Fun House

Rolling Stone (12/11/03, p.136) - Ranked #191 in Rolling Stone's "The 500 Greatest Albums Of All Time" Rolling Stone (10/29/70, p.44) - "...They are so exquisitely horrible and down and out that they are the ultimate psychedelic rock band in 1970..." Entertainment Weekly (p.66) - "[O]ne of the dirtiest, grimiest, and most sweat-stained albums ever. It's hard to appreciate just how radical this record was upon it's release..." -- Grade: A+ Q (7/01, p.91) - Included in Q's "50 Heaviest Albums of All Time" - "...Everything rock'n'roll is meant to be: horny, sleazy, obnoxious and scarily alive, lik ebein gwired straight into the mains..." Q (1/94, p.119) - 4 Stars - Excellent Uncut (p.120) - 5 stars out of 5 - "FUN HOUSE the album and 'Funhouse' the song turn '60s dreams of unity and pleasure-as-insurrection inside out..." Melody Maker (2/19/94, p.34) - "...FUNHOUSE is, no contest, the greatest rock n' roll album of all time....The Stooges don't merit your respect as a monument in our collective heritage, they warrant full immersion...." Kerrang (Magazine) (p.51) - "[FUNHOUSE] captured the group at their most thrillingly unhinged....[A] dark paean to heedless hedonism..." Mojo (Publisher) (p.114) - 5 stars out of 5 - "[T]he Stooge machine was savagely tuned, rampaging, able to precision-blast numerous near-identical takes." NME (Magazine) (9/18/93, p.19) - Ranked #48 in NME's list of `The Greatest Albums Of The '70s.'

The Stooges' first album was produced by a classically trained composer; their second was supervised by the former keyboard player with the Kingsmen, and if that didn't make all the difference, it at least indicates why Fun House was a step in the right direction. Producer Don Gallucci took the approach that the Stooges were a powerhouse live band, and their best bet was to recreate the band's live set with as little fuss as possible. As a result, the production on Fun House bears some resemblance to the Kingsmen's version of "Louie Louie" -- the sound is smeary and bleeds all over the place, but it packs the low-tech wallop of a concert pumped through a big PA, bursting with energy and immediacy. The Stooges were also a much stronger band this time out; Ron Asheton's blazing minimalist guitar gained little in the way of technique since The Stooges, but his confidence had grown by a quantum leap as he summoned forth the sounds that would make him the hero of proto-punk guitarists everywhere, and the brutal pound of drummer Scott Asheton and bassist Dave Alexander had grown to heavyweight champion status. And Fun House is where Iggy Pop's mad genius first reached its full flower; what was a sneer on the band's debut had grown into the roar of a caged animal desperate for release, and his rants were far more passionate and compelling than what he had served up before. The Stooges may have had more "hits," but Fun House has stronger songs, including the garage raver to end all garage ravers in "Loose," the primal scream of "1970," and the apocalyptic anarchy of "L.A. Blues." Fun House is the ideal document of the Stooges at their raw, sweaty, howling peak. ~ Mark Deming