| フォーマット | LPレコード |
| 発売日 | 2017年03月10日 |
| 国内/輸入 | 輸入(ヨーロッパ盤) |
| レーベル | Parlophone |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | 9029586602 |
| SKU | 190295866020 |
構成数 : 1枚
合計収録時間 : 00:00:00
Thomas Napper's Jawbone is a British independent film about a former youth boxing champ who returns home in an effort to rebuild himself after hitting a personal low. It's a quasi-autobiographical effort from its lead actor Johnny Harris -- who also wrote the film and co-produced it -- and he's the guy who brought Paul Weller into the project. Weller has done a lot in his career, but he's never composed a soundtrack, so Jawbone is noteworthy for that reason alone, but it's also interesting because it doesn't follow conventional paths for soundtracks. Jawbone is a hybrid between long-form orchestrations, sculpted songs, and ambient soundscapes, a broad sonic panorama that also reflects many of Weller's strengths. The songs "The Ballad of Jimmy McCabe" and "Bottle" hail back to "English Rose," while "Jawbone" simmers to funky wah-wah rhythms and swaths of psychedelic guitars. These grab the attention -- the other three short selections are essentially incidental music, even "Jawbone Training" with its hyperactive hi-hats -- but the album's centerpiece is its opener, "Jimmy/Blackout," a 21-minute suite that builds from atmospheric electronics to a shimmering sung denouement from Weller. If "Jimmy/Blackout" drifts instead of commands attention, that's the point: like so many of the best soundtracks, it's mood music to be absorbed and felt, not heard. ~ Stephen Thomas Erlewine
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