Rock/Pop
CDアルバム

Monster

4.0

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フォーマット CDアルバム
発売日 2016年07月01日
国内/輸入 輸入
レーベルConcord
構成数 1
パッケージ仕様 -
規格品番 7200408
SKU 888072004085

構成数 : 1枚
合計収録時間 : 00:00:00
R.E.M.: Michael Stipe (vocals); Peter Buck (guitar); Mike Mills (bass); Bill Berry (drums). Additional personnel: Bertis Downs (keyboards); Jefferson Holt, Sally Dworski, Ane, Lynda, Lou, Rain. Recorded at Ocean Way Recording, Los Angeles, California; Criteria Recording Studios, Miami, Florida; Crossover Soundstage, Atlanta, Georgia; Kingsway Studio, New Orleans, Louisiana. MONSTER was nominated for a 1995 Grammy Award for Best Rock Album.

  1. 1.[CDアルバム]
    1. 1.
      What's the Frequency, Kenneth?
    2. 2.
      Crush with Eyeliner
    3. 3.
      King of Comedy
    4. 4.
      I Don't Sleep, I Dream
    5. 5.
      Star 69
    6. 6.
      Strange Currencies
    7. 7.
      Tongue
    8. 8.
      Bang and Blame
    9. 9.
      I Took Your Name
    10. 10.
      Let Me In
    11. 11.
      Circus Envy
    12. 12.
      You

作品の情報

メイン
アーティスト: R.E.M.

オリジナル発売日:1994年

商品の紹介

1994年リリースの9枚目のアルバム。ヒット・シングル"What's the Frequency, Kenneth?"を代表するようにへヴィでディストーションのかかったギター・サウンドを堪能できる1枚。1995年に4x platinum をアメリカで獲得し、全米、カナダ、UKでNo.1を獲得。
発売・販売元 提供資料(2016/05/25)

Mojo - 4 stars out of 5 - "With '92's AUTOMATIC FOR THE PEOPLE, R.E.M. reached their creative peak." New York Times - Included on Neil Strauss' list of the Top 10 Albums Of '94 - "...This is R.E.M.'s big, dumb rock record. Except it's not dumb at all..." Musician - "...the band hasn't really changed at all: the songs still stress melody over meaning, the playing still emphasizes the unit over the individuals, and the sound remains as fresh as it was a dozen years ago..." New York Times - Included on Jon Pareles' list of the Top 10 Albums Of '94 - "...Peter Buck's guitars blare and buzz to carry the pioneering collegiate-rock band into the age of grunge." NME - Ranked #14 in NME's list of the 'Top 50 Albums Of 1994.' Spin - Highly Recommended - "...this is its most implacable --and convincing--music since MURMUR....Even as MONSTER flirts with unreason and breaks down old taboos, it observes the strict protocols of the forms it plays havoc with..." Entertainment Weekly - "...MONSTER proves no one cranks the amplifiers and mumbles lyrics in quite the same thrilling way as the originators..." - Rating: B+ Spin - Ranked #6 in Spin's list of the '20 Best Albums Of '94.' Rolling Stone - 4.5 Stars - Excellent - "...MONSTER is a deeply felt, thematically coherent, consistently invigorating challenge to 'evolve or die,' with all the courage of its convictions..." Q - 3 Stars - Good - "...MONSTER is a balder and starker bit of landscaping and whether everything in the garden remains lovely is up to debate..." NME - 7 - Very Good - "...At best stunning, at worst merely diverting, MONSTER sounds like the album they 'had' to make, to clear out their system..." Vibe - "...Lulled by the aural Prozac of their more melodic tunes, it's easy for one to forget that R.E.M. are a rock 'n' roll band. Their new MONSTER puts them back on the block of their noisy origins and Stipe's buried-in-the-mix lyrics..." Village Voice - Ranked #3 in the Village Voice's 1994 Pazz & Jop Critics Poll. Blender - 5 stars out of 5 -- "MONSTER is music of a moment -- '90s alt-rock perfected."
Rovi

Monster is indeed R.E.M.'s long-promised "rock" album; it just doesn't rock in the way one might expect. Instead of R.E.M.'s trademark anthemic bashers, Monster offers a set of murky sludge, powered by the heavily distorted and delayed guitar of Peter Buck. Michael Stipe's vocals have been pushed to the back of the mix, along with Bill Berry's drums, which accentuates the muscular pulse of Buck's chords. From the androgynous sleaze of "Crush With Eyeliner" to the subtle, Eastern-tinged menace of "You," most of the album sounds dense, dirty, and grimy, which makes the punchy guitars of "What's the Frequency, Kenneth?" and the warped soul of "Tongue" all the more distinctive. Monster doesn't have the conceptual unity or consistently brilliant songwriting of Automatic for the People, but it does offer a wide range of sonic textures that have never been heard on an R.E.M. album before. ~ Stephen Thomas Erlewine|
Rovi

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