世界中で人気が大爆発!ウィノナ・ライダー主演Netflixオリジナル作品『ストレンジャー・シングス 未知の世界<シーズン1>』のオリジナル・サウンドトラックが登場!
『ストレンジャー・シングス 未知の世界<シーズン1>』は、米オンライン映像ストリーミング・サービス、Netflixのテレビドラマ・シリーズとして2016年7月15日に公開され、ウィノナ・ライダーのドラマ初主演作品でザ・ダファー・ブラザーズ(監督/制作/脚本)、そして製作総指揮/監督はショーン・レヴィ(映画ナイト・ミュージアム他)としても話題となった。1980年を舞台にしたSFホラー的内容が全米を始め、ここ日本も含む全世界中で大ヒットを記録。ホラーの巨匠スティーヴン・キングなど著名人も熱烈なファンであることを公言している。
その大ヒットドラマの<シーズン1>公式サウンド・トラックがポーティスヘッドのジェフ・バーロウ主宰レーベルInvada Recordsから遂にCDと2枚組限定アナログ盤で登場!本作を手掛けるのは米テキサス州オースティンを拠点に活動するシンセバンド、SURVIVEのカイル・ディクソンとマイケル・スタイン。メインテーマ曲「Stranger Things」を始め劇中で使用された美しくも妖しいシンセ・インストゥルメンタル曲を全36曲を収録。
発売・販売元 提供資料(2016/09/20)
Composed of arpeggiated synth chords, warm textures, and pulsating electronic beats, Stranger Things, Vol. 1 [Original Television Series Soundtrack] is the first score effort from Kyle Dixon and Michael Stein, otherwise known as members of the atmospheric electronic band, S U R V I V E. The score was created after the show's producers expressed interest in the composers after having used one of the band's tracks as a temp piece for post-production footage. The record features the widely known theme tune for the main credits. ~ Rob Wacey|
Rovi
The rare score to earn as much widespread acclaim as the work that spawned it, Stranger Things, Vol. 1 is the perfect complement to the shows loving homages to 80s pop culture. Composed by Kyle Dixon and Michael Stein -- whose work with the synthwave outfit S U R V I V E proves they know a thing or two about updating vintage sounds -- the duos music for the Netflix show is an unabashed love letter to the work of John Carpenter, Jean-Michel Jarre, and Tangerine Dream. However, their homages are always in service of Stranger Things story and mood. Frequently, they reach the iconic heights of their influences: The shows Emmy-winning theme, with its thudding percussion, arpeggiated synth chords, bright bursts of synthesized bass, and sinister choral effects, encapsulates the feel of 80s sci-fi and horror perfectly. On Kids, they distill the series sense of adventure with beautiful chord progressions and a multitude of synth sounds. Throughout the score, Dixon and Stein define Stranger Things characters with bracing melodies. Eleven pays tribute to the shows mysterious, telekinetic heroine with a glockenspiel-like melody set against swirling effects; A Kiss, which encapsulates young love with its bittersweet chord sequence and soft synth pads, is akin to the work of Giorgio Moroder and Equinoxe-era Jarre. Dixon and Stein spend just as much time establishing the shows atmosphere with texture instead of predictably gloomy drones, and the way they balance menace and melancholy on these pieces makes the album much more than just a sci-fi soundtrack. Thats not to say that they dont know how to give their audience a jolt; The Upside Down begins with an enticing ambience, the sort of sound youd expect on a track by Hammock -- until it quickly U-turns into foreboding synth stabs and chilling strings that build to a crescendo of furious drum hits. Castle Byers is another highlight, made up of ever-rising strings and distant, reverberating pads that transform into celestial organ-like sounds. Like the show itself, Stranger Things, Vol. 1 transcends its nostalgic roots; far from pastiche, its an invigorating piece of atmospheric electronic music thats enjoyable in its own right. ~ Rob Wacey
Rovi