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| フォーマット | CDアルバム |
| 発売日 | 2017年05月05日 |
| 国内/輸入 | 輸入 |
| レーベル | Labrador |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | LAB160 |
| SKU | 7332233001602 |
構成数 : 1枚
合計収録時間 : 00:30:16
Recording information: Detroit, USA; Stockholm, Sweden.
Photographer: Dani Olivier.
On their debut album, 2017's Voyagers, transatlantic duo Djustin dive deep into their icy, atmospheric, synth-based sound. Showcasing the talents of Swedish producer/pop polymath Johan Angergard (Acid House Kings, the Legends) and singer/lyricist Rose Suau (Shoestrings, Invisible Twin), Djustin make a grayscale brand of synth pop that brings to mind the '70s and '80s work of Giorgio Moroder, as well as the similarly inclined electronic Krautrock of Kraftwerk and Tangerine Dream. It's a sound that picks up where Angergard left off with his 2017 album with the Legends, Nightshift. However, where that album found Angergard exploring the more R&B end of retro synth pop, with Djustin, he and Suau largely eschew any subtle funk (although there are hints of that here, too) in favor of a mono-present digital pulse and yearning emotionality. It's a stylish, streamlined approach, like a more downtempo take on Debbie Harry's work with Moroder in the '80s, as well as the similarly influenced work of contemporary artists like Goldfrapp and Little Boots. There's also a library soundtrack aesthetic to many of the song titles, with cuts like "Dancing," "Waiting," and "Birthday" promising activity-based atmosphere; only the latter undermines expectations with Suau striking a tone of poignant, ironic melancholy. Elsewhere, cuts like sad-eyed "Advance" and the whipcrack-steady "Shift," offer their own tantalizing groove eroticism. ~ Matt Collar

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