Rock/Pop
CDアルバム

The Long Road Home

0.0

販売価格

¥
2,090
税込
還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 2017年02月17日
国内/輸入 輸入
レーベルEarache
構成数 1
パッケージ仕様 -
規格品番 ERRE5020342
SKU 817195020344

構成数 : 1枚
合計収録時間 : 00:40:11
Personnel: C.C. White (vocals); Kasper Jensen (banjo); Luis Mascaro (violin); Jonathen Beard (cello); Sasha Smith (keyboards); Richard Bradley (drums); Jim Kaufman (percussion). Audio Mixer: Rick Carson. Country music may not seem like the obvious move for Danny Worsnop, the lead singer of the English metalcore band Asking Alexandria, but who's to say what's in the heart of a man? Certainly, Worsnop cared enough about American roots music to extricate himself from Asking Alexandria and record The Long Road Home, a 2017 solo debut that finds the singer plumbing the depths of his soul with a steel guitar. By the time The Long Road Home appeared in February of 2017, Worsnop had returned to Asking Alexandria, so it's hard to tell whether this is a quick detour or a possible second career. Either way, The Long Road Home is an odd record, divided between earnest balladeering and uptempo genre pieces that play like near-parodies; the two-step "I Feel Like Shit" seems like a send-up of country, as does "Don't Overdrink It," with both songs emphasizing the trappings of country music instead of the core construction of the tunes. Elsewhere, Worsnop slows things down, carving out a space between modern rock and contemporary country, relying on sincere crooning -- an act that feels like a pose due to the earnestness of the album -- and po-faced songs. Much of the album is dedicated to sincere explorations of backwoods sensibilities, and that's the problem: everything on The Long Road Home is performed at a distance, authentic music interpreted through a filter. At times, he shakes off conventions and delivers songs that feel heartfelt -- ironically, these are the songs that conform to the constructions of mainstream country -- but the whole thing feels like a pose: this is music made by somebody who wants to be country, not somebody who is. ~ Stephen Thomas Erlewine

  1. 1.[CDアルバム]
    1. 1.
      Prozac
    2. 2.
      Mexico
    3. 3.
      I Feel Like Shit
    4. 4.
      Anyone But Me
    5. 5.
      High
    6. 6.
      I Got Bones
    7. 7.
      Quite a While
    8. 8.
      Don't Overdrink It
    9. 9.
      I'll Hold On
    10. 10.
      Midnight Woman
    11. 11.
      Same Old Ending
    12. 12.
      The Man

作品の情報

メイン
アーティスト: Danny Worsnop

商品の紹介

The Long Road Home is the first solo effort from Asking Alexandria frontman Danny Worsnop. A departure from the metalcore sound of his mainstay outfit, the album consists of blues-drenched country songs with introspective and personal lyrics traversing loss, heartbreak, and addiction. Released through Earache Records, the record is led by the single "Mexico." ~ Rob Wacey|
Rovi

Country music may not seem like the obvious move for Danny Worsnop, the lead singer of the English metalcore band Asking Alexandria, but who's to say what's in the heart of a man? Certainly, Worsnop cared enough about American roots music to extricate himself from Asking Alexandria and record The Long Road Home, a 2017 solo debut that finds the singer plumbing the depths of his soul with a steel guitar. By the time The Long Road Home appeared in February of 2017, Worsnop had returned to Asking Alexandria, so it's hard to tell whether this is a quick detour or a possible second career. Either way, The Long Road Home is an odd record, divided between earnest balladeering and uptempo genre pieces that play like near-parodies; the two-step "I Feel Like Shit" seems like a send-up of country, as does "Don't Overdrink It," with both songs emphasizing the trappings of country music instead of the core construction of the tunes. Elsewhere, Worsnop slows things down, carving out a space between modern rock and contemporary country, relying on sincere crooning -- an act that feels like a pose due to the earnestness of the album -- and po-faced songs. Much of the album is dedicated to sincere explorations of backwoods sensibilities, and that's the problem: everything on The Long Road Home is performed at a distance, authentic music interpreted through a filter. At times, he shakes off conventions and delivers songs that feel heartfelt -- ironically, these are the songs that conform to the constructions of mainstream country -- but the whole thing feels like a pose: this is music made by somebody who wants to be country, not somebody who is. ~ Stephen Thomas Erlewine
Rovi

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