| フォーマット | CDアルバム |
| 発売日 | 2017年09月29日 |
| 国内/輸入 | 輸入 |
| レーベル | Transgressive |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | ATO0409CD |
| SKU | 5414939966125 |
構成数 : 1枚
合計収録時間 : 00:00:00
Jessica Lea Mayfield's fourth solo LP, Sorry Is Gone, continues a career push-and-pull between soft-spoken country-rock and more assertive, riff-fueled indie rock. While her debut featured more of the former and her third solo album, 2014's Make My Head Sing..., embraced the latter, on Sorry Is Gone she takes her foot off the gas just a little and finds a zone where heartache and empowerment both sit comfortably. Of note, the album was written during Mayfield's separation from her husband and prior music collaborator, Jesse Newport. After recording two albums with the Black Keys' Dan Auerbach and Make My Head Sing... with Newport, she headed to the studio with a producer who has a knack for finding this type of raw sweet spot, John Agnello (Sonic Youth, the Hold Steady). Combined with fuzz and twang, dreamy echo, and an unrestrained drawl, Mayfield's often woebegone delivery is also sharpened by candid, occasionally snide lyrics: "Any tips on how to feel more human/Or how to un-dehumanize someone/I'm only asking for a friend." Those are the opening words to the album's lone acoustic ballad, "Safe 2 Connect 2." It falls midway through a track list of an urgent borderline dream pop invigorated by guest musicians including Sonic Youth drummer Steve Shelley and Grails bassist Emil Amos. A track like "Bum Me Out" leans more into post-punk and grunge, while "Soaked Through" diverges into shoegaze, but whether spare or raucous, they're all tied together by an emphatic reverb, the songwriter's conversational melodies, and sonic and lyrical grit. Without wishing her the same kind of personal inspiration in the future, it's Mayfield's most compelling work yet. ~ Marcy Donelson

※ショッピングカートおよび注文内容の確認画面にてフラゲのお届けになるかご確認ください。
※各種前払い決済をご利用の場合、フラゲは保証しておりません。
※フラゲは配送日時指定なしでご注文いただいた場合に限ります。
読み込み中にエラーが発生しました。
画面をリロードして、再読み込みしてください。
