Rock/Pop
CDアルバム

Candela

0.0

販売価格

¥
2,790
税込
還元ポイント

販売中

お取り寄せ
発送目安
7日~21日

お取り寄せの商品となります

入荷の見込みがないことが確認された場合や、ご注文後40日前後を経過しても入荷がない場合は、取り寄せ手配を終了し、この商品をキャンセルとさせていただきます。

フォーマット CDアルバム
発売日 2019年06月27日
国内/輸入 輸入
レーベルFatCat Records
構成数 1
パッケージ仕様 デジパック
規格品番 FAT0120CD
SKU 600116512024

構成数 : 1枚
合計収録時間 : 00:39:11
Mice Parade has taken listeners on geographical, musicological, and emotional journeys for years, and Candela is one of the most accessible chapters in Adam Pierce's travelogue. Borrowing its title from a Spanish bar that is also a mecca for flamenco guitarists, Candela takes Pierce's multi-cultural inspirations in directions that never sound forced, regardless of how subtle or overt they are. As with his previous album, What It Means to Be Left-Handed, Pierce ventures further into pop territory, and these are some of Mice Parade's most immediate songs yet. On "Currents," Caroline Lufkin's sweet but knowing vocals provide a contrast to Pierce's drawl and add an extra sparkle to the intricate drums and highlife-tinged guitars; meanwhile, on the cozy finale "Warm Hand in Narnia," Pierce pairs the most fantastical song title with the most straightforward, heartfelt indie rock. Even though these may be among Mice Parade's most direct songs, Candela's version of pop isn't exactly simple. Pierce uses the most light-hearted, sophisticated, and daring aspects of post-rock to craft songs with gorgeous arrangements full of motion and depth, particularly on "The Chill House" and "Gente Interesante," which moves from rippling guitars and dubby drums to Latin rhythms and brass with dreamlike ease. Pierce layers moods just as skillfully as sounds, and the album's finest songs are among the most emotionally complex. He lashes out at an ex on "Pretending" as riptide guitar distortion emphasizes the feeling of things being torn asunder, but as he sings "take some other person down with you," there are remnants of love along with the anger; "Candela" begins as a sweet, globe-trotting love song, but the gypsy vocals and vibraphone that emerge toward the end transport the track to another level entirely. Where Mice Parade's previous albums were richly rewarding but maybe too eclectic for some listeners, Candela works well as an entry point into Pierce's earlier music as well as a summation of how artfully he blends electronic, indie, and global influences. ~ Heather Phares

  1. 1.[CDアルバム]
    1. 1.
      Listen Hear Glide Dear
    2. 2.
      Currents
    3. 3.
      This River Has a Tide
    4. 4.
      Pretending
    5. 5.
      The Chill House
    6. 6.
      Candela
    7. 7.
      Look See Dream Me
    8. 8.
      Las Gentes Interesantes
    9. 9.
      Contessa
    10. 10.
      Warm Hand in Narnia

作品の情報

メイン
アーティスト: Mice Parade

ゲスト

オリジナル発売日:2012年11月07日

商品の紹介

Q - 3 stars out of 5 -- "Pierce's 10th album is named after a Madrid flamenco bar and features, among other things, touches of Spanish music, jazz fusion, Latin, electronica and Afropop."
Rovi

Mice Parade has taken listeners on geographical, musicological, and emotional journeys for years, and Candela is one of the most accessible chapters in Adam Pierce's travelogue. Borrowing its title from a Spanish bar that is also a mecca for flamenco guitarists, Candela takes Pierce's multi-cultural inspirations in directions that never sound forced, regardless of how subtle or overt they are. As with his previous album, What It Means to Be Left-Handed, Pierce ventures further into pop territory, and these are some of Mice Parade's most immediate songs yet. On "Currents," Caroline Lufkin's sweet but knowing vocals provide a contrast to Pierce's drawl and add an extra sparkle to the intricate drums and highlife-tinged guitars; meanwhile, on the cozy finale "Warm Hand in Narnia," Pierce pairs the most fantastical song title with the most straightforward, heartfelt indie rock. Even though these may be among Mice Parade's most direct songs, Candela's version of pop isn't exactly simple. Pierce uses the most light-hearted, sophisticated, and daring aspects of post-rock to craft songs with gorgeous arrangements full of motion and depth, particularly on "The Chill House" and "Gente Interesante," which moves from rippling guitars and dubby drums to Latin rhythms and brass with dreamlike ease. Pierce layers moods just as skillfully as sounds, and the album's finest songs are among the most emotionally complex. He lashes out at an ex on "Pretending" as riptide guitar distortion emphasizes the feeling of things being torn asunder, but as he sings "take some other person down with you," there are remnants of love along with the anger; "Candela" begins as a sweet, globe-trotting love song, but the gypsy vocals and vibraphone that emerge toward the end transport the track to another level entirely. Where Mice Parade's previous albums were richly rewarding but maybe too eclectic for some listeners, Candela works well as an entry point into Pierce's earlier music as well as a summation of how artfully he blends electronic, indie, and global influences. ~ Heather Phares|
Rovi

Mice Parade has taken listeners on geographical, musicological, and emotional journeys for years, and Candela is one of the most accessible chapters in Adam Pierce's travelogue. Borrowing its title from a Spanish bar that is also a mecca for flamenco guitarists, Candela takes Pierce's multi-cultural inspirations in directions that never sound forced, regardless of how subtle or overt they are. As with his previous album, What It Means to Be Left-Handed, Pierce ventures further into pop territory, and these are some of Mice Parade's most immediate songs yet. On "Currents," Caroline Lufkin's sweet but knowing vocals provide a contrast to Pierce's drawl and add an extra sparkle to the intricate drums and highlife-tinged guitars; meanwhile, on the cozy finale "Warm Hand in Narnia," Pierce pairs the most fantastical song title with the most straightforward, heartfelt indie rock. Even though these may be among Mice Parade's most direct songs, Candela's version of pop isn't exactly simple. Pierce uses the most light-hearted, sophisticated, and daring aspects of post-rock to craft songs with gorgeous arrangements full of motion and depth, particularly on "The Chill House" and "Gente Interesante," which moves from rippling guitars and dubby drums to Latin rhythms and brass with dreamlike ease. Pierce layers moods just as skillfully as sounds, and the album's finest songs are among the most emotionally complex. He lashes out at an ex on "Pretending" as riptide guitar distortion emphasizes the feeling of things being torn asunder, but as he sings "take some other person down with you," there are remnants of love along with the anger; "Candela" begins as a sweet, globe-trotting love song, but the gypsy vocals and vibraphone that emerge toward the end transport the track to another level entirely. Where Mice Parade's previous albums were richly rewarding but maybe too eclectic for some listeners, Candela works well as an entry point into Pierce's earlier music as well as a summation of how artfully he blends electronic, indie, and global influences. ~ Heather Phares
Rovi

ポスト・ロックの代表格として数々の名盤を生んできたアダム・ピアース率いるユニットの新作は、これまでと何かが違う。変則的なリズムやトリッキーな展開はそのままなれど、5分超えの曲はなくなり、美しいメロディーに思わず心打たれる瞬間もあり。ラテン・テイストを採り入れたり、若き日のボブ・ディランを彷彿とさせるフォーク曲に挑戦したり--結成14年目にしてバンドのターニング・ポイントとなりそうな一枚だ。
bounce (C)武田晃
タワーレコード(vol.348(2012年9月25日発行号)掲載)

メンバーズレビュー

レビューを書いてみませんか?

読み込み中にエラーが発生しました。

画面をリロードして、再読み込みしてください。