Rock/Pop
CDアルバム

Menlove Ave.

0.0

販売価格

¥
2,519
税込
還元ポイント

廃盤

在庫状況 について

フォーマット CDアルバム
発売日 1991年08月05日
国内/輸入 輸入
レーベルCapitol
構成数 1
パッケージ仕様 -
規格品番 CDP7465762
SKU 077774657624

構成数 : 1枚
合計収録時間 : 00:42:22
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      Brickred

      アーティスト: John Lennon

    2. 2.
      Lagos Creepers

      アーティスト: John Lennon

    3. 3.
      Wanga Doll

      アーティスト: John Lennon

    4. 4.
      Moving Mountain

      アーティスト: John Lennon

    5. 5.
      Clam

      アーティスト: John Lennon

    6. 6.
      Deathroll

      アーティスト: John Lennon

    7. 7.
      Brickred [Subway Remix] - (remix)

      アーティスト: John Lennon

    8. 8.
      Clam [Kelpe Remix] - (remix)

      アーティスト: John Lennon

    9. 9.
      Nobody Loves You (When You're Down And Out)

      録音:Studio

      アーティスト: John Lennon

    10. 10.
      Bless You

      録音:Studio

      アーティスト: John Lennon

作品の情報

メイン
アーティスト: John Lennon

その他
プロデューサー: John LennonPhil Spector

商品の紹介

Following quickly on the heels of Live in New York City, a second posthumous Lennon release emerged from Yoko Ono's archives, with one side devoted to outtakes from the wild Rock & Roll sessions and the other to alternate takes from Walls and Bridges. The Rock & Roll side draws mostly from the first Phil Spector-produced sessions in Hollywood, which collapsed amidst storied incidents of '70s excess. There are two hitherto unreleased Lennon songs on board: "Here We Go Again" (co-written with Spector), a fairly uneventful song massively overproduced, and "Rock & Roll People," which has a more Spartan production by Lennon and a nice kick to it. "Angel Baby," originally put out on the unauthorized Roots album, makes a raucous first official appearance here. "Since My Baby Left Me" sounds like a glorified party tape, giving listeners a taste of the madness of those sessions, and a lumbering rendition of Spector's chestnut "To Know Her Is to Love Her" closes the side. The Walls and Bridges alternates ("Steel and Glass," "Scared," "Old Dirt Road," "Nobody Loves You," and "Bless You") lack the orchestrations of the master takes, and they are better off for it; indeed, "Steel and Glass" and "Scared" take on an especially starker power. By today's standards, this would be a pretty meager harvest of unheard Lennon, recommendable only to completists and the really dedicated fan. But in those pre-Lost Lennon Tapes/Lennon Anthology days, it was a tantalizing look into the vault. ~ Richard S. Ginell
Rovi

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