Country/Blues
CDアルバム

Sold American

0.0

販売価格

¥
2,399
税込
ポイント15%還元

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 1998年05月26日
国内/輸入 輸入
レーベルVanguard
構成数 1
パッケージ仕様 -
規格品番 VMD79333
SKU 090204730018

構成数 : 1枚
合計収録時間 : 00:38:19

  1. 1.[CDアルバム]
    1. 1.
      We Reserve The Right To Refuse Service To You

      アーティスト: Kinky Friedman

    2. 2.
      Highway Cafe

      アーティスト: Kinky Friedman

    3. 3.
      Sold American

      アーティスト: Kinky Friedman

    4. 4.
      Flyin' Down The Freeway

      アーティスト: Kinky Friedman

    5. 5.
      Ride 'em Jewboy

      アーティスト: Kinky Friedman

    6. 6.
      Get Your Biscuits In The Oven And Your Buns In The Bed

      アーティスト: Kinky Friedman

    7. 7.
      High On Jesus

      アーティスト: Kinky Friedman

    8. 8.
      Ballad Of Charles Whitman

      アーティスト: Kinky Friedman

    9. 9.
      Top Ten Commandments

      アーティスト: Kinky Friedman

    10. 10.
      Western Union Wire

      アーティスト: Kinky Friedman

    11. 11.
      Silver Eagle Express

      アーティスト: Kinky Friedman

作品の情報

メイン
アーティスト: Kinky Friedman

その他
プロデューサー: Chuck Glaser; Steve Fishell
エンジニア: Jeff Zaraya

商品の紹介

Although Kinky Friedman has become better-known for his best-selling mystery novels than for his music, the country music renegade and self-proclaimed "Texas Jewboy" was one of the '70s' most iconoclastic and memorable performers. A singer/songwriter with a degree in psychology, a Peace Corps stint on his resume, and a wicked sense of humor, Friedman was adept at raising either eyebrows or hackles with songs like "High on Jesus" and "Get Your Biscuits in the Oven and Your Buns in the Bed," but songs like "We Reserve the Right to Refuse Service to You" and "The Ballad of Charles Whitman" (about the military-trained sniper who shot and killed several people from the clock tower at the University of Texas while Friedman was a student there) show that he was more interested in smart alecky social commentary than cheap shocks and sensationalism. Indeed, the provocatively titled "Ride 'Em Jewboy" is actually a moving statement of Friedman's religious and cultural faith. The album's highlight, however, is the aching title track, the high point of Friedman's entire musical career. A sympathetic portrait of a down-and-out former country star dying on skid row, "Sold American" is a sad and lovely tune with an indelible chorus. Chuck Glaser's production throughout is low-key traditional (largely acoustic) country with a few folk and even fewer rock influences; Billy Swan, Norman Blake, and John Hartford are among the guests. This is by far Friedman's best album and a classic of '70s outlaw country. ~ Stewart Mason|
Rovi

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