Santana III

Name: Santana III
Brand: Columbia
SKU: 5099748954428
Price: 1790 JPY
Availability: InStock
Rating: 4.6 (5 reviews)

4.6

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フォーマット	CDアルバム
発売日	1998年04月06日
国内/輸入	輸入
レーベル	Columbia
構成数	1
パッケージ仕様	-
規格品番	4895442
SKU	5099748954428

構成数 : 1枚
合計収録時間 : 00:00:00
Also available in a 3-pack with SANTANA (1st LP) and ABRAXAS.
Santana: Carlos Santana (vocals, guitar); Jose Chepito Areas (vocals, flugelhorn, timbales, conga, percussion, drums); Gregg Rolie (vocals, piano, organ); Michael P.R. Carabello (vocals, congas, tambourine, percussion); Neal Schon (guitar); David Brown (bass); Michael Shrieve (vibes, drums, percussion).
Additional personnel: Rico Reyes (vocals); Luis Gasca (trumpet); Tower Of Power (horns); Mario Ochoa (piano); Gregg Errico (tambourine); Coke Escovedo (percussion, background vocals); Linda Tillery (background vocals).
Reissue producer: Bob Irwin.
Recorded at Columbia Studios, San Francisco, California; and live at the Fillmore West, San Francisco, California on July 4, 1971. Includes liner notes by Ben Fong-Torres.
All it takes is a listen to the opening track and you know this band means serious business. From the very first measures of "Batuka," SANTANA III rocks on the eardrums like a ton of bricks. While the band's first album and ABRAXAS were widely celebrated at the time of their release, this masterful work steamrolled to #1 on Billboard for five consecutive weeks in 1971. At this point, the band is clearly more seasoned at arranging and making the studio experience work for them--the music is at once scorching, heavy, experimental, and disciplined. Indeed, the Santana band had already come a long way on its Latin rock-blues-R&B-funk journey, and yet this would be the final recording with the original Woodstock-era lineup, with guitar genius Carlos Santana and organist/singer Gregg Rolie at the core of the action.
Every track is a "deep cut." "Batuka" and "Toussaint L'Overture" feature the kind of classic, wailing Santana guitar riffs that always inspire a few notches worth of volume increase on the stereo. The band's pulsating Afro-Latin rhythm section is in full force on these tunes as well, and makes real mincemeat of the uplifting favorite, "Everybody's Everything."
エディション : Remaster

1.[CDアルバム]
1. 1.
  
  Batuka
2. 2.
  
  No One To Depend On
3. 3.
  
  Taboo
4. 4.
  
  Toussaint L'Overture
5. 5.
  
  Everybody's Everything
6. 6.
  
  Guajira
7. 7.
  
  Jungle Strut
8. 8.
  
  Everything's Coming Our Way
9. 9.
  
  Para Los Rumberos
10. 10.
  
  Batuka (2)
11. 11.
  
  Jungle Strut (2)
12. 12.
  
  Gumbo

作品の情報

メイン

アーティスト： Santana

商品の紹介

Musician - "...Sony Legacy's sonic wizards have made...[Santana's] first three albums reappear, each appended with additional live recordings....epochal works...an explosive fusion of Hispanic-edged rock, Afro-Caribbean rhythms, and interstellar improvisation..." Rolling Stone - "...This is music to dance to, but it is music that shrieks for more advanced, dextrous and imaginative dancing than some of the freeform body motion that rock dancing has accepted..." Q - 4 stars out of 5 - "...Displays even more grace and power...[than their] fresh, fierce debut..." Rolling Stone - 4 stars out of 5 -- "Everybody sounds stoked -- the rhythm section drives guitarist Carlo Santana into simultaneously agitated and poised solos that sustain an elusive state of polyrhythmic bliss." Uncut - 4 stars out of 5 -- "[C]onsistent, refined and confident, with the core six-piece adding teenage guitar sensation Neal Schon to spar aggressively with Carlos Santana on the blistering 'Jungle Strut'." Dirty Linen - "The live set shows just how far the band had come since Woodstock....The entire set shows the band at the peak of their creative powers." Down Beat - 4 stars out of 5 -- "Showcasing solid original material and well-chosen covers, SANTANA III contains the perfect balance of flash and substance, grace and power, and mind and body." Rolling Stone (11/25/71, p.58) - "...This is music to dance to, but it is music that shrieks for more advanced, dextrous and imaginative dancing than some of the freeform body motion that rock dancing has accepted..." Q (5/00, p.131) - 4 stars out of 5 - "...Displays even more grace and power...[than their] fresh, fierce debut..." Musician (7/98, pp.86-88) - "...Sony Legacy's sonic wizards have made...[Santana's] first three albums reappear, each appended with additional live recordings....epochal works...an explosive fusion of Hispanic-edged rock, Afro-Caribbean rhythms, and interstellar improvisation..."

Rovi

All it takes is a listen to the opening track and you know this band means serious business. From the very first measures of "Batuka", SANTANA III rocks on the eardrums like a ton of bricks. While the band's first album and ABRAXAS were widely celebrated at the time of their release, this masterly work steamrollered to #1 on Billboard for five consecutive weeks in 1971. By this point, the band was clearly more seasoned at arranging and making the studio experience work for them--the music is at once scorching, heavy, experimental, and disciplined.
Indeed, the Santana band had already come a long way on its Latin rock-blues-R&B-funk journey, and yet this would be the final recording with the original Woodstock-era lineup, with guitar genius Carlos Santana and organist/singer Gregg Rolie at the core of the action. Every track is a "deep cut". "Batuka" and "Toussaint L'Overture" feature the kind of classic, wailing Santana guitar riffs that always inspire a few notches worth of volume increase on the stereo. The band's pulsating Afro-Latin rhythm section is in full force on these tunes as well, and makes real mincemeat of the uplifting favourite, "Everybody's Everything".|

Rovi

メンバーズレビュー

5件のレビューがあります

4.6

80%

20%

Santana III｜CDアルバム

言わずと知れたサンタナの名盤である。今回、数十年ぶりに国内デビュー50周年ということなので、改めて聴いてみた。やはり凄いアルバムだと思った。
ラテンとアフロのリズムを前面に押し出しつつ、ロックとブルースのメロディをどう絡ませていくかを、彼は真摯に演じている。名ギタリストのニール・ショーンがツインギターとして加わったのが、重要である。本作の優れた理由は、ここに尽きる。もちろんサンタナのギターテクが向上した点も大きい。でも、ツインギターを取り入れたのは正直、サンタナの自信のない表われだろう。
バックで支えるリズム隊のパーカッション・アンサンブルの見事さは言うまでもない。タンゴやルンバのリズムをフューチャーした楽曲は全く古さを感じさせず、聴く者の胸を打つ。ロックギターの泣きの旋律が、こういう風にラテンのリズムとマッチするのかと、誰もが得心するだろう。M1からM4に至るまでの切れ目のない構成は、トランス状態に誘うほどの迫力がある。
サンタナという人は振り返ると、あれこれ変わり身の早い人であった。このアルバム以降、名作「キャラバン・サライ」を産んでから、彼はインド音楽に傾倒するなど、目まぐるしい変遷を重ねていった。当然、毀誉褒貶の謗りを受けたが、音楽的には、ぎりぎりのスタンスを守ったのではないか。そんな彼の、初期の音楽表現のピークとして位置づけられるのが、本作と言えよう。この方向性をもっと極めて欲しかったと思うのは、私だけではあるまい。

2020/10/18 ビリたきさん