1931-1932 is the tenth volume in the French Classics label's chronological documentation of Duke's work. This was one of the finest of Ellington's many fine eras, and his orchestra (which included Cootie Williams, Tricky Sam Nanton, Johnny Hodges, Harry Carney, and Barney Bigard) shines brilliantly. Many of Duke's strongest compositions are given definitive readings here. Two extended takes of "Creole Rhapsody" paint lush soundscapes with a variety of tones and colours from Duke's distinctive compositional palette.
Lesser-known gems like "Limehouse Blues" and "The Mystery Song" are interspersed with such favourites as "Mood Indigo" and "It Don't Mean A Thing (If It Ain't Got That Swing)". Ellington's piano playing is given a rare spotlight on "Lots O' Fingers", where he lets loose with a smoking barrelhouse approach. An overblown arrangement of "St. Louis Blues" (featuring a vocal from Bing Crosby) is something of a misstep, but, like all of Ellington's experiments, even this piece bears attention. This installment of Ellington's chronological output is thoroughly enjoyable, again showing the formidable yet accessible genius of this jazz legend's vision.|

Rovi