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Rock/Pop
CDアルバム

Wide Open

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フォーマット CDアルバム
発売日 2017年09月15日
国内/輸入 輸入
レーベルBMG Rights Management
構成数 1
パッケージ仕様 -
規格品番 5053830529
SKU 4050538305296

構成数 : 1枚
合計収録時間 : 01:10:55
Audio Mixer: Shannon Forrest. Recording information: Metal Building Studio, Nolensville, TN. Wide Open is Michael McDonald's first album in nearly a decade, following Soul Speak by nine years, but a better benchmark would be Blue Obsession, the last album of original material he released. That record arrived in 2000, long before McDonald's reputation was revived by both yacht rocking satirists and R&B hipsters -- elements that barely factor into the sound of Wide Open, although their existence may have convinced McDonald to leave behind his stroll through the '60s soul songbook. Although he remains firmly grounded in blue-eyed soul, Wide Open also encompasses the slick open-road rockers of the Doobie Brothers and occasionally dabbles in some unexpected sounds from McDonald. "Just Strong Enough" ends with a spin on a New Orleans funeral march, "Honest Emotion" conjures a hazy Laurel Canyon sunset, "Blessing in Disguise" splices Sting with acid jazz, and "Too Short" nods at percolating African rhythms. Not one of these is new, per se, but they are new to McDonald, and give Wide Open a fresher feel than McDonald's overcooked (but well-intentioned) solidarity anthem "Free a Man." Nevertheless, the fact that he felt the need to voice support for the downtrodden, not to mention threading recovery speak into "Find It in Your Heart," gives McDonald a vitality on record that otherwise feels like a proud throwback to his halcyon days. While he happily trades on the slow-burning R&B grooves and soft rock melodicism that made him a star in the '70s and '80s, there's not much of a feeling of pandering nostalgia here. Instead, McDonald seems to be integrating all his personas -- the soul true believer, the godfather of smooth -- in a record that not only feels true but, song for song, is sturdier than nearly all of the albums he recorded at his popular peak. ~ Stephen Thomas Erlewine

  1. 1.[CDアルバム]
    1. 1.
      Hail Mary
    2. 2.
      Just Strong Enough
    3. 3.
      Find It in Your Heart
    4. 4.
      Half Truth
    5. 5.
      Ain't No Good
    6. 6.
      Honest Emotion
    7. 7.
      Blessing in Disguise
    8. 8.
      Dark Side
    9. 9.
      If You Wanted to Hurt Me
    10. 10.
      Beautiful Child
    11. 11.
      Too Short
    12. 12.
      Free a Man

作品の情報

メイン
アーティスト: Michael McDonald

オリジナル発売日:2017年

商品の紹介

ドゥービー・ブラザーズに数々の栄冠をもたらした男、マイケル・マクドナルド。その深みのあるソウルフルなハスキー・ヴォイスで多くの音楽ファンを魅了してきた彼が、2008年以来となる約9年振りの新作スタジオ・アルバムを引っ提げて帰ってきた! マーカス・ミラー、ロベン・フォード、ブランフォード・マルサリス、マイケル・ランドウ、トム・スコット、ウィリー・ウィークス、デヴィッド・ペイチ等々豪華アーティストが参加した大人のロック・アルバム、『WIDE OPEN』完成!
発売・販売元 提供資料(2017/08/18)

Wide Open is Michael McDonald's first album in nearly a decade, following Soul Speak by nine years, but a better benchmark would be Blue Obsession, the last album of original material he released. That record arrived in 2000, long before McDonald's reputation was revived by both yacht rocking satirists and R&B hipsters -- elements that barely factor into the sound of Wide Open, although their existence may have convinced McDonald to leave behind his stroll through the '60s soul songbook. Although he remains firmly grounded in blue-eyed soul, Wide Open also encompasses the slick open-road rockers of the Doobie Brothers and occasionally dabbles in some unexpected sounds from McDonald. "Just Strong Enough" ends with a spin on a New Orleans funeral march, "Honest Emotion" conjures a hazy Laurel Canyon sunset, "Blessing in Disguise" splices Sting with acid jazz, and "Too Short" nods at percolating African rhythms. Not one of these is new, per se, but they are new to McDonald, and give Wide Open a fresher feel than McDonald's overcooked (but well-intentioned) solidarity anthem "Free a Man." Nevertheless, the fact that he felt the need to voice support for the downtrodden, not to mention threading recovery speak into "Find It in Your Heart," gives McDonald a vitality on record that otherwise feels like a proud throwback to his halcyon days. While he happily trades on the slow-burning R&B grooves and soft rock melodicism that made him a star in the '70s and '80s, there's not much of a feeling of pandering nostalgia here. Instead, McDonald seems to be integrating all his personas -- the soul true believer, the godfather of smooth -- in a record that not only feels true but, song for song, is sturdier than nearly all of the albums he recorded at his popular peak. ~ Stephen Thomas Erlewine|
Rovi

サンダーキャット作品への客演に喜んでいたら、17年ぶりのオリジナル・アルバムが届いて吃驚。ロベン・フォードの泣きのギターが聴けるブルージーな曲やブランフォード・マルサリスのサックスが甘く響き渡る曲など、スモーキーな歌声が魅力的に映える名演揃いで、ソウルフルなロック集といった趣。円熟味をことさら強調したりせず、アグレッシヴでタフな姿を見せる場面も多々あり。耳と心を大きく開いて聴き入りたい。
bounce (C)桑原シロー
タワーレコード(vol.408(2017年10月25日発行号)掲載)

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