Rock/Pop
LPレコード

Alpha Centauri<Picture Vinyl>

5.0

販売価格

¥
4,090
税込
還元ポイント

在庫状況 について

フォーマット LPレコード
発売日 2017年05月19日
国内/輸入 輸入
レーベルTiger Bay
構成数 2
パッケージ仕様 -
規格品番 TB6065
SKU 889397106065

構成数 : 2枚
合計収録時間 : 00:00:00
Tangerine Dream: Edgar Froese (vocals, guitar, organ, bass); Steve Schroyder (vocals, organ); Chris Franke (flute, pianoharp, synthesizer, percussion). Additional personnel: Udo Dennebourg (vocals, flute); Roland Paulick (synthesizer). Recorded at Dierks Studios, Cologne, Germany in January 1971. Originally released on Ohr. Includes liner notes by Julian Cope, excerpted from Cope's book "Krautrocksampler." All tracks have been digitally remastered. The second album by electronic innovators Tangerine Dream is often credited as the first to be called "space music." Heavily influenced by 1960s psychedelia on its debut album, ELECTRONIC MEDITATION (1970), Tangerine Dream quickly distinguished itself as an ensemble that took great pains to create interesting sounds by running everyday objects (such as a cash register) through a tape recorder. The progression to synthesizer music on this album marked a transition for the band, and this effort truly put them on the map. Composed of just three songs, ALPHA CENTAURI was recorded primarily with flute, electric guitar, organ, and synthesizer. The weeping and moaning guitar and organ in "Sunrise in the Third System" eventually lifts off, giving way to "Fly and Collision of Comas Sola," where a tweeting and twirling synthesizer sounds like electric raindrops hitting water. The drum solo in the same song is unexpected, an improvised bit of jazz in an otherwise unearthly place. The final piece, "Alpha Centauri," describes a merging of the natural world with another dimension, as flute mingles with oozing electronics and eventually fades away.

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作品の情報

メイン
アーティスト: Tangerine Dream

オリジナル発売日:1971年

商品の紹介

Q (12/02, pp.133-4) - 4 out of 5 - "...1971's ALPHA CENTAURI is classic krautrock..." Mojo (Publisher) (6/96, p.112) - "...[TANGERINE DREAM'S] brooding stillness, their extended compositions that imperceptibly shift emphasis, their concealment behind a wall of glowing synthesisers, have all contributed to modern music's obsession with anonymity, ambience and the romance of the keyboard..." Record Collector (magazine) (p.100) - 3 stars out of 5 -- "[T]he title track, with Udo Dennebourg's processed voiceover, is a chilly highlight."
Rovi

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5.0
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69-73年のPINK FLOYDのアンダーグラウンドな生音源をぜひとも出してほしいものです。くどいようですが、YOU TUBEで流されているアールズコート73年公演の映像はAMON DUUL IIの“BETWEEN THE EYES”とともに強烈きわまりないです。話がズレた(笑)。これは混沌とした作風が心地よく、KCの“SALOR'S TALE”のような激しいギターで始まるシングル曲も格好いい。
2009/03/10 Nishaさん
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