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CDアルバム

American Football

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フォーマット CDアルバム
発売日 2016年10月20日
国内/輸入 輸入
レーベルSacred Bones
構成数 1
パッケージ仕様 -
規格品番 WEBB490CD
SKU 5055036264907

構成数 : 1枚
合計収録時間 : 00:00:00
Since American Football broke up soon after the release of their self-titled 1999 album, it felt like their one and only release was some kind of magical occurrence that existed at the point where math rock, post-rock, emo, and confessional singer/songwriter all coincided. In the years since, other bands came close to reaching the tender soft-focus heights that the band reached, but nobody ever managed to find the same blend of innocent technical proficiency and openhearted melodic grace that's both compelling and peaceful at its core. Even the projects headed up later by the band's own Mike Kinsella weren't able to fully recapture that elusive feeling. In 2014, the members of American Football reunited to play a series of shows around the world to all the people who had been touched so deeply by their album originally and over the many years since its release. It went so well that the band (the original trio of Mike Kinsella, Steve Holmes, and Steve Lamos plus Mike's brother Nate on bass) decided to return to the studio and make an album, which they again titled American Football. The first questions that come to mind before even spinning the record are something like: Have the years changed the band much? Did they embrace electronics or go acoustic or buy a bunch of fuzz pedals? The answers come during the first notes of the opening song, "Where Are We Now?" The band sounds pretty much like it did in the late '90s. The same crystalline guitar tones, the same interlocking arpeggios, the same kind of shifting time signatures, and the same plaintive vocals are all in place and continue throughout the entire album. It may be a little richer-sounding, less sparse and awkward at times, but mostly it feels like stepping into an audio time machine. The biggest difference is in the lyrics. Since the guys in the band have aged, started families, and experienced victories and losses over time, the album has a wisdom and weariness that the 1999 album couldn't have had. It's an inevitable tradeoff -- innocence for experience -- but the band doesn't wallow in it. There's a matter-of-factness about the new lyrical subject matter that is entirely fitting with the slightly more sophisticated, warmer, and more autumnal sound. Some might miss the more abstract appeal of the original AF album, but the way the band updates and slightly expands that approach makes this new album a resounding success that works on the sonic level, and maybe more importantly, a deep emotional level. ~ Tim Sendra

  1. 1.[CDアルバム]
    1. 1.
      Where Are We Now?
    2. 2.
      My Instincts Are the Enemy
    3. 3.
      Home Is Where the Haunt Is
    4. 4.
      Born to Lose
    5. 5.
      I've Been So Lost for So Long
    6. 6.
      Give Me the Gun
    7. 7.
      I Need a Drink (Or Two or Three)
    8. 8.
      Desire Gets in the Way
    9. 9.
      Everyone Is Dressed Up

作品の情報

メイン
アーティスト: American Football

商品の紹介

エモ界のレジェンド、アメリカン・フットボールが、1999年リリースのデビュー・アルバム以来、17年ぶりとなる新作をリリースすることが決定した!
1999年にPolyvinyl Recordsよりセルフ・タイトル・デビュー・アルバムをリリースして間もなく、バンドは解散を発表。それまで学園祭や小規模なクラブでしかライヴを行なっていなかったにも関わらず、未だに彼らの作品はPolyvinyl Recordsのベスト・セラー作品であり、さらには、Noiseyが"当時最も影響を与えたロック・アルバム"と呼んだり、Stereogumにおいては"一時的な成功者にも関わらず、あれほどまでに多くの人とつながることのできたバンドはアメリカン・フットボール以外にいないだろう"とまで言い切ったほど、彼らの残した爪あとは大きかった。
そんな彼らが、2014年に突如15年ぶりとなるライヴを行なうとなった時には、NYでの3公演が数時間で完売。その後ツアーでまわったシカゴ、ロンドン、バルセロナ、そして東京でも反響は凄まじかった。あれから1年、17年ぶりとなる新作を完成させた彼ら。再びセルフ・タイトルとなった今作は、馴染みのある道なりから思いがけず遠回りしてみるような作品に仕上がっている。これまで奥底にしまいこんできた記憶が、懐かしい香りやコンクリートにできたヒビをきっかけに蘇ったり、今にも消えそうな愛の灯火を抱えた愛人と向かい合う時に沸き起こる不安など、今作にははち切れんばかりの感情がぎっしりとつまっている。より開放的なサウンドと、ナイーヴさが減ってより言葉を重視した歌詞、深みを増した楽曲を感じてもらえるのではないだろうか。
17年経っても今なお全てが真新しく感じるのは、彼らにとって全てが新鮮だからだ。これからだという時に何らかの理由で一度制作口に蓋をした彼らが、成長してより良いミュージシャンシップを保てるようになった今、そのコルクを自ら抜くことを決意した。今作は、アメリカン・フットボールと、ジェイソン・カップ(アヴリル・ラヴィーン、フィンチ、ジミー・イート・ワールド、Sum 41、エヴァネッセンス等)によるプロデュースで、オマハのARCおよびシカゴのシャーク・スタジオにてレコーディングされた。
発売・販売元 提供資料(2016/09/02)

Paste - "[The band] hasn't lost its touch for rolling out the sort of quivering, purposely mismatched orchestrations its members have toyed with in associated projects....Like it did in 1999, American Football proves its ability to stand out in a sea of contemporaries and imitators, post-aughts emo revival or no." Clash - "[T]here's a wry feeling of introspection peppered through both the music and lyrics." Pitchfork - "LP2 stresses proficiency and immediacy....The production is bracingly bright and crisp compared to the overcast AMERICAN FOOTBALL, hitting like the first true fall chill after a muggy Indian summer."
Rovi

Since American Football broke up soon after the release of their self-titled 1999 album, it felt like their one and only release was some kind of magical occurrence that existed at the point where math rock, post-rock, emo, and confessional singer/songwriter all coincided. In the years since, other bands came close to reaching the tender soft-focus heights that the band reached, but nobody ever managed to find the same blend of innocent technical proficiency and openhearted melodic grace that's both compelling and peaceful at its core. Even the projects headed up later by the band's own Mike Kinsella weren't able to fully recapture that elusive feeling. In 2014, the members of American Football reunited to play a series of shows around the world to all the people who had been touched so deeply by their album originally and over the many years since its release. It went so well that the band (the original trio of Mike Kinsella, Steve Holmes, and Steve Lamos plus Mike's brother Nate on bass) decided to return to the studio and make an album, which they again titled American Football. The first questions that come to mind before even spinning the record are something like: Have the years changed the band much? Did they embrace electronics or go acoustic or buy a bunch of fuzz pedals? The answers come during the first notes of the opening song, "Where Are We Now?" The band sounds pretty much like it did in the late '90s. The same crystalline guitar tones, the same interlocking arpeggios, the same kind of shifting time signatures, and the same plaintive vocals are all in place and continue throughout the entire album. It may be a little richer-sounding, less sparse and awkward at times, but mostly it feels like stepping into an audio time machine. The biggest difference is in the lyrics. Since the guys in the band have aged, started families, and experienced victories and losses over time, the album has a wisdom and weariness that the 1999 album couldn't have had. It's an inevitable tradeoff -- innocence for experience -- but the band doesn't wallow in it. There's a matter-of-factness about the new lyrical subject matter that is entirely fitting with the slightly more sophisticated, warmer, and more autumnal sound. Some might miss the more abstract appeal of the original AF album, but the way the band updates and slightly expands that approach makes this new album a resounding success that works on the sonic level, and maybe more importantly, a deep emotional level. ~ Tim Sendra|
Rovi

大盛況だった来日公演から1年4か月。完全復活を遂げたマイク・キンセラ率いる4人組が、エモ・リヴァイヴァル・ブームに決定打を打つべく(!?)17年ぶりのニュー・アルバムを発表。〈エモ/ポスト・ロックの金字塔〉と評された前作の感動が蘇るのは必至だが、清々しい歌心を宿した流麗なナンバーの数々は、往時のファンだけじゃなく、ネオアコやフォーク・ロックの愛好家まで間違いなく虜にすることだろう。
bounce (C)山口智男
タワーレコード(vol.396(2016年10月25日発行号)掲載)

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