フォーマット |
LPレコード |
---|---|
構成数 |
1 |
国内/輸入 |
輸入 |
パッケージ仕様 |
- |
発売日 |
2020年07月中旬 |
---|---|
規格品番 |
CTI9002 |
レーベル |
|
SKU |
4260019715104 |
構成数 | 1枚
合計収録時間 | 00:00:00
Personnel: Ray Barretto (congas, percussion); Willy Torres (vocals); Joe Farrell (tenor & soprano saxophones, flute); Carlos Franzetti (piano); Charlie Palmieri (piano, percussion); Jeremy Wall, Suzanne Ciani (synthesizers); John Tropea (guitar); Francisco Centeno (bass); Steve Gadd, Mark Craney (drums); Tito Puente (timbales). Reissue Producer: Didier C. Deutsch. Recorded at Van Gelder Studios, Hackensack, New Jersey in August 1979. Includes liner notes by Arnold Jay Smith. Digitally remastered by Chris Herles (Sony Music Studios, New York). Producer Creed Taylor has inspired everything from praise to anger among jazz fans. His work has been brilliant at times, detrimental at others (his worst flaw being a tendency to overproduce). Taylor plays a mostly positive role on La Cuna, a jazz-oriented effort uniting Ray Barretto with such first-class talent as Tito Puente (timbales) and the late Joe Farrell (tenor & soprano sax, flute). As slick as things get at times on La Cuna, Taylor wisely gives the players room to blow on everything from the haunting "Doloroso" and the driving "Cocinando" (a piece by Carlos Franzetti that shouldn't be confused with Barretto's major salsa/cha-cha hit) to a somewhat Gato Barbieri-ish take on Mussorgsky's "The Old Castle." Barretto successfully moves into soul territory on Stevie Wonder's "Pastime Paradise" (which rapper Coolio recast as his hit "Gangsta's Paradise" in 1994). Barretto may hate the term "Latin jazz," but make no mistake: La Cuna is one of his most memorable contributions to that genre. ~ Alex Henderson
エディション | Reissue
-
1.[LPレコード]
欲しい物リストに追加
コレクションに追加
サマリー/統計情報
お早めのご注文で発売日前日にお届けいたします
山口県・四国・九州・沖縄県
フラゲ注文受付期間は地域によって異なります。
お住まいの地域をご確認ください。
発売日前日
にお届けします発売日当日
にお届けしますフラゲ注文受付期間は地域によって異なります。
お住まいの地域をご確認ください。