Jazz
CDアルバム

Celestial Vibration

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2,490
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在庫状況 について

フォーマット CDアルバム
発売日 2017年03月06日
国内/輸入 輸入(イギリス盤)
レーベルSoul Jazz Records
構成数 1
パッケージ仕様 -
規格品番 SJRCD369
SKU 5026328103693

構成数 : 1枚
合計収録時間 : 00:48:47
Photographers: John Shike; Sandy Aquila. Originally released in 1978 by an obscure label from Portland, Maine called SWN Records, Celestial Vibration was the debut release by Edward Larry Gordon, at the time a street musician busking around New York City. This album was released before he adopted the moniker Laraaji, and before Brian Eno happened to come across one of his performances in Washington Square Park, dropped him a note, and produced his first widely available album, the classic Ambient 3: Day of Radiance (1980). In retrospect, Celestial Vibration isn't too different from Day of Radiance, at least in terms of instrumentation and general mood, but in no way does it feel like a first draft or a warm-up. Gordon entered the recording studio with his modified electric zither and kalimba, and improvised while deep in a trance. These in-the-moment sessions were later edited into two side-long compositions, "All Pervading" and "Bethlehem." His playing is influenced by spiritual jazz (particularly Albert Ayler and both John and Alice Coltrane) as well as traditional African rhythms, but it sounds like nothing else before it. "All Pervading" (later excerpted on the essential anthology Celestial Music: 1978-2011) is easily the more uptempo and rhythmic piece of the two. Gordon sounds completely at ease yet profoundly focused, hammering away with precision while electronic effects make the tones swirl and shimmer. The whole performance sounds effortless, and astoundingly beautiful. "Bethlehem" is more experimental, alternating between moments of stillness and sharper, nearly thrashing movements. It does get more melodic, but instead of playing the melody upfront, Gordon seems to suspend it and surround it with eerie vibrating effects. It feels very homemade and intimate; the sounds of Gordon knocking on his instruments while playing are clearly audible. It also seems to predict certain types of the free-folk that made underground waves during the 2000s. As fascinating as anything else Laraaji has recorded since, Celestial Vibration is evidence that his unique vision has been incredibly powerful since the very beginning. ~ Paul Simpson

  1. 1.[CDアルバム]
    1. 1.
      All Pervading

      アーティスト: Laraaji

    2. 2.
      Bethlehem

      アーティスト: Laraaji

作品の情報

メイン
アーティスト: Laraaji

オリジナル発売日:1978年

商品の紹介

英名門Soul Jazzが、今年も音楽史的に意義のあるキラーなアイテムを蘇らせる!!
こちらは、オリジナルが78年にリリースされた、エレクトロニック・チター奏者Laraaji(ララージ)の名作「Celetial Vibration」再発盤!
巨匠ブライアン・イーノの精神を受け継ぐ、ご存じララージの秘宝が名門の手によって復刻CD化!(2010年にSoul Jazz/Universal Soundが初CD化、今回は更にリマスタリングを施し再発!!)本作は78年に、ララージの本名Edward Larry Gordon名義でリリースされた作品で、当時プライベート・プレスで極少量しか流通しなかった逸品。美しく咲き乱れるようなチターの音色が素晴らしい超大作「All Pervading」と、どこか幻想的で生命の息吹、鼓動さえもイメージさせる壮大な作品「Bethlehem」を収録。
<Music from Memory>で再評価されるアンビエントの世界!昨年、ジジマシンなどで感動したニュー・ジェネ達も、これもマスト・アイテムになるでしょう!!
アンビエントの魅力がたっぷり詰まった名作。
発売・販売元 提供資料(2017/02/15)

Originally released in 1978 by an obscure label from Portland, Maine called SWN Records, Celestial Vibration was the debut release by Edward Larry Gordon, at the time a street musician busking around New York City. This album was released before he adopted the moniker Laraaji, and before Brian Eno happened to come across one of his performances in Washington Square Park, dropped him a note, and produced his first widely available album, the classic Ambient 3: Day of Radiance (1980). In retrospect, Celestial Vibration isn't too different from Day of Radiance, at least in terms of instrumentation and general mood, but in no way does it feel like a first draft or a warm-up. Gordon entered the recording studio with his modified electric zither and kalimba, and improvised while deep in a trance. These in-the-moment sessions were later edited into two side-long compositions, "All Pervading" and "Bethlehem." His playing is influenced by spiritual jazz (particularly Albert Ayler and both John and Alice Coltrane) as well as traditional African rhythms, but it sounds like nothing else before it. "All Pervading" (later excerpted on the essential anthology Celestial Music: 1978-2011) is easily the more uptempo and rhythmic piece of the two. Gordon sounds completely at ease yet profoundly focused, hammering away with precision while electronic effects make the tones swirl and shimmer. The whole performance sounds effortless, and astoundingly beautiful. "Bethlehem" is more experimental, alternating between moments of stillness and sharper, nearly thrashing movements. It does get more melodic, but instead of playing the melody upfront, Gordon seems to suspend it and surround it with eerie vibrating effects. It feels very homemade and intimate; the sounds of Gordon knocking on his instruments while playing are clearly audible. It also seems to predict certain types of the free-folk that made underground waves during the 2000s. As fascinating as anything else Laraaji has recorded since, Celestial Vibration is evidence that his unique vision has been incredibly powerful since the very beginning. ~ Paul Simpson
Rovi

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