Good God'S Urge (Black Friday/Record Store Day Exclusive)

構成数 : 1枚
合計収録時間 : 00:00:00
Porno For Pyros: Perry Farrell (vocals, harp, keyboards, percussion, samples); Peter DiStefano (guitar, samples, background vocals); Martyn LeNoble (bass); Stephen Perkins (drums, percussion, samples, background vocals). Additional personnel: John Flannery (guitar, trash can, background vocals); David Navarro, Daniel Ash (guitar); Matt Hyde (slide guitar, samples); Lili Haydn (violin); Leo Chelyapov (clarinet); Ralf Rickert (trumpet); Thomas Johnson (keyboards); Flea, David J, Mike Watt (bass); Thomas Johnson (samples, sound effects); Kevin Haskins (samples); Kimberly Juarez, Josh "Bagel" Klassman, Christine Cagle, Shawn London (background vocals). Producers: Perry Farrell, Thomas Johnson, Matt Hyde. Recorded at Shangri-La Studios, Zuma Beach, California and The Record Plant, Los Angeles, California. Pyros maniac Perry Farrell has always favored his creative instincts over the quick buck. His first band, Jane's Addiction, mixed punk, funk and classic-rock riffs at a time when rock was ruled by hair bands; Porno For Pyros entered the alt-rock sweepstakes by touring on a stage that looked like a circus sideshow and refusing to play Jane's Addiction songs. GOOD GOD'S URGE, the second Porno album, finds Farrell on a more metaphysical tip--inspired, apparently, by frequent surfing trips to the South Seas (he alludes to them in "Tahitian Moon" and "Bali Eyes"). It's a radically different album than PORNO FOR PYROS. Bassist Martyn LeNoble quit the band midway through the recording of GOOD GOD'S URGE, and was replaced by ex-Minutemen/Firehose bassist Mike Watt. That's Watt on the surreal "100 Ways," a song that sounds like the result of a Spanish bullfighter discovering Eastern mysticism. The British band Love And Rockets provides the backing on dreamy opening cut, "Porpoise Head." Some tunes, such as "Dogs Rule The Night," actually cleave close to the old Jane's sound; others show a continuing drive to explore. "Wishing Well" is a swirling mass in the middle of which a clarinet plays a klezmer-like break.