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| フォーマット | CDアルバム |
| 発売日 | 2017年02月03日 |
| 国内/輸入 | 輸入 |
| レーベル | Fat Possum |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | FP15922 |
| SKU | 767981159225 |
構成数 : 1枚
合計収録時間 : 00:42:22
Recording information: MadSound, Copenhagen, NV (03/2016-07/2016).
In the 2010s, Denmark became home to a new breed of bands who took the rage and ferocity of punk rock and transformed it into something more polished and exacting, but no less powerful. But if bands like Iceage and Lower are reworking the frameworks of punk, Copenhagen's Communions are their new wave counterparts. 2017's Blue, the first full-length album from the Communions, is all clean lines, crisply processed drums, and cool, melodic guitar figures, suggesting they're a lost British band from the era when the Cure, Echo and the Bunnymen, the Chameleons, and the Mighty Lemon Drops held sway. Communions aim for a brighter, less gloomy sound than those acts, but the framework isn't especially different, and you could drop most tracks from Blue into a mix drawn from a late-'80s episode of 120 Minutes and most listeners would never be the wiser. This speaks to the skill of the band; in less than three years, they've evolved into an outfit that can play at the level of their influences, and write tunes that musically and lyrically point to influences of the past and attitudes of the present day. Lead vocalist Martin Rehof can sound passionate and yearning at once, while guitarist Jacob van Deurs Formann, bassist Mads Rehof (Martin's brother), and drummer Frederik Lind Koppen perform with crisp professionalism, while producers Mads Norgaard and Malte Fischer capture them with a sound that's slick but not overbearing. Blue is an inarguably impressive full-length debut, and it highlights their ability to evoke the sound and mood of a particular time and place. ~ Mark Deming
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