Rock/Pop
CDアルバム

Homogenic

3.5

販売価格

¥
2,690
税込
還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 1997年09月23日
国内/輸入 輸入
レーベルElektra
構成数 1
パッケージ仕様 -
規格品番 62061
SKU 075596206129

構成数 : 1枚
合計収録時間 : 00:43:32
Personnel includes: Bjork (vocals, keyboards); Gavin Wright, Wilf Gibson, Peter Oxer, Roger Garland, Jim McLeod, Ben Cruft (violin); George Robertson, Peter Lale, Roger Chase, Bill Hawkes (viola); Martin Loveday, Helen Liebmann, Paul Kegg, John Tunnell (cello); Helen Tunstall (harp); Alasdair Malloy (harmonica); Yasuhiro Kobayashi (accordian); Jeff Bryant (horns); Mark Bell (keyboards, programming, drum programming); Guy Sigsworth (keyboards, clavichord, organ); Chris Laurence, Paul Pritchard (bass); Steve Henderson (timpani); Frank Ricotti (military snare); Trevor Morais (electronic drums); Markus Dravs (programming, drum programming); Richard Brown, Marius DeVries, Howie B. (programming); The Icelandic String Octet. Producers: Bjork, Mark Bell, Guy Sigsworth, Howie B. HOMOGENIC was nominated for a 1998 Grammy for Best Alternative Music Performance. "Bachelorette was nominated for the 1999 Grammy Award for Best Short Form Music Video. Personnel: Bjork (keyboards); Helen Tunstall (harp); Una Sveinbjarnardottir, Mark Berrow, Peter Oxer, Benedict Cruft, James McLeod , Maciej Rakowski, Perry Montague-Mason, Wilfred Gibson, Sif Tulinius, Sigrun Edvaldsdottir, Sigurbjorn Bernhardsson, Vaughan Armon, Roger Garland, Gavyn Wright (violin); Hrund Hardardottir, George Robertson , Roger Chase, Moeidur Anna Sigurdardottir, Bill Hawkes, Peter Lale (viola); John Tunnell, Sigurdur Bjarki Gunnarsson, Jon R. Ornolfsson, Paul Kegg, Helen Liebmann, Martin Loveday (cello); Alasdair Alloy (harmonica); Yasuhiro Kobayashi (accordion); Michael Thompson , Jeffrey Bryant , Jeff Bryant (horns); Guy Sigsworth (clavichord, keyboards); Mark Bell (keyboards, programming, drum programming); Trevor Morais (drums, electronic drums); Frank Ricotti (snare drum); Alasdair Malloy (glass armonica); Stephen Henderson (timbales, timpani); Markus Dravs (programming, drum programming); Richard Brown, Howie B, Danny Joe Brown Band, Marius de Vries (programming). Audio Mixers: Howie B; Mark "Spike" Stent. Photographer: Nick Knight. Arrangers: Deodato; Bjork. As one of modern music's most enigmatic and consistently entertaining personalities, Bjork has never shied away from the edge. Whether making straight ahead dance music, exploratory modern rock, or even show-tune-caliber drama, her vision has always remained innovative and original. Her voice jumps, in the space of a syllable, from a kitten-like purr to a banshee's howl, and is never anything less than captivating. HOMOGENIC, her latest musical endeavor, finds her plunging headlong into electronica, a form well-suited to her intense, offbeat phrasing and tone. From the skittering breakbeats and ghostly wails of the opening "Hunter" to the all-out electronic crash that is "Pluto," HOMOGENIC explores the melding of human and machine. The drama of "Bachlorette" finds a lush, rich string section following a tripping electronic beat, giving way to the Icelandic wonder's trademark wail. The juxtaposition of thoroughly modern sounds with conventional elements, such as symphonic arrangements, pipe organ, and accordion, form a central theme, to which HOMOGENIC's title undoubtedly refers. On HOMOGENIC, the traditional and the technological find their meeting point in Bjork's soaring, otherworldly voice.
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      Hunter

      アーティスト: Bjork

    2. 2.
      Joga

      アーティスト: Bjork

    3. 3.
      Unravel

      アーティスト: Bjork

    4. 4.
      Bachelorette

      アーティスト: Bjork

    5. 5.
      All Neon Like

      アーティスト: Bjork

    6. 6.
      5 Years

      アーティスト: Bjork

    7. 7.
      Immature - (Mark Bell's Version mix)

      アーティスト: Bjork

    8. 8.
      Alarm Call

      アーティスト: Bjork

    9. 9.
      Pluto

      アーティスト: Bjork

    10. 10.
      All Is Full of Love

      アーティスト: Bjork

作品の情報

メイン
アーティスト: Bjork

その他
アーティスト: Howie B
エンジニア: Markus Dravs

オリジナル発売日:1997年

商品の紹介

Rolling Stone (10/16/97, pp.103-104) - 4 Stars (out of 5) - "...she leaves home and investigates love's bumpier back roads....celebrates difference and challenges listeners to explore the joys of contradiction with open ears and vivid imagination....one of the boldest--and most exciting--albums of the year." Spin - "[A]n eerily sustained work that ambitiously shares the methods and auras of contemporary design, film, and theater; and it represents progress on nobody's terms except Bjork's admittedly fanciful own." Spin (1/98, p.86) - Ranked #4 on Spin's list of the "Top 20 Albums Of The Year." Spin (10/97, p.135) - 9 (out of 10) - "...the 31-year-old Reykjavik native's new album delves deeply into hip-hop, flies in orchestras, and proves that the electronic generation will yield much more than a string of dance epiphanies..." Entertainment Weekly (9/26/97, pp.76-77) - "...may be Bjork's most audacious move in a career filled with them....On roughly half the album she and coproducer Mark Bell...take two seemingly incompatible genres--techno and classical--and weld them together. It's like sneaking a boom box into a chamber recital and seeing what happens..." - Rating: A Melody Maker (12/20-27/97, pp.66-67) - Ranked #33 on Melody Maker's list of 1997's "Albums Of The Year." Village Voice (2/24/98) - Ranked #9 in the Village Voice's 1997 Pazz & Jop Critics' Poll. NME (Magazine) (12/20-27/97, pp.78-79) - Ranked #15 in NME's 1997 Critic's Poll. NME (Magazine) (9/20/97, p.54) - 9 (out of 10) - "...her third solo album, HOMOGENIC, is probably her most weird, it is also her best....It is here...that Bjork has delivered her most emotional, highly-charged and groovy record, as well as a stinging triumph for the spirit of adventure." Pitchfork (Website) - "Lyrically, the record picks up themes she had already explored on her previous two albums -- loneliness; sexual desire; desperate, even defiant love; the feeling of being a fish out of water -- but her writing is more vivid than ever before."
Rovi

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2件のレビューがあります
3.5
50%
0%
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50%
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「DEBUT」「POST」の2作で有名になったビョークの革新的な進化を遂げた3作目。LFOのマーク・ベルらを迎え、モダンなテクノ・ビートと荘厳なオーケストラの演奏によって、情感的な歌声がより心に入り込んでくる。
2020/04/23 KNさん
0
仏教に対する侮辱が問題だと思う。
2002/03/03 txmさん
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