with the situation with alarming specificity; "Hilltopper" ("Can't seem to erase you/I threw out all the records you're on/I hope evil can see this, and you get what you deserve"), while reliably anthemic and melodic, is particularly savage. Thankfully, the band channels much of that ire into making compelling -- and often beautiful and vital-sounding -- music, which runs the gamut from galloping punk-pop ("The Future") to emo-kissed post-rock ("I'll Make Everything"). Distilling discomfort into something more palatable is never easy, but with a name like the World Is a Beautiful Place & I Am No Longer Afraid to Die, the band probably knew that going in. ~ James Christopher Monger

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