第六感まで研ぎ澄ませろ!これが"すべての若き野郎ども"へのBOWIEの遺産(レガシー)その伝説は、時代を超えた総ての創造性を刺激し続け、彼が遺した「音楽」の輝きは、世代を超えて常にインスピレーションを与え続ける光となる。音楽、アート、ファッション、文化、その全てにおいて社会に多大なる影響を持つ類まれなるアーティスト:DAVID BOWIE。彼が1969年に発表した「Space Oddity」から最後のシングル「Lazarus」までを網羅した、究極のベスト・アルバム!

発売・販売元 提供資料 （2016/09/30）

Not the first posthumous compilation from David Bowie -- that would be the lavish box Who Can I Be Now? (1974-1976), which was planned prior to his January 10, 2016 death -- Legacy is nevertheless the first designed with his, well, legacy in mind. That much can be gleaned from the title of the compilation, but that's a bit of a feint since this set essentially repackages the simplest incarnation of a previous Bowie hits compilation, 2014's Nothing Has Changed. Legacy is available as a single and a double-disc, both carrying sequencings that mirror those on Nothing Has Changed (and both featuring a new mix of "Life on Mars?"). On the single disc, the first 12 songs are the same, then the back sequence is different, discarding "Absolute Beginners" and "Hallo Spaceboy" and concluding with "Where Are We Now?" and "Lazarus." Similarly, the double-disc has a nearly identical sequencing on its first disc -- "Ashes to Ashes" and "Fashion" are swapped -- with the differences arriving in the comp's final six songs, so Heathen's "Everyone Says Hi" is here, and this concludes with "Lazarus" and "I Can't Give Everything Away." In both cases, the Legacy sequencing is slightly better than that on Nothing Has Changed, since it winds up ending on the elegiac note that Bowie gave Blackstar. Still, it's splitting hairs: the 2016 and 2014 compilations are similar to each other, and they're also similar to the many Bowie comps that came before, and they're all just as likely to satisfy and pique interest. ~ Stephen Thomas Erlewine|

Rovi