Soul/Club/Rap
CDアルバム

W:/2016ALBUM/

0.0

販売価格

¥
2,739
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還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 2017年02月03日
国内/輸入 輸入
レーベルMau5trap
構成数 1
パッケージ仕様 -
規格品番 MAU5CD023S
SKU 883958014363

構成数 : 1枚
合計収録時間 : 01:16:12
Deadmau5's eighth offering, W:/2016ALBUM/, is one of Joel Zimmerman's more focused works, relying on deep grooves that demand an extended listen. Named after the computer directory where he stored the tracks-in-progress, W:/2016ALBUM/ arrived two years after the atmospheric soundscape exercise of 2014's while(1<2). More life is injected into W:/ -- making it a more enjoyable listen -- but the experimental ethos remains. "Glish" sounds like a Kid A castoff dragged through a meat grinder, while "Whelk Then" is a Buddha-Bar lounge jam that is floating in the blackness of space. Exciting ideas pop up on nearly every song, but sometimes they go nowhere or show very little sign of progression. This makes W:/ a rewarding journey for the patient, but not as immediate for those looking for a 4x4=12 physical experience. The closest Zimmerman comes to those festival-sized bangers is "Imaginary Friends" and the relentlessly throbbing "Three Pound Chicken Wing." Instead, the uptempo songs toe the line of progressive house and trance, mostly avoiding the unsubtle and aggressive nature of mainstream 2010s EDM. Album opener "4ware" sparkles and "Deus Ex Machina" hypnotizes, while the disco space-funk of "Cat Thruster" thumps and throbs. "No Problem" is Zimmerman's take on the Daft Punk/Justice sound, while "Snowcone" finds him wandering into the dubby corners of trip-hop. Even though he later dismissed the album as slapdash and scattershot, Zimmerman nonetheless produced a worthwhile listen. Fans will appreciate the new directions and there's enough on W:/2016ALBUM/ to introduce curious new listeners to the mutable world of the mau5. ~ Neil Z. Yeung

  1. 1.[CDアルバム]
    1. 1.
      4ware

      アーティスト: Deadmau5

作品の情報

メイン
アーティスト: Deadmau5

ゲスト
アーティスト: GrabbitzNick Chiari

商品の紹介

Rolling Stone - 3.5 stars out of 5 -- "Tracks ebb and flow from style to style; they end abruptly, rather than pretending to blend seamlessly. This is an album, proper, and most definitely not a mix -- and it's definitely not made just for a big-room dance floor." Pitchfork (Website) - "It can be catchy and immersive, and it's remarkably well-engineered, packed with satisfying oomph and spine-tingling timbres." Clash (Magazine) - "'Snowcone' features multiple oscillating synth lines which are at risk of getting lost in each other if not for a simple hip-hop kick drum pattern that drives the song forward. The effect is transcendental."
Rovi

舌戦でのビッグマウスぶりがクローズアップされるのも実力者ゆえ。発表と同時に物議を醸した新機軸の先行曲"Snowcone"もフタを開けてみればアルバム中の良いアクセントになっており、持ち味のブリーピーなシンセが鳴り響く王道プログレッシヴ・ハウス~EDM路線の楽曲が居並ぶ快心の作。特に作風の幅という点では過去最高に振り切れており、現行EDM界隈ではアタマ一つ飛び抜けた印象だ。
bounce (C)江田まさみ
タワーレコード(vol.400(2017年2月25日発行号)掲載)

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