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The Grateful Dead: 50th Anniversary Deluxe Edition

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フォーマット CDアルバム
発売日 2017年01月20日
国内/輸入 輸入(ヨーロッパ盤)
レーベルRhino
構成数 2
パッケージ仕様 -
規格品番 8122794257
SKU 081227942571

構成数 : 2枚
合計収録時間 : 00:00:00
The Grateful Dead: Jerry Garcia, Bob Weir (vocals, guitar); Ron "Pigpen" McKernan (vocals, harmonica, keyboards); Phil Lesh (vocals, bass); Bill Kreutzmann (drums, percussion). Recorded at RCA Victor Studio A, Hollywood, California and Coast Recorders, San Francisco, California. Includes liner notes by Blair Jackson. All tracks have been digitally remastered using HDCD technology. The Grateful Dead's self-titled first album contains the main ingredients of the unique musical stew the band would brew over the coming years. Upon its release in March 1967, it brought the musical and philosophical ideals of the freak counter-culture out of the Bay Area and into the ears of mainstream America. "The Golden Road (To Unlimited Devotion)" is a Summer Of Love anthem nonpareil. "Good Morning Little Schoolgirl" shows off the Dead's ability to reinterpret the blues, and Pigpen's natural front-man qualities. The hyperactive rockabilly of Jesse Fuller's "Beat It On Down The Line" and the rearranged traditionals "Sitting On Top Of The World" and "Cold Rain And Snow" are proof that, despite the group's anti-establishment fashions, their lyrical symbols and musical forms were as time-honored as the English folk-tale that provided their name. While the cover of Bonnie Dobson's eerie anti-war epic "Morning Dew" and the women-and-wine rocker "New, New Minglewood Blues" are energetic portrayals of hippie values, the closing number, Noah Lewis's "Viola Lee Blues," is the album's grand, mind-blowing concoction and a highlight. The remastered version's live bonus tracks include some never-recorded garage-rock and blues cuts and a 23-minute "Viola Lee Blues" bearing the first hints of the modal riff at the foundation of Dead milestone "Dark Star."
エディション : Remaster、Deluxe Edition

【DISC 1】
《The Grateful Dead : Remastered》
01. The Golden Road (To Unlimited Devotion)
02. Beat It On Down The Line
03. Good Morning Little School Girl
04. Cold Rain & Snow
05. Sitting On Top Of The World
06. Cream Puff War
07. Morning Dew
08. New, New Minglewood Blues
09. Viola Lee Blues

【DISC 2】
《Live at P.N.E. Garden Auditorium, Victoria, BC, Canada 7/29/66》
[7/29/66]
01. Standing On The Corner
02. I Know You Rider
03. Next Time You See Me
04. Sitting On Top of The World
05. You Don't Have To Ask
06. Big Boss Man
07. Stealin'
08. Cardboard Cowboy
09. Baby Blue
10. Cream Puff Wars
11. Viola Lee Blues
12. Beat It On Down The Line
13.Good Morning Little Schoolgirl
[7/30/66]
14. Cold, Rain and Snow
15. One Kind Favor
16. Hey Little One
17. New, New Minglewood Blues

  1. 1.[CDアルバム] DISC 1:
    1. 1.
      The Golden Road (To Unlimited Devotion)
    2. 2.
      Beat It on Down the Line
    3. 3.
      Good Mornin' Little School Girl
    4. 4.
      Cold Rain and Snow
    5. 5.
      Sittin' on Top of the World
    6. 6.
      Cream Puff War
    7. 7.
      Morning Dew
    8. 8.
      New, New Minglewood Blues
    9. 9.
      Viola Lee Blues
  2. 2.[CDアルバム] DISC 2:
    1. 1.
      Standing on the Corner
    2. 2.
      I Know You Rider
    3. 3.
      Next Time You See Me
    4. 4.
      Sittin' on Top of the World
    5. 5.
      You Don't Have to Ask
    6. 6.
      Big Boss Man
    7. 7.
      Stealin'
    8. 8.
      Cardboard Cowboy
    9. 9.
      It's All Over Now, Baby Blue
    10. 10.
      Cream Puff War
    11. 11.
      Viola Lee Blues
    12. 12.
      Beat It on Down the Line
    13. 13.
      Good Mornin' Little Schoolgirl
    14. 14.
      Cold Rain and Snow
    15. 15.
      One Kind Favor
    16. 16.
      Hey Little One
    17. 17.
      New, New Minglewood Blues

作品の情報

メイン
アーティスト： The Grateful Dead

ゲスト
アーティスト： Merl Saunders

その他
エンジニア： Dick Bogert
プロデューサー： Dave Hassinger

オリジナル発売日：1967年

商品の紹介

グレイトフル・デッドのアニヴァーサリーはまだまだ終わらない!2015年の結成50周年に続き、2017年はデビュー・アルバム発売50周年!デッドの奇妙でカラフルな音楽的冒険旅行はここから始まった!!記念すべき1stアルバム『THE GRATEFUL DEAD (グレイトフル・デッド・ファースト)』が新リマスターのオリジナル・アルバムと未発表ライヴ音源を収録した2枚組デラックス・エディションとして登場!!!
発売・販売元 提供資料（2016/12/02）

Uncut - "[T]he reissue argues the case that the Dead initially had the fuzz-and-Farfisa sound that would still get them on the hippest garage-rock compilations today." Mojo (Publisher) (p.152) - "This is the Dead as garage band....It's improved with age and re-mastering, restoring faded guitars solos and adding prime outtakes..."
Rovi

The Grateful Dead's eponymously titled debut long-player was issued in mid-March of 1967. This gave rise to one immediate impediment -- the difficulty in attempting to encapsulate/recreate the Dead's often improvised musical magic onto a single LP. Unfortunately, the sterile environs of the recording studio disregards the subtle and often not-so-subtle ebbs and zeniths that are so evident within a live experience. So, while this studio recording ultimately fails in accurately exhibiting the Grateful Dead's tremendous range, it's a valiant attempt to corral the group's hydra-headed psychedelic jug-band music on vinyl. Under the technical direction of Dave Hassinger -- who had produced the Rolling Stones as well as the Jefferson Airplane -- the Dead recorded the album in Los Angeles during a Ritalin-fuelled "long weekend" in early 1967. Rather than prepare all new material for the recording sessions, a vast majority of the disc is comprised of titles that the band had worked into their concurrent performance repertoire. This accounts for the unusually high ratio (seven:two) of folk and blues standards to original compositions. The entire group took credit for the slightly saccharine "Golden Road (To Unlimited Devotion)," while Jerry Garcia (guitar/vocals) is credited for the noir garage-flavored raver "Cream Puff War." Interestingly, both tracks were featured as the respective A- and B-sides of the only 45 rpm single derived from this album. The curious aggregate of cover tunes featured on the Dead's initial outing also demonstrates the band's wide-ranging musical roots and influences. These include Pigpen's greasy harp-fuelled take on Sonny Boy Williamson's "Good Morning Little School Girl" and the minstrel one-man-band folk of Jessie "the Lone Cat" Fuller's "Beat It On Down the Line." The apocalyptic Cold War folk anthem "Morning Dew" (aka "[Walk Me Out in The] Morning Dew") is likewise given a full-bodied electric workout as is the obscure jug-band stomper "Viola Lee Blues." Fittingly, the Dead would continue to play well over half of these tracks in concert for the next 27 years. ~ Lindsay Planer
Rovi

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