Rock/Pop
CDアルバム

Apocalypse Fetish

0.0

販売価格

¥
1,890
税込
ポイント15%還元

在庫状況 について

フォーマット CDアルバム
発売日 2016年10月28日
国内/輸入 輸入
レーベルDomino Recording Co.
構成数 1
パッケージ仕様 -
規格品番 RUG790CD
SKU 887829079024

構成数 : 1枚
合計収録時間 : 00:00:00
A five-song EP that runs through its paces in an efficient 17-and-a-half minutes, Lou Barlow's 2016 effort Apocalypse Fetish finds him returning to his lo-fi D.I.Y. roots. Barlow had a studio and an engineer at his disposal this time around, so the audio on Apocalypse Fetish is far cleaner than on those early Sebadoh recordings. But Barlow handles all the vocals and instruments on these songs, and the stripped-down, primarily acoustic arrangements bear a certain resemblance to his downbeat, self-recorded post-Dinosaur Jr. material. This wasn't recorded in Barlow's bedroom, but in terms of how this plays out, it could have been, and that works in his favor. The rough-hewn simplicity of the production flatters Barlow's melodies, and the sometimes overloaded report of his guitar, ukulele, and voice adds to the emotional intensity of the performances. While the title track deals with the consequences of predicted disasters that don't arrive, most of the tunes on Apocalypse Fetish find Barlow obsessing over his neuroses and his problems with women. Thankfully for him, he seems to have a better handle on such things these days, but his ability to tap into his insecure younger self still makes for good music, and you need look no further than these songs for proof. Though released through an established indie label, Barlow's liner notes cite Apocalypse Fetish as part of his "Loobiecore" series of esoteric self-released items, and it fits that billing. Deliberately modest in scale, this EP is Barlow in obsessive and personal mode, and few veteran indie rock artists can still tap into this side of their muse as effectively as he does. ~ Mark Deming

  1. 1.[CDアルバム]
    1. 1.
      The Breeze
    2. 2.
      Apocalypse Fetish
    3. 3.
      Anniversary Song
    4. 4.
      Pour/Reward
    5. 5.
      Try 2 B

作品の情報

メイン
アーティスト: Lou Barlow

商品の紹介

ダイナソーJr、セバドーと90年代USオルタナ、ローファイ・シーンを築いてきた最重要人物ルー・バーロウが全編ウクレレ、5曲入りEPをリリース!!
ニルヴァーナ、R.E.M.、ソニック・ユースらと共に、USオルタナ、グランジ・シーンを盛り上げたダイナソーJrのベーシストであり、同時にペイヴメントと共にローファイ・シーンを確立した伝説的バンド、セバドーのボーカル兼ギタリスト。そしてカルト的人気を誇る映画監督ラリー・クラークによる名作『キッズ』の楽曲を手掛けたフォーク・インプロージョンとしても活動中のルー・バーロウ。そんなUSインディー・シーンの最重要人物である彼が全編ウクレレ、10インチ5曲入りEP『アポカリプス・フェティッシュ』をリリース!2015年、ウィスコンシン州ミルウォーキーにて開催されたバンド、プライマスのライヴにてオープニング・アクトをダイナソーJrが務めた際にバックステージのシャワールームでウクレレを弾いていたら、タイル張りの部屋が不思議なリバーブを作りだした所から始まったと言う。レコーディングに入るまで曲自体は完成しておらず、前作のソロアルバム『ブレイス・ザ・ウェーヴ』を収録した同じマサチューセッツ州のスタジオにてJustin Pizzoferrato(ソニック・ユース、ダイナソーJr、サーストン・ムーア)と共にレコーディングを敢行。普通のウクレレには聞こえないようなチューニングを施し、前作の続編と言えるオルタナ・フォークEPが完成した。ジャケットにはこの間産まれたばかりの愛娘の写真が起用されている。
発売・販売元 提供資料(2016/10/11)

Pitchfork - "[T]he new EP tackles end-of-the-world angst....As these songs show, Barlow isn't losing a step as a composer -- his craft sounds more effortless as he grows."
Rovi

A five-song EP that runs through its paces in an efficient 17-and-a-half minutes, Lou Barlow's 2016 effort Apocalypse Fetish finds him returning to his lo-fi D.I.Y. roots. Barlow had a studio and an engineer at his disposal this time around, so the audio on Apocalypse Fetish is far cleaner than on those early Sebadoh recordings. But Barlow handles all the vocals and instruments on these songs, and the stripped-down, primarily acoustic arrangements bear a certain resemblance to his downbeat, self-recorded post-Dinosaur Jr. material. This wasn't recorded in Barlow's bedroom, but in terms of how this plays out, it could have been, and that works in his favor. The rough-hewn simplicity of the production flatters Barlow's melodies, and the sometimes overloaded report of his guitar, ukulele, and voice adds to the emotional intensity of the performances. While the title track deals with the consequences of predicted disasters that don't arrive, most of the tunes on Apocalypse Fetish find Barlow obsessing over his neuroses and his problems with women. Thankfully for him, he seems to have a better handle on such things these days, but his ability to tap into his insecure younger self still makes for good music, and you need look no further than these songs for proof. Though released through an established indie label, Barlow's liner notes cite Apocalypse Fetish as part of his "Loobiecore" series of esoteric self-released items, and it fits that billing. Deliberately modest in scale, this EP is Barlow in obsessive and personal mode, and few veteran indie rock artists can still tap into this side of their muse as effectively as he does. ~ Mark Deming|
Rovi

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