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| フォーマット | CDアルバム |
| 発売日 | 2016年11月10日 |
| 国内/輸入 | 輸入 |
| レーベル | Fat Possum |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | 11442 |
| SKU | 767981114422 |
構成数 : 1枚
合計収録時間 : 00:41:33
Personnel: Al Green (vocals); Teenie Hodges (guitar); The Memphis Strings (strings); James Mitchell, Andrew Love, Lewis Collins (saxophone); Wayne Jackson (trumpet); Jack Hale (trombone); Archie Turner, Michael Allen (piano); Charles Hodges (organ); Leroy Hodges (bass); Howard Grimes (drums, congas, bongos); Rhodes, Chalmers & Rhodes, Duncan Sisters (background vocals).
Recorded at Royal Recording Studios, Memphis, Tennessee. Includes liner notes by Bill Dahl.
Personnel: Larry Lee, Mabon "Teenie" Hodges (guitar); Andrew Love, Lewis Collins (tenor saxophone); James Mitchell (baritone saxophone); Wayne Jackson (trumpet); Jack Hale (trombone); Charles Hodges (piano, organ); Michael Allen, Archie Turner (piano); Howard Grimes (drums, congas, bongos); Congo Lou (conga drum); Donna Rhodes, Charles Chalmers (background vocals).
Recording information: Royal Recording Studios, Memphis, Tennessee.
Photographers: Bob Levy ; Buddy Rosenberg.
Once you've perfected a format you helped to invent, where do you go next? Miles Davis' response to that question was to abandon the format's structures and create a flowing, free-form style with a spontaneous, stream-of-consciousness feel. Al Green's answer was very much the same. In 1975, Green left behind the tight, meticulously-arranged style that made him an R&B hero to pursue a less corporeal muse.
AL GREEN IS LOVE finds the singer jumping into his favorite song subject with both feet, almost to the point of obsession. The concepts of romantic, spiritual and physical love are fused into an organic whole, from the center of which Green emits reams of soulful, improvisatory luv-philosophy. An artist like Green is too naturally funky to let things drag, no matter how high-minded the proceedings, and cuts like "Oh Me, Oh My (Dreams In My Arms)" and "I Gotta Be More (Take Me Higher)" are propulsive and catchy, providing the perfect contrast to the delicate, contemplative mood of the bulk of the material here. By the end of this album, listeners should have little doubt as to the accuracy of its titular proclamation.

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