1997年にリリースされ全英チャート1位を獲得、1998年のグラミー賞にて「最優秀アルバム賞」にノミネートされるなど世界的なブレイクを果たしたサード・アルバム!ピッチフォークの「1990年代のベストアルバムトップ100」にて1位に選出!その後バンドの全ての作品を手がけることになるナイジェル・ゴッドリッチとバンドの共同プロデュース!
発売・販売元 提供資料(2016/05/23)
Rolling Stone (p.64) - 5 stars out of 5 -- "[P]anicked, paranoid and product-coded; tranquilized, arena-size and indelible."
Rolling Stone (5/13/99, p.65) - Included in Rolling Stone's "Essential Recordings of the 90's."
Rolling Stone (7/10-24/97, pp.117-118) - 4 Stars (out of 5) - "...OK COMPUTER - a stunning art-rock tour de force - will have you reeling back to their debut, PABLO HONEY, for insight into the group's dramatic evolution..."
Spin (9/99, p.122) - Ranked #9 in Spin Magazine's "90 Greatest Albums of the '90s."
Spin (1/98, p.86) - Ranked #2 on Spin's list of the "Top 20 Albums Of The Year."
Spin (8/97, pp.112-113) - 8 (out of 10) - "...Unlike their majestic models U2, Radiohead take on techno without switching instruments or employing trendy producers....As with post-rockers Tortoise, Laika, and Seefeel, Radiohead have a fuzzbox or two and obviously know how to use 'em..."
Entertainment Weekly (Spring 2000, p.166) - Ranked #4 in EW's "Top 10 albums of the '90s"
Entertainment Weekly (7/11/97, pp.65-66) - "...Shrouded in wafting guitars, swoony rhythms, and moody-blue strings, it shrugs off mosh-pit conventions for a poignant delicacy and breadth, with Yorke's cracked-throat voice the album's melancholy center....For all of Radiohead's growing pains...their aim--to take British pop to a heavenly new level--is true..." - Rating: B+
Q (6/00, p.91) - Ranked #2 in Q's "100 Greatest British Albums"
Q (12/99, p.92) - Included in Q Magazine's "90 Best Albums Of The 1990s."
Q (10/01, p.112) - Ranked #1 in Q's "Best 50 Albums of Q's Lifetime"
Q (1/98, p.114) - Included in Q Magazine's "50 Best Albums of 1997."
Melody Maker (12/20-27/97, pp.66-67) - Ranked #2 on Melody Maker's list of 1997's "Albums Of The Year."
Melody Maker (6/14/97, p.49) - "...unlike anything I've ever heard....I definitley know it isn't good for me, and I'm certain it says more about my life than I'd like....in terms of composition and performance, it's very impressive. Radiohead have excelled themselves. They've seen the future."
Village Voice (2/24/98) - Ranked #2 in the Village Voice's 1997 Pazz & Jop Critics' Poll.
Mojo (Publisher) (p.67) - Ranked #3 in Mojo's "100 Modern Classics" -- "OK COMPUTER sought to disturb as much as delight. It's still succeeding."
NME (Magazine) (12/20-27/97, pp.78-79) - Ranked #2 in NME's 1997 Critics' Poll.
Pitchfork (Website) - "[R]eal songs and tunes, but ones that didn't shrink from the increasingly unlimited possibilities of modern music-making. In that sense, Radiohead were not only record-collectors but futurists..."
Record Collector (magazine) (p.89) - 5 stars out of 5 -- "It's a brilliant album....[V]isual, visceral and complete..."
Rovi
トリップホップを取り入れた①、複雑な展開を見せる3部構成の大作②、アルペジオが終焉を感じさせるほど美しい⑤、鉄琴の音色が宇宙的に甘美な⑩などアンセム揃い。実験性を持ち合わせながら、決して前衛的になりすぎず、従来の持ち味が垣間見れるバランスが秀逸。誰もが語りたくなるこの超人的なアルバムは、音楽が続く限り“ロックのフォーマット”を破壊し続けるだろう。