Rock/Pop
LPレコード

Peter Gabriel 2

0.0

販売価格

¥
4,090
税込
還元ポイント
37pt

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フォーマット LPレコード
発売日 2016年12月02日
国内/輸入 輸入
レーベルReal World Productions
構成数 1
パッケージ仕様 -
規格品番 PGLPR2
SKU 884108004159

構成数 : 1枚
合計収録時間 : 00:00:00
Personnel: Peter Gabriel (vocals, piano, organ, synthesizer); Sidney McGinnis (acoustic, electric & steel guitars, mandolin, background vocals); Robert Fripp (acoustic & electric guitars, programming); George Marge (recorder); Tony Capello (saxophone); Bayete, Roy Bittan (keyboards); Tony Levin (bass, background vocals); Joey Marotta (drums, background vocals). Engineers include: Steve Short, Ed Sprigg, Michael Getlin. Recorded at Relight Studios, Hilvarenbreek, Holland. All tracks have been digitally remastered. Personnel: Peter Gabriel (vocals, piano, organ, synthesizer); Sidney McGinnis (acoustic, electric & steel guitars, mandolin, background vocals); Robert Fripp (acoustic & electric guitars, programming); George Marge (recorder); Tony Capello (saxophone); Bayete, Roy Bittan (keyboards); Tony Levin (bass, background vocals); Joey Marotta (drums, background vocals). Engineers include: Steve Short, Ed Sprigg, Michael Getlin. Recorded at Relight Studios, Hilvarenbreek, Holland. All tracks have been digitally remastered. When Peter Gabriel left the comforting group identity of Genesis after almost ten years, it might've been expected that he would want to re-assert his individuality. However, titling his first three albums PETER GABRIEL was bound to confuse at least a few fans into buying the same record twice (not a bad marketing strategy when you think about it). PETER GABRIEL the (second) album allowed Peter Gabriel (the singer) to stretch a bit more than his Bob Ezrin-produced debut. Under the watchful eye of producer/fellow art-rock refugee Robert Fripp, Gabriel stretched his musical palette from the raucous "On The Air" to the fragile "Flotsam and Jetsam" to the everything-but-the-kitchen-sink "D.I.Y." Not as stark as PETER GABRIEL (III) or as funked-up as SECURITY, PETER GABRIEL (II) shows Gabriel ably charting the idiosyncratic nonformula that he follows to this day.
エディション : Remaster

  1. 1.[LPレコード]
    1. 1.
      On the Air
    2. 2.
      DIY
    3. 3.
      Mother of Violence
    4. 4.
      A Wonderful Day in a One-Way World
    5. 5.
      White Shadow
    6. 6.
      Indigo
    7. 7.
      Animal Magic
    8. 8.
      Exposure
    9. 9.
      Flotsam and Jetsam
    10. 10.
      Perspective
    11. 11.
      Home Sweet Home

作品の情報

メイン
アーティスト： Peter Gabriel

ゲスト
アーティスト： Robert Fripp 、 Tony Levin (Drums)

商品の紹介

ピーター・ガブリエルの初期名作アルバムが180g重量盤完全リマスター・アナログ盤として登場!
全英1位獲得!パーカションや民族音楽、シンセ・サウンドなどを大々的に取り入れた3rdアルバム!(1980年作品)大ヒットシングル「Biko」、「Games Without Frontiers」、「No Self-Control」他 収録。
発売・販売元 提供資料（2017/02/10）

Entertainment Weekly (7/12/02, pp.84-5) - "...Reveals a surprisingly logical progression...Gabriel sharpens his writing and expands his sonic scope with every release..." Rating: B+ Q (6/02, p.137) - 4 stars out of 5 - "...[This album] laid the groundwork for Gabriels 3rd, hit filled album..." Mojo (Publisher) (6/02, p.126) - "...Glum, shapeless, monotonously rough-rocky..."
Rovi

The pairing sounds ideal -- the former front man of Genesis, as produced by the leading light of King Crimson. Unfortunately, Peter Gabriel's second album (like his first, eponymous) fails to meet those grandiose expectations, even though it seems to at first. "On the Air" and "D.I.Y." are stunning slices of modern rock circa 1978, bubbling with synths, insistent rhythms, and polished processed guitars, all enclosed in a streamlined production that nevertheless sounds as large as a stadium. Then, things begin to drift, at first in a pleasant way ("A Wonderful Day in a One-Way World" is surprisingly nimble), but by the end, it all seems a little formless. It's not that the music is overly challenging -- it's that the record is unfocused. There are great moments scattered throughout the record, yet it never captivates, either through intoxicating, messy creativity (as he did on his debut) or through cohesion (the way the third Peter Gabriel album, two years later, would). Certain songs work well on their own -- not just the opening numbers, but the mini-epic "White Shadow," the tight "Animal Magic," the tense yet catchy "Perspective," the reflective closer "Home Sweet Home" -- yet for all the tracks that work, they never work well together. Ironically, it holds together a bit better than its predecessor, yet it never reaches the brilliant heights of that record. In short, it's a transitional effort that's well worth the time of serious listeners, even it's still somewhat unsatisfying. ~ Stephen Thomas Erlewine
Rovi

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