Soul/Club/Rap
LPレコード

Love What Survives

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フォーマット LPレコード
発売日 2017年09月08日
国内/輸入 輸入
レーベルWarp Records
構成数 2
パッケージ仕様 -
規格品番 WARPLP288
SKU 801061028817

構成数 : 2枚
合計収録時間 : 00:00:00
With their old-school analog aesthetic and minimalist post-dub sound, Britain's Mount Kimbie straddle the line between atmospheric art music and pop accessibility. It's a balancing act they've been honing since debuting with 2010's Crooks & Lovers, and one they continue to perfect on 2017's Love What Survives. Once again centered on the production talents of Mount Kimbie members Dominic Maker and Kai Campos, Love What Survives is a moody album, full of pulsing grayscale soundscapes. It's a fitting tone for a band who seem to garner creative inspiration not from what they add to their sound, but from what they strip away. As evidence of that stripping, the album features a prominent mix of instrumentals as well as tracks featuring vocals; though it is fairly evenly balanced. In fact, it's that deft combination of both instrumental and vocal tracks that makes Love What Survives such a successful album, moving the listener through what almost feels like a cinematic experience. Setting the tone for that imagined film is the eerie instrumental opener "Four Years and One Day." A swirling strobe light of a song, full of oscillating synths that give way to a menacing post-punk bass riff, it emanates toward you like an alien spacecraft through dense fog. Smartly, Mount Kimbie quickly contrast that track's slowly descending chill with a guest appearance by King Krule, who applies his deadpan South London-accented rap and yawp to the buzzy post-punk of "Blue Train Lines." From there, they keep the evocative aural images tumbling with the prismatic, lo-fi chug of "You Look Certain (I'm Not So Sure)" featuring singer Andrea Balency, and the wave-like "Marilyn," in which they frame Micachu's Mica Levi with a buoyant bassline and what sounds like a dreamlike Kora figure. Having long drawn easy comparisons to James Blake, it makes perfect sense that they bring the electronic star on board here, showcasing his soulful croon on the church organ-steeped "We Go Home Together" and the fractured album-closer "How We Got By." Elsewhere, they conjure memories of Pornography-era Cure on the instrumental "Audition," and shift away from the album's tightly wound claustrophobia for the airy, acoustic, piano-based impressionism of "Poison." Ultimately, Mount Kimbie strip away any musical excess on Love What Survives, and leave raw vivid emotion. ~ Matt Collar

1. Four Years and One Day
2. Blue Train Lines (feat. King Krule)
3. Audition
4. Marilyn (feat. Micachu)
5. SP12 Beat
6. You Look Certain (I'm Not So Sure) (feat. Andrea Balency)
7. Poison
8. We Go Home Together (feat. James Blake)
9. Delta
10. T.A.M.E.D
11. How We Got By (feat. James Blake)

  1. 1.[LPレコード] DISC 1:
    1. 1.
      Four Years and One Day
    2. 2.
      Blue Train Line
    3. 3.
      Audition
    4. 4.
      Marilyn
    5. 5.
      SP12 Beat
    6. 6.
      You Look Certain (I?m Not So Sure)
  2. 2.[LPレコード] DISC 2:
    1. 1.
      Poison
    2. 2.
      We Go Home Together
    3. 3.
      Delta
    4. 4.
      T.A.M.E.D
    5. 5.
      How We Got By

作品の情報

メイン
アーティスト： Mount Kimbie

商品の紹介

ドミニク・メイカーとカイ・カンポスによる、ポスト・ダブステップ以降の重要エレクトロニック・アクト、マウント・キンビーが、約4年振り通算3作目となるオリジナル・アルバム『Love What Survives』のリリースを発表!2016年にドミニク・メイカーがロンドンからアメリカの西海岸へ移り住んだため、彼らは二つの都市を行き来しながら、ともに精力的なセッションを重ね、アルバム全体に開放的なオーラをもたらした。アルバムからは、盟友ジェイムス・ブレイクをフィーチャーした「We Go Home Together」、アカデミー賞ノミネート・アーティストとしても高く評価されているミカチューをフィーチャーした「Marilyn」に続き、新曲「Blue Train Lines」が公開中。躍動感あふれるリズム・セクションに盟友キング・クルエルのブルージーなラップ歌唱がエモーショナルなスクリームへと展開するバンドの進化を凝縮したような楽曲となっている。常に限界を押し広げていく彼らが贈る、自信に満ち溢れた新たなステートメントであると同時に、これまで積み重ねてきたキャリア全ての集大成とも言える作品がここに完成した。
発売・販売元 提供資料（2017/07/27）

Clash (Magazine) - "'Four Years and One Day' sounds as though a spacecraft has landed, as the synths waver, building tension as the track unfurls with urgency."
Rovi

With their old-school analog aesthetic and minimalist post-dub sound, Britain's Mount Kimbie straddle the line between atmospheric art music and pop accessibility. It's a balancing act they've been honing since debuting with 2010's Crooks & Lovers, and one they continue to perfect on 2017's Love What Survives. Once again centered on the production talents of Mount Kimbie members Dominic Maker and Kai Campos, Love What Survives is a moody album, full of pulsing grayscale soundscapes. It's a fitting tone for a band who seem to garner creative inspiration not from what they add to their sound, but from what they strip away. As evidence of that stripping, the album features a prominent mix of instrumentals as well as tracks featuring vocals; though it is fairly evenly balanced. In fact, it's that deft combination of both instrumental and vocal tracks that makes Love What Survives such a successful album, moving the listener through what almost feels like a cinematic experience. Setting the tone for that imagined film is the eerie instrumental opener "Four Years and One Day." A swirling strobe light of a song, full of oscillating synths that give way to a menacing post-punk bass riff, it emanates toward you like an alien spacecraft through dense fog. Smartly, Mount Kimbie quickly contrast that track's slowly descending chill with a guest appearance by King Krule, who applies his deadpan South London-accented rap and yawp to the buzzy post-punk of "Blue Train Lines." From there, they keep the evocative aural images tumbling with the prismatic, lo-fi chug of "You Look Certain (I'm Not So Sure)" featuring singer Andrea Balency, and the wave-like "Marilyn," in which they frame Micachu's Mica Levi with a buoyant bassline and what sounds like a dreamlike Kora figure. Having long drawn easy comparisons to James Blake, it makes perfect sense that they bring the electronic star on board here, showcasing his soulful croon on the church organ-steeped "We Go Home Together" and the fractured album-closer "How We Got By." Elsewhere, they conjure memories of Pornography-era Cure on the instrumental "Audition," and shift away from the album's tightly wound claustrophobia for the airy, acoustic, piano-based impressionism of "Poison." Ultimately, Mount Kimbie strip away any musical excess on Love What Survives, and leave raw vivid emotion. ~ Matt Collar
Rovi

今度のマウント・キンビーは開放的! 片割れのドム・メイカーがUS西海岸へ移住し、制作はLAと(カイ・カンポスが残る)ロンドンの2都市で行われたそう。そんな環境の変化はキング・クルエルと疾走する"Blue Train Lines"や、アンドレア・バレンシー参加のクラウトロック調"You Look Certain(I'm Not So Sure)"での躍動感へと繋がっている。盟友ジェイムズ・ブレイクを迎えたノスタルジックで繊細な2曲も秀逸。
bounce (C)青木正之
タワーレコード（vol.406（2017年8月25日発行号）掲載）

ポスト・ダブステップの名作と誉れ高い『Cold Spring Fault Less Youth』から早4年、遂に新作が到着。この間メンバーのひとりドミニク・メイカーがロサンゼルスへ拠点を移したそうで、従来の音にカラっと突き抜けた爽快さがプラスされている。性急なビートとニューオーダー譲りのメロディックなベースラインでパンキッシュに疾走するキング・クルーエルとの《Blue Train Lines》、ミカチューとのトロピカルかつエキセントリックなポップ・ソング《Marilyn》あたりでそれは顕著だが、盟友ジェームス・ブレイクとのウエットなブルーズ・ナンバーも収録され、ロンドン・サウンドとの調和がユニークだ。
intoxicate (C)青木正之
タワーレコード（vol.129（2017年8月10日発行号）掲載）

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