Soul/Club/Rap
CDアルバム

HERE

4.0

販売価格

¥
2,189
税込
還元ポイント

在庫状況 について

フォーマット CDアルバム
発売日 2016年10月20日
国内/輸入 輸入
レーベルRCA
構成数 1
パッケージ仕様 -
規格品番 88843098782
SKU 888430987821

構成数 : 1枚
合計収録時間 : 00:45:55
Recording information: Jungle City Studios, NYC; Oven Studios, NYC. Photographer: Paola Kudacki. Between the release dates of her fifth and sixth albums, Alicia Keys was as visible as ever, acting on Empire, coaching on The Voice, performing on Saturday Night Live and at the 2016 Democratic National Convention. At some point, she stopped wearing makeup, fed up with the standard of perfection to which women are held. That anti-processing mentality and heightened social consciousness carried into the making of Here. Pared down compared to Girl on Fire in every respect, Keys' first album since 2012 was created primarily with husband Swizz Beats and Mark Batson -- a trio dubbed in the liner notes as the Il'luminaries. There are more yeahs, ohs, and unghs (and fucks) here than on any previous Keys album. The expressions are sometimes heard as Keys feels out a rhythm, like she's warming up, while in "The Gospel" they sound like temporary placeholders for lyrics. There's a batch of career standouts. "She Don't Really Care_1 Luv" is prime hip-hop soul with an appearance from legendary vibraphonist Roy Ayers. The biographical "Blended Family (What You Do for Love)," featuring A$AP Rocky, hits all the right supportive notes despite borrowing from Edie Brickell's "What I Am." Most affecting of all is the gospel-blues dirge "Illusion of Bliss," a modern-day version of James Brown's "King Heroin" presented from the addict's point of view. Anyone who faults Keys' lack of technical mastery should be able to feel the depth of the pain the singer expresses in that highlight. ~ Andy Kellman

  1. 1.[CDアルバム]
    1. 1.
      Beginning, The (Interlude)
    2. 2.
      Gospel, The
    3. 3.
      Pawn It All
    4. 4.
      Elaine Brown (Interlude)
    5. 5.
      Kill Your Mama
    6. 6.
      She Don't Really Care_1 Luv
    7. 7.
      Elevate (Interlude)
    8. 8.
      Illusion of Bliss
    9. 9.
      Blended Family (What You Do for Love) - (featuring A$AP Rocky)
    10. 10.
      Work on It
    11. 11.
      Cocoa Butter (Cross & Pic Interlude)
    12. 12.
      Girl Can't Be Herself
    13. 13.
      You Glow (Interlude)
    14. 14.
      More Than We Know
    15. 15.
      Where Do We Begin Now
    16. 16.
      Holy War

作品の情報

メイン
アーティスト: Alicia Keys

ゲスト
アーティスト: A$AP Rocky

その他
プロデューサー: Alicia Keys

商品の紹介

Rolling Stone - 3.5 stars out of 5 -- "Alicia Keys' eighth album downplays her classical training in favor of a grittier R&B edge. She roughs up the piano she once played prettily, endows her vocal exertions with more church than ever, and leans into a solid old-school hip-hop backbone..." Entertainment Weekly - "The combination of her subject matter and her urgent delivery makes HERE her most vital release in years..." NME (Magazine) - "[S]urprisingly fresh sixth album....The piano-playing New Yorker barely falters as she shows a more honest and socially conscious side to her songwriting." Pitchfork (Website) - "To her credit, she flexes some surprising dexterity, moving easily between ballads and more uptempo beats and varying her delivery to occasionally take on a rapper's cadence, for example on 'The Gospel.'"
Rovi

途中に"We Are Here"(2014年)などで予感を窺わせていたものの、気付けば『Girl On Fire』から4年が経過。意識の高さが(音楽として)おもしろくない方向に向かうのでは……とか思ってもいたのだが、よく考えれば彼女がそんなものを作るはずはない。実質的なオープニングとなる"The Gospel"にてウータン・クランの足音が響くのを聴けば、その地平に彼女が立っていることもまた容易に実感できる。それも"Empire State Of Mind"で謳歌した表通りのNYではなく、気の置けないコミュニティー性に溢れた猥雑な裏通りのNY。もちろん、その意識は良いタイミングでATCQを持ってきた"She Don't Really Care"やナズを引用した"1 Luv"のようなノスタルジー込みの部分に止まらない。エイサップ・ロッキーを招いた"Blended Family(What You Do For Love)"や、デビュー時のアリシア自身をまざまざと思い出させる"Work On It"など、マーク・バトソンらの助力を得て多角的なNYらしさ=自分らしさを表現した力作だ。
bounce (C)轟ひろみ
タワーレコード(vol.397(2016年11月25日発行号)掲載)

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最早説明不要のトップアーティストAlicia Keysの6ndフルアルバム
彼女の思想やアイデンティティを表現した楽曲ばかりが並ぶが、楽曲のクオリティと、圧倒的な表現力は思想を無視しても聴くべき作品だろう
アコースティックでの弾き語りやHip-Hopの引用など楽曲の表情も多彩で、1stからまず外れのアルバムがないのも凄まじい
2019/02/27 yasuさん
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