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In Silhouette

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フォーマット CDアルバム
発売日 2017年05月05日
国内/輸入 輸入
レーベルDenovali Records
構成数 1
パッケージ仕様 -
規格品番 DEN278CD
SKU 4059251085485

構成数 : 1枚
合計収録時間 : 00:00:00
In Silhouette is one of Ensemble Economique's most electronic releases, doing away with the shoegaze and psychedelic influences of previous albums and increasing the cinematic suspense. Opener "In the Clear Blue Waters of Memory" is 21 minutes of ghostly voices, distant thumps, and frazzled, jarring electronic tones supplied by Jung An Tagen, whose excellent 2016 release on Editions Mego (Das Fest der Reichen) featured a guest appearance by Ensemble Economique. As the piece progresses, bells clash, tense synth-strings rise, and everything becomes more frantic and possessed, until the resonant bell tones are left at the end. "Gonna Get Right with God, Right After This Next Cigarette" contains deep, heartbeat-like pulsations along with a fragmented, echoed French female voice and swarms of brooding, hypnotic synths. "I Can See the Light, the Edge of Forever" tiptoes toward some form of enlightenment, but it's chased by ravenous wind and ominous rumbling. "You in the Horizon" is a glimpse at EE's ritualistic side, with slow, hand-beaten drums circling around whispered lyrics about magic, enveloped by a glowing aura of golden light. In Silhouette is another spellbinding work from Brian Pyle. ~ Paul Simpson

  1. 1.[CDアルバム]
    1. 1.
      In the Clear Blue Waters of Memory
    2. 2.
      Battle Cry
    3. 3.
      Gonna Get Right with God, Right After This Next Cigarette
    4. 4.
      I Can See the Light, the Edge of Forever
    5. 5.
      You in the Horizon

作品の情報

メイン
アーティスト: Ensemble Economique

商品の紹介

In Silhouette is one of Ensemble Economique's most electronic releases, doing away with the shoegaze and psychedelic influences of previous albums and increasing the cinematic suspense. Opener "In the Clear Blue Waters of Memory" is 21 minutes of ghostly voices, distant thumps, and frazzled, jarring electronic tones supplied by Jung An Tagen, whose excellent 2016 release on Editions Mego (Das Fest der Reichen) featured a guest appearance by Ensemble Economique. As the piece progresses, bells clash, tense synth-strings rise, and everything becomes more frantic and possessed, until the resonant bell tones are left at the end. "Gonna Get Right with God, Right After This Next Cigarette" contains deep, heartbeat-like pulsations along with a fragmented, echoed French female voice and swarms of brooding, hypnotic synths. "I Can See the Light, the Edge of Forever" tiptoes toward some form of enlightenment, but it's chased by ravenous wind and ominous rumbling. "You in the Horizon" is a glimpse at EE's ritualistic side, with slow, hand-beaten drums circling around whispered lyrics about magic, enveloped by a glowing aura of golden light. In Silhouette is another spellbinding work from Brian Pyle. ~ Paul Simpson|
Rovi

In Silhouette is one of Ensemble Economique's most electronic releases, doing away with the shoegaze and psychedelic influences of previous albums and increasing the cinematic suspense. Opener "In the Clear Blue Waters of Memory" is 21 minutes of ghostly voices, distant thumps, and frazzled, jarring electronic tones supplied by Jung An Tagen, whose excellent 2016 release on Editions Mego (Das Fest der Reichen) featured a guest appearance by Ensemble Economique. As the piece progresses, bells clash, tense synth-strings rise, and everything becomes more frantic and possessed, until the resonant bell tones are left at the end. "Gonna Get Right with God, Right After This Next Cigarette" contains deep, heartbeat-like pulsations along with a fragmented, echoed French female voice and swarms of brooding, hypnotic synths. "I Can See the Light, the Edge of Forever" tiptoes toward some form of enlightenment, but it's chased by ravenous wind and ominous rumbling. "You in the Horizon" is a glimpse at EE's ritualistic side, with slow, hand-beaten drums circling around whispered lyrics about magic, enveloped by a glowing aura of golden light. In Silhouette is another spellbinding work from Brian Pyle. ~ Paul Simpson
Rovi

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