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Four Classic Albums

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フォーマット CDアルバム
発売日 2009年02月16日
国内/輸入 輸入
レーベルAvid Easy
構成数 2
パッケージ仕様 -
規格品番 AMSC970
SKU 5022810197027

構成数 : 2枚
合計収録時間 : 02:32:04
Eartha Kitt recorded for RCA Victor Records from 1953 to 1957, an association that produced five albums and assorted singles. The bulk of this material is contained on this two-CD set from the British reissue label Avid, which takes advantage of the 50-year copyright limit on recordings in Europe to assemble the collection, mastered from old records, without having to take the trouble to get permission or pay a licensing fee. (Sony BMG continues to claim copyright on the material in the U.S.). The first of the four "classic" albums to be included is what is referred to the as the "American version" of That Bad Eartha. It might be more accurate to describe it as the 12" LP version of That Bad Eartha, which differed considerably from the initial ten-inch LP version. Back in the early 1950s, the ten-inch LP, containing eight tracks, was the industry standard, and RCA released two Kitt albums in that format, RCA Victor Presents Eartha Kitt and That Bad Eartha, in 1953. By the middle of the decade, however, the 12-inch LP supplanted its shorter cousin, and RCA released an album called That Bad Eartha in 1955 in that format. Confusingly, it actually contained the eight tracks from RCA Victor Presents Eartha Kitt plus only four of the eight tracks from the ten-inch version of That Bad Eartha. That is the "American version" found here. Next come the 12 tracks that made up Kitt's 1955 album, Down to Eartha. After a couple of non-LP singles tracks end the first disc, the second begins with Kitt's biggest hit, "Santa Baby," followed by her 1956 album Thursday's Child and her 1958 album St. Louis Blues, then a couple of more non-LP singles tracks bring the collection to an end. In the material, Kitt establishes herself as an exotic, sophisticated chanteuse, capable of singing in many languages and styles. Several songs exploit her promiscuous gold-digger image. The St. Louis Blues tracks take a different tack, however. The album was recorded to commemorate Kitt's appearance in a film biography of W.C. Handy by the same name, and on it she sang mostly Handy-composed blues songs backed by a Dixieland jazz band. This material is not really her forte, but she handles it capably enough. Kitt did a lot more recording after this, but these are the tracks that established her persona, and her most commercially successful performances are here. ~ William Ruhlmann

  1. 1.[CDアルバム] DISC 1:
    1. 1.
      I Want to Be Evil
    2. 2.
      C'est Si Bon
    3. 3.
      Angelitos Negros
    4. 4.
      Avril au Portugal (The Whisp'ring Serenade)
    5. 5.
      Let's Do It (Let's Fall in Love)
    6. 6.
      My Heart Belongs to Daddy
    7. 7.
      Uska Dara (A Turkish Tale)
    8. 8.
      African Lullaby
    9. 9.
      Mountain High, Valley Low
    10. 10.
      Lilac Wine
    11. 11.
      Under the Bridges of Paris
    12. 12.
      Smoke Gets in Your Eyes
    13. 13.
      I Wantcha Around
    14. 14.
      Do You Remember?
    15. 15.
      Looking for a Boy
    16. 16.
      I've Got That Lovin' Bug Itch
    17. 17.
      Oh John! (Please Don't Kiss Me)
    18. 18.
      Strangers in the Starlight
    19. 19.
      Day the Circus Left Town, The
    20. 20.
      Apres Moi
    21. 21.
      Heel, The
    22. 22.
      Mambo de Paree
    23. 23.
      My Heart's Delight
    24. 24.
      Hey Jacque
    25. 25.
      Annie Doesn't Live Here Anymore
    26. 26.
      Somebody Bad Stole de Wedding Bell (Who's Got de Ding Dong?)
  2. 2.[CDアルバム] DISC 2:
    1. 1.
      Santa Baby
    2. 2.
      Fascinating Man
    3. 3.
      Mademoiselle Kitt
    4. 4.
      Oggere
    5. 5.
      No Importa Si Menti
    6. 6.
      Lisbon Antigua (In Old Lisbon)
    7. 7.
      Just an Old-Fashioned Girl
    8. 8.
      Danseur de Charleston, Le
    9. 9.
      Lazy Afternoon
    10. 10.
      Jonny
    11. 11.
      If I Can't Take It with Me When I Go
    12. 12.
      Thursday's Child
    13. 13.
      Lullaby of Birdland
    14. 14.
      St. Louis Blues
    15. 15.
      Beale Street Blues
    16. 16.
      Chantez Les Bas (Sing 'Em Low)
    17. 17.
      Hesitating Blues
    18. 18.
      Steal Away
    19. 19.
      Careless Love
    20. 20.
      Atlanta Blues (Make Me a Pallet on Your Floor)
    21. 21.
      Long Gone (From Bowling Green)
    22. 22.
      Hist the Window, Noah
    23. 23.
      Yellow Dog Blues
    24. 24.
      Friendless Blues
    25. 25.
      Memphis Blues, The
    26. 26.
      Put More Wood on the Fire
    27. 27.
      This Year's Santa Baby

作品の情報

メイン
アーティスト： Eartha Kitt

オリジナル発売日：2009年

商品の紹介

Eartha Kitt recorded for RCA Victor Records from 1953 to 1957, an association that produced five albums and assorted singles. The bulk of this material is contained on this two-CD set from the British reissue label Avid, which takes advantage of the 50-year copyright limit on recordings in Europe to assemble the collection, mastered from old records, without having to take the trouble to get permission or pay a licensing fee. (Sony BMG continues to claim copyright on the material in the U.S.). The first of the four "classic" albums to be included is what is referred to the as the "American version" of That Bad Eartha. It might be more accurate to describe it as the 12" LP version of That Bad Eartha, which differed considerably from the initial ten-inch LP version. Back in the early 1950s, the ten-inch LP, containing eight tracks, was the industry standard, and RCA released two Kitt albums in that format, RCA Victor Presents Eartha Kitt and That Bad Eartha, in 1953. By the middle of the decade, however, the 12-inch LP supplanted its shorter cousin, and RCA released an album called That Bad Eartha in 1955 in that format. Confusingly, it actually contained the eight tracks from RCA Victor Presents Eartha Kitt plus only four of the eight tracks from the ten-inch version of That Bad Eartha. That is the "American version" found here. Next come the 12 tracks that made up Kitt's 1955 album, Down to Eartha. After a couple of non-LP singles tracks end the first disc, the second begins with Kitt's biggest hit, "Santa Baby," followed by her 1956 album Thursday's Child and her 1958 album St. Louis Blues, then a couple of more non-LP singles tracks bring the collection to an end. In the material, Kitt establishes herself as an exotic, sophisticated chanteuse, capable of singing in many languages and styles. Several songs exploit her promiscuous gold-digger image. The St. Louis Blues tracks take a different tack, however. The album was recorded to commemorate Kitt's appearance in a film biography of W.C. Handy by the same name, and on it she sang mostly Handy-composed blues songs backed by a Dixieland jazz band. This material is not really her forte, but she handles it capably enough. Kitt did a lot more recording after this, but these are the tracks that established her persona, and her most commercially successful performances are here. ~ William Ruhlmann|
Rovi

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