ショッピングカート
Rock/Pop
LPレコード
Back In The High Life
★★★★★
★★★★★
0.0

在庫状況 について

商品の情報

フォーマット

LPレコード

構成数

1

国内/輸入

輸入 (ヨーロッパ盤)

パッケージ仕様

-

発売日

2017年03月25日

規格品番

5723703

レーベル

SKU

602557237030

作品の情報
メイン
アーティスト
ゲスト
アーティスト
Joe Walsh
オリジナル発売日
1986年
商品の紹介
1986年発売スティーヴ・ウィンウッドの4作目のソロ・アルバムがLPで登場。
発売・販売元 提供資料 (2017/02/06)
More meticulously crafted than its predecessor Arc of a Diver and more musically adventurous than its follow-up, Roll with It, Back in the High Life represents the pinnacle of Steve Winwood's '80s pop output. High production values, interlocking percussion lines, R&B backing vocals, horns, synthesizers, and ideas borrowed from various world musics enhance and update Winwood's proclivity for blues, R&B, and rock. His distinctive blue-eyed soul vocals are, naturally, at the front of the mix as well. The runaway number one single, "Higher Love," with its syncopated groove, pan-African percussion, and slick Top 40 production, kicks off this accessible set. Elsewhere, the dance-gospel of "Wake Me Up on Judgment Day," the semi-acoustic title track, and the funk-touched "Split Decision" (which proves Winwood's R&B roots were still strong) keep the stylistic wheel turning. The record's success, sonically and commercially, should come as no surprise. Since his days in Traffic, Winwood has been a masterful stylistic synthesist, melding a range of aesthetics in ways that invariably connect with listeners. Back in the High Life is further proof of his remarkable abilities. ~ Rovi Staff
Rovi
収録内容

構成数 | 1枚

合計収録時間 | 00:00:00

This was the 1987 Grammy winner for best engineered non-classical recording. More meticulously crafted than its predecessor Arc of a Diver and more musically adventurous than its follow-up, Roll with It, Back in the High Life represents the pinnacle of Steve Winwood's '80s pop output. High production values, interlocking percussion lines, R&B backing vocals, horns, synthesizers, and ideas borrowed from various world musics enhance and update Winwood's proclivity for blues, R&B, and rock. His distinctive blue-eyed soul vocals are, naturally, at the front of the mix as well. The runaway number one single, "Higher Love," with its syncopated groove, pan-African percussion, and slick Top 40 production, kicks off this accessible set. Elsewhere, the dance-gospel of "Wake Me Up on Judgment Day," the semi-acoustic title track, and the funk-touched "Split Decision" (which proves Winwood's R&B roots were still strong) keep the stylistic wheel turning. The record's success, sonically and commercially, should come as no surprise. Since his days in Traffic, Winwood has been a masterful stylistic synthesist, melding a range of aesthetics in ways that invariably connect with listeners. Back in the High Life is further proof of his remarkable abilities. ~ Rovi Staff

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