Pure Comedy

5.0

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2,490

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フォーマット	カセットテープ
発売日	2020年11月20日
国内/輸入	輸入
レーベル	Sub Pop
構成数	1
パッケージ仕様	-
規格品番	SP1200CASS
SKU	098787120042

構成数 : 1枚
合計収録時間 : 00:00:00
Like anything that comes out of the mouth of Father John Misty -- the hipster gadfly persona Josh Tillman adopted after leaving the Fleet Foxes in 2012 -- it can be difficult to discern whether the title of Pure Comedy is intended sincerely. Father John Misty cherishes his public role as a prankster, a stance that can sometimes seem at odds with his grand artistic ambitions. And, make no mistake about it, Pure Comedy is indeed a very grand record, an old-fashioned major statement designed to evoke memories of classic long-players from the '70s. Often, its stately march and decorated pianos call to mind early Elton John, suggesting the hazy vistas of Madman Across the Water. This shift toward progressive pop underscores how Father John Misty has streamlined his music since I Love You, Honeybear, whittling away the minor feints toward modern music and stripping away lingering rustic folk influences. He's now a postmodern troubadour, halfway between a song poet and a baroque craftsman. Where his antecedents (and clear influences) Leonard Cohen and Randy Newman sculpted their music and words, Tillman isn't quite so restrained. He's a maximalist, overstuffing his lyrics with florid imagery and letting his songs spill out at lengths up to 13 minutes. From a certain angle, all this can play like an elaborate stunt -- particularly when he baits the listener with lines about "bedding Taylor Swift" -- but there's a strong melancholy undercurrent to Pure Comedy that suggests Father John Misty is something more than a jester. All of this can be felt through the music itself -- through the melodies and movement, through the arrangement and production -- and that, more than the verbal gymnastics, is why Pure Comedy delivers upon much of Father John Misty's outlandish promises. ~ Stephen Thomas Erlewine

1.[カセットテープ]
1. 1.
  
  Pure Comedy
2. 2.
  
  Total Entertainment Forever
3. 3.
  
  Things It Would Have Been Helpful to Know Before the Revolution
4. 4.
  
  Ballad of the Dying Man
5. 5.
  
  Birdie
6. 6.
  
  Leaving LA
7. 7.
  
  Bigger Paper Bag, A
8. 8.
  
  When the God of Love Returns There'll Be Hell to Pay
9. 9.
  
  Smoochie
10. 10.
  
  Two Wildly Different Perspectives
11. 11.
  
  Memo, The
12. 12.
  
  So I'm Growing Old on Magic Mountain
13. 13.
  
  In Twenty Years or So

作品の情報

メイン

アーティスト： Father John Misty

商品の紹介

Rolling Stone - 4 stars out of 5 -- "PURE COMEDY distills terabytes-worth of doomsaying Facebook rants into a 75-minute comic-existential opus that functions like a despair inoculation." Spin - "[T]he work evokes increasing comparisons to `70s singer-songwriters like Randy Newman and Harry Nilsson, who hid their acidic commentary within sturdy pop structures." Entertainment Weekly - "The 75-minute opus is his most boldly experimental and richly produced album to date, with 13 songs that touch on baroque pop, orchestral folk, stark piano balladry, and even gospel." -- Grade: B+ Uncut - "[E]ven the detractors had to admire his craftsmanship, and how his epic barbed narratives could be accommodated as gorgeous piano ballads that recalled peak Elton and Nilsson." Magnet - "Tillman wisely scales back the orchestration and flourishes to their bare minimum in order to put his voice and lyrics at the forefront. This approach reaches its zenith on the album's centerpiece: the 10-verse, chorus-less diatribe that is 'Leaving LA,' a metatextual, self-referential masterstroke." NME (Magazine) - 5 stars out of 5 -- "The elegiac 'When The God of Love Returns There'll Be Hell To Pay' is the perfect fusion of heart-melting melody and contemplative lyricism, setting him apart as one of the greatest modern songwriters we have." Paste (magazine) - "It's a comedy in every sense of the word....The central joke being the perfectly dissonant balance of sincerity and sarcasm conveyed by music and lyrics alike." Pitchfork (Website) - "It is intense, fatalistic, exhausting, and grandiose -- sometimes devastating, sometimes pretentious. So yes, it is a Father John Misty album, and Josh Tillman still excels at tormenting those unlucky souls who enjoy his music." Clash (Magazine) - "It's a hybrid of angst and sarcasm and pure beauty. From the chaotic collage of noise opening `Pure Comedy' we're flung head first into a gorgeous ballad that teeters on the edge of uncomfortable and bliss..."

Rovi

前作がNMEなどの年間ベスト企画で上位に選ばれ、ビヨンセやレディ・ガガの作品にも招かれたフリート・フォクシーズの元ドラマー。ブレイクを決定付ける本作は、しかし良い意味で従来通り肩肘張らずに好きな音を追求した内容だ。ランディ・ニューマンにも例えられる普遍的な歌メロを柱に、インドア視点で架空の米国を描き、現実社会の問題を皮肉っぽく浮き彫りにする。往年のバーバンク・サウンドを蘇らせたような一枚。
bounce (C)人與拓馬

タワーレコード（vol.402（2017年4月25日発行号）掲載）