Baduizm

2.0

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6,290

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フォーマット	LPレコード
発売日	2016年10月21日
国内/輸入	輸入
レーベル	Motown
構成数	2
パッケージ仕様	-
規格品番	MOTB0025328011
SKU	602557018066

構成数 : 2枚
合計収録時間 : 00:00:00
Personnel: Erykah Badu (vocals, keyboards, programming); Madukwu, N'Dambi (vocals); Bob Power, Tone The Backbone (various instruments, programming); Ike Lee III (keyboards, programming); Ron Carter (bass); John Meredith (drum programming). Producers include: Madukwu Chinwah, Bob Power, JaBorn Jamal, Ike Lee III, Erykah Badu. Engineers include: Michael Gilbert, Chris Trevit, Bob Powers. Recorded at Battery Studios, New York, New York; Dallas Sound Lab, Dallas, Texas; Sigma Sounds and Ivory Studios, Philadelphia, Pennsylvania. Erykah Badu was nominated for the 1998 Grammy Award for Best New Artist. BADUIZM won the 1988 Grammy Award for Best R&B Album. "On & On" won the 1998 Grammy Award for Best Female R&B Vocal Performance and was nominated for Best R&B Song. BADUIZM marks the debut of a true songstress, with a voice like Billie Holiday's and a style that crosses many boundaries. Erykah Badu has exceptional rhythm, character and vibe, and a songwriting style that should restore some life to modern R&B. From her groundbreaking single "On & On" to freestyle skits like "Afro", Badu separates herself from other '90 vocalists with a style that is as broad as it is original. It's also real: On "Next Lifetime" and "Certainly," Badu demonstrates a remarkable ability to turn life's experiences into beautiful songs.

1.[LPレコード] DISC 1:
1. 1.
  
  Rim Shot
2. 2.
  
  On & On
3. 3.
  
  Appletree
4. 4.
  
  Other Side of the Game
5. 5.
  
  Sometimes
6. 6.
  
  Next Lifetime
7. 7.
  
  Afro
8. 8.
  
  Certainly
2.[LPレコード] DISC 2:
1. 1.
  
  4 Leaf Clover
2. 2.
  
  No Love
3. 3.
  
  Drama
4. 4.
  
  Sometimes
5. 5.
  
  Certainly
6. 6.
  
  Rim Shot

作品の情報

メイン

アーティスト： Erykah Badu

ゲスト

アーティスト： Ron Carter

オリジナル発売日：1997年

商品の紹介

生楽器と歌にこだわった深みのあるパフォーマンス、アフリカへの回帰を志向するファッション性やポリシーにより、"ネオ・ソウル・ムーヴメント"を代表する知的なR&Bシンガー、エリカ・バドゥが1997年に発表したデビュー・アルバムのアナログ盤。ストイックにオーガニックなサウンドを追求し、シーンに衝撃を与えた作品。

発売・販売元提供資料（2025/06/17）

Rolling Stone (5/13/99, pp.76-77) - Included in Rolling Stone's "Essential Recordings of the 90's." Rolling Stone (2/20/97, pp.66-68) - 3.5 Stars (out of 5) - "...Badu is from the Diana Ross school of Billie Holiday imitation...mainly interested in just being herself....BADUIZM's strength lies in her ability to filter jazz vocals through hip-hop without any fuss or fanfare..." Spin (1/98, p.87) - Ranked #12 on Spin's list of the "Top 20 Albums Of The Year." Entertainment Weekly (2/14/97, p.62) - "...Badu's nouvelle-soul debut hits the target, blows it up, reinvents it. Sweetly cooing over Ron Carter's walking bass rhythms and the Roots' poetic wordplay, the singer echoes Lady Day--especially her phrasing and cadence..." - Rating: A Q (1/98, p.111) - Included in Q Magazine's "50 Best Albums of 1997." Q (4/97, p.117) - 4 Stars (out of 5) - "...a warm thoroughly idiosyncratic record which mixes jazz, soul and a slice or two of hip hop into a rich, smoky musical brew..." Q (p.132) - 4 stars out of 5 - "File next to D'Angelo or OutKast's Badu-featuring HUMBLE MUMBLE, under loaded-soul perfection." Vibe (3/97, p.133) - "...BADUIZM is rooted in an old vocab....[It] serves as a conduit for an awakening of something dark, familiar, and long slept....Badu...reaches for the joyful, exacting vocal arrangements of the Sweet Inspirations and the Emotions..." The Source (3/97, p.126) - "Erykah Badu redefines the word diva....She's replaced attitude with sass, and her sex appeal lies within her own private sensuality..." Melody Maker (12/20-27/97, pp.66-67) - Ranked #45 on Melody Maker's list of 1997's "Albums Of The Year." Rap Pages (4/97, p.79) - "...What Erykah has accomplished is to set herself worlds apart from the universe of over-produced, honey-voiced, nothing-worthwhile-to-say fly girls..." Village Voice (2/24/98) - Ranked #7 in the Village Voice's 1997 Pazz & Jop Critics' Poll. Village Voice (2/18/97, pp.65-69) - "...sparklingly fresh....The last time a black woman came across in mainstream black pop as so nakedly her own creation and with so much creative control, her name was Sade..." NME (Magazine) (3/29/97, p.46) - "...BADUIZM has a sophisticated running order, with reprises, lyrical motifs and a series of musical refrains. And refreshingly, this is probably the first rap-influenced record in which `hoe' is a garden implement and not a term of disrespect."

Rovi