Pet Sounds: 50th Anniversary Deluxe Edition

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フォーマット	CDアルバム
発売日	2016年06月10日
国内/輸入	輸入
レーベル	Capitol
構成数	2
パッケージ仕様	-
規格品番	4782238
SKU	602547822383

構成数 : 2枚
合計収録時間 : 00:00:00
This issue of PET SOUNDS contains three previously unreleased tracks: "Unreleased Backgrounds" is a snippet of a vocal overdub sung by Brian Wilson, "Hang On To Your Ego" is the original version of "I Know There's An Answer" and "Trombone Dixie" is an instrumental not included on the original album. The Beach Boys: Brian Wilson, Carl Wilson, Dennis Wilson, Mike Love (vocals); Bruce Johnston (background vocals); Al Jardine. Additional personnel: Glen Campbell, Tommy Tedesco, Jerry Cole, Billy Strange, Barney Kessel (guitar); The Sid Sharpe Strings (strings); Tommy Morgan (harmonica); Carl Fortina, Frank Marocco (accordion); Steve Douglas, Jay Migliori, Roy Caton, Lou Backburn (horns); Leon Russell, Al De Lory, Don Randi (piano); Ray Pohlman, Carole Kaye, Lyle Ritz, Julius Wechter, Bill Pitman (bass); Hal Blaine (drums); Gene Estes, Frank Capp, Jim Gordon (percussion). Reissue producer: Mark Linett. Principally recorded at Gold Star Studios, Western Studios and Sunset Sound Studios, Hollywood, California between July 12, 1965 and April 13, 1966. Originally released on Capitol (T-2458). Includes liner notes by Brian Wilson, David Leaf and Mark Linett. Available on the 2-fer 15 BIG ONES/BEACH BOYS LOVE YOU. Remastered from the original master tapes by Joe Gastwirt. Beach Boys: Brian Wilson, Carl Wilson, Dennis Wilson, Mike Love, Al Jardine, Bruce Johnston. Additional personnel: Tommy Tedesco, Jerry Cole, Billy Strange, Barney Kessel, Glen Campbell (guitar); The Sid Sharpe Strings (strings); Tommy Morgan (harmonica); Carl Fortina, Frank Marocco (accordion); Steve Douglas, Jay Migliori, Roy Caton, Lou Backburn (horns); Al De Lory, Don Randi, Leon Russell (piano); Ray Pohlman, Carole Kaye, Lyle Ritz, Julius Wechter, Bill Pitman (bass); Hal Blaine (drums); Gene Estes, Frank Capp, Jim Gordon (percussion). Recorded at Gold Star Studios, Western Studios and Sunset Sound Studios, Hollywood, California between July 12, 1965 and April 13, 1966. Originally released on Capitol (T-2458). Includes liner notes by Brian Wilson. Remastered by Steve Hoffman (April 1993). All songs written or co-written by Brian Wilson, except "Sloop John B" (Traditional). This edition of PET SOUNDS contains both the original mono version of the album as well as a stereo version and bonus track. It is also available as part of THE PET SOUNDS SESSIONS box set. The Beach Boys: Brian Wilson, Carl Wilson, Dennis Wilson, Mike Love, Bruce Johnston, Al Jardine. Additional personnel: Glen Campbell, Tommy Tedesco, Jerry Cole, Billy Strange, Barney Kessel (guitar); The Sid Sharpe Strings (strings); Tommy Morgan (harmonica); Carl Fortina, Frank Marocco (accordion); Steve Douglas, Jay Migliori, Roy Caton, Lou Backburn (horns); Leon Russell, Al De Lory, Don Randi (piano); Ray Pohlman, Carole Kaye, Lyle Ritz, Julius Wechter, Bill Pitman (bass); Hal Blaine (drums); Gene Estes, Frank Capp, Jim Gordon (percussion). Producer: Brian Wilson. Reissue producer: Cheryl Pawelski. Engineers include: Larry Levine, Chuck Britz, Bruce Botnick. Recorded at Gold Star Recording Studios, Western Recorders, Sunset Sound, Hollywood, California in 1965 & 1966. Includes liner notes by Brad Elliot and Brian Wilson. This is more than just an album by a great American band; it's THE great American pop album, an ambitious foray into the intricacies of harmony and melody. Masterminded by Brian Wilson, it changed the rules in rock & roll. Wilson's production brought record-making to a new level. He perfected Phil Spector's wall-of-sound into a more complex, stunning approach. He was inspired by the Beatles' RUBBER SOUL, and PET SOUNDS was, in turn, an inspiration for SGT. PEPPER. The devoutly romantic "God Only Knows" and the hopeful "Wouldn't It Be Nice" reflect an innocent time of yearning post-adolescence. From the complex upward progressions of "You Still Believe In Me" to the heartbeat bass of "Don't Talk (Put Your Head On My Shoulder)," Wilson paid attention to every nanosecond
エディション : Deluxe Edition

[CD 1]
Pet Sounds (Mono)
1. Wouldn't It Be Nice
2. You Still Believe In Me
3. That's Not Me
4. Don't Talk (Put Your Head On My Shoulder)
5. I'm Waiting For The Day
6. Let's Go Away For Awhile
7. Sloop John B
8. God Only Knows
9. I Know There's An Answer
10. Here Today
11. I Just Wasn't Made For These Times
12. Pet Sounds
13. Caroline No

Pet Sounds (Stereo)
14. Wouldn't It Be Nice
15. You Still Believe In Me
16. That's Not Me
17. Don't Talk (Put Your Head On My Shoulder)
18. I'm Waiting For The Day
19. Let's Go Away For Awhile
20. Sloop John B
21. God Only Knows
22. I Know There's An Answer
23. Here Today
24. I Just Wasn't Made For These Times
25. Pet Sounds
26. Caroline No

[CD 2]
Live Recordings [all previously unreleased]
1. Wouldn't It Be Nice
2. Sloop John B
3. God Only Knows

Michigan State University, October 22, 1966
4. Good Vibrations
5. God Only Knows
6. Wouldn't It Be Nice

Daughters of the American Revolution Constitution Hall, Washington DC, November 19, 1967
7. God Only Knows

Carnegie Hall, New York, November 23, 1972 (2nd Show)
8. God Only Knows

Jamaican World Music Festival, Montego Bay, Jamaica, November, 26, 1982
9. Sloop John B

Universal Studios, Universal City, California, May, 23, 1989
10. Caroline No
11. You Still Believe In Me

Paramount Theater, New York City, November 26, 1993 Instrumentals
12. Wouldn't It Be Nice
13. You Still Believe In Me
14. That's Not Me
15. Don't Talk (Put Your Head On My Shoulder)
16. I'm Waiting For The Day
17. Let's Go Away For A While
18. Sloop John B
19. God Only Knows
20. I Know There's An Answer
21. Here Today
22. I Just Wasn't Made For These Times
23. Pet Sounds
24. Caroline, No

1.[CDアルバム]
1. 1.
  
  Wouldn't It Be Nice [Mono]
2. 2.
  
  You Still Believe in Me [Mono]
3. 3.
  
  That's Not Me [Mono]
4. 4.
  
  Don't Talk (Put Your Head on My Shoulder) [Mono]
5. 5.
  
  I'm Waiting for the Day [Mono]
6. 6.
  
  Let's Go Away for Awhile [Mono]
7. 7.
  
  Sloop John B [Mono]
8. 8.
  
  God Only Knows [Mono]
9. 9.
  
  I Know There's an Answer [Mono]
10. 10.
  
  Here Today [Mono]
11. 11.
  
  I Just Wasn't Made for These Times [Mono]
12. 12.
  
  Pet Sounds [Mono]
13. 13.
  
  Caroline No [Mono]
14. 14.
  
  Wouldn't It Be Nice [Stereo]
15. 15.
  
  You Still Believe in Me [Stereo]
16. 16.
  
  That's Not Me [Stereo]
17. 17.
  
  Don't Talk (Put Your Head on My Shoulder) [Stereo]
18. 18.
  
  I'm Waiting for the Day [Stereo]
19. 19.
  
  Let's Go Away for Awhile [Stereo]
20. 20.
  
  Sloop John B [Stereo]
21. 21.
  
  God Only Knows [Stereo]
22. 22.
  
  I Know There's an Answer [Stereo]
23. 23.
  
  Here Today [Stereo]
24. 24.
  
  I Just Wasn't Made for These Times [Stereo]
25. 25.
  
  Pet Sounds [Stereo]
26. 26.
  
  Caroline No [Stereo]
27. 27.
  
  Caroline No [Promotional Spot #2]
28. 28.
  
  Don't Talk (Put Your Head on My Shoulder) [Unused Background Vocals]
29. 29.
  
  Hang on to Your Ego [Alt. Mix]
30. 30.
  
  Caroline No [Promotional Spot #1]
2.[CDアルバム]
1. 1.
  
  Wouldn't It Be Nice [Live]
2. 2.
  
  Sloop John B [Live]
3. 3.
  
  God Only Knows [Live]
4. 4.
  
  Good Vibrations [Live at Michigan State University, October 22, 1966]
5. 5.
  
  God Only Knows [Live at Michigan State University, October 22, 1966]
6. 6.
  
  Wouldn't It Be Nice [Live at Michigan State University, October 22, 1966]
7. 7.
  
  God Only Knows [Live at Daughters of the American Revolution Constitution Hall, Washington, DC, November 19, 1967]
8. 8.
  
  God Only Knows [Live at Carnegie Hall, New York, November 23, 1972 (2nd Show)]
9. 9.
  
  Sloop John B [Live at Jamaican World Music Festival, Montego Bay, Jamaica, November 26, 1982]
10. 10.
  
  Caroline No [Live at Universal Studios, Universal City, CA, May 23, 1989]
11. 11.
  
  You Still Believe in Me [Live at Universal Studios, Universal City, CA, May 23, 1989]
12. 12.
  
  Wouldn't It Be Nice [Live at the Paramount Theater, New York, November 26, 1993 (Stack-o-Vocals)]
13. 13.
  
  You Still Believe in Me [Live at the Paramount Theater, New York, November 26, 1993 (Stack-o-Vocals)]
14. 14.
  
  That's Not Me [Live at the Paramount Theater, New York, November 26, 1993 (Stack-o-Vocals)]
15. 15.
  
  Don't Talk (Put Your Head on My Shoulder) [Live at the Paramount Theater, New York, November 26, 1993 (Stack-o-Vocals)]
16. 16.
  
  I'm Waiting for the Day [Live at the Paramount Theater, New York, November 26, 1993 (Stack-o-Vocals)]
17. 17.
  
  Sloop John B [Live at the Paramount Theater, New York, November 26, 1993 (Stack-o-Vocals)]
18. 18.
  
  God Only Knows [Live at the Paramount Theater, New York, November 26, 1993 (Stack-o-Vocals)]
19. 19.
  
  I Know There's an Answer [Live at the Paramount Theater, New York, November 26, 1993 (Stack-o-Vocals)]
20. 20.
  
  Here Today [Live at the Paramount Theater, New York, November 26, 1993 (Stack-o-Vocals)]
21. 21.
  
  I Just Wasn't Made for These Times [Live at the Paramount Theater, New York, November 26, 1993 (Stack-o-Vocals)]
22. 22.
  
  Caroline No [Live at the Paramount Theater, New York, November 26, 1993 (Stack-o-Vocals)]
23. 23.
  
  Good Vibrations [Master Track with Partial Vocal - Previously Unreleased]

作品の情報

メイン

アーティスト： The Beach Boys

ゲスト

アーティスト： Glen Campbell 、 Leon Russell 、 Frank Capp 、 Barney Kessel 、 Tommy Tedesco 、 Hal Blaine 、 Billy Strange

オリジナル発売日：1966年05月

商品の紹介

ビーチ・ボーイズが1966年に発売した音楽史に残る名盤『ペット・サウンズ』スペシャル記念エディション発売!2CDには、リマスターされたオリジナル・アルバムのステレオ、モノ音源とコレクター・エディションからのハイライトを収録。

発売・販売元提供資料（2016/03/24）

Rolling Stone (12/11/03, p.86) - Ranked #2 in Rolling Stone's "500 Greatest Albums Of All Time" - "...Its luxurious sound conveys a heartbreaking wistfulness..." Rolling Stone (6/22/72, p.56) - "...Brian Wilson's evolutionary compositional masterpiece....This trenchant cycle of love songs has the emotional impact of a shatteringly evocative novel..." Rolling Stone (6/22/72, p.56) - "...Brian Wilson's evolutionary compositional masterpiece....This trenchant cycle of love songs has the emotional impact of a shatteringly evocative novel..." Rolling Stone (6/22/72, p.56) - "...Brian Wilson's evolutionary compositional masterpiece....This trenchant cycle of love songs has the emotional impact of a shatteringly evocative novel..." Spin (p.79) - "Two instrumentals, a sea chantey, strange electronic instruments, and sounds literally designed for pets....Indie and prog rock both start here..." Entertainment Weekly (12/12/97, p.84) - "...A commercial washout at the time of its release, the album has since grown in reputation to the point where pop aesthetes speak of it in hushed tones as the zenith of Brian Wilson's genius, a seamless masterwork that rewards deep, repeated listening....a wonderful collection of songs..." - Rating: A+ Entertainment Weekly (12/12/97, p.84) - "...A commercial washout at the time of its release, the album has since grown in reputation to the point where pop aesthetes speak of it in hushed tones as the zenith of Brian Wilson's genius, a seamless masterwork that rewards deep, repeated listening....a wonderful collection of songs..." - Rating: A+ Entertainment Weekly (12/12/97, p.84) - "...A commercial washout at the time of its release, the album has since grown in reputation to the point where pop aesthetes speak of it in hushed tones as the zenith of Brian Wilson's genius, a seamless masterwork that rewards deep, repeated listening....a wonderful collection of songs..." - Rating: A+ Q (2/91) - Voted the #1 Recorded Music Award for 1990. Q (7/00, p.140) - Included in Q's "The Best Male Angst Albums Of All Time" - "...12 impossibly lush songs that replace The Beach Boys' earlier high school ramalama with the unease and inner hurly-burly of early adulthood..." Q (2/91) - Voted the #1 Recorded Music Award for 1990. Q (7/96, p.133) - 5 Stars (out of 5) - "...A new stereo mix of PET SOUNDS...gives the songs a fantastic clarity, in effect smashing through the Wall Of Sound to bring up instrumental parts that have hitherto been hard to pick out..." Q (2/91) - Voted the #1 Recorded Music Award for 1990. Down Beat (9/90) - 5 Stars - Excellent - "...the music on PET SOUNDS flows as one....clearly demonstrates [that] the Beach Boys were capable of giving music lovers something they could feel very, very good about..." Down Beat (9/90) - 5 Stars - Excellent - "...the music on PET SOUNDS flows as one...clearly demonstrates [that] the Beach Boys were capable of giving music lovers something they could feel very, very good about..." Down Beat (9/90) - 5 Stars - Excellent - "...the music on PET SOUNDS flows as one...clearly demonstrates [that] the Beach Boys were capable of giving music lovers something they could feel very, very good about..." Vibe (12/99, p.162) - Included in Vibe's 100 Essential Albums of the 20th Century Vibe (12/99, p.162) - Included in Vibe's 100 Essential Albums of the 20th Century Musician (2/98, p.88) - "...presenting the landmark recording in a stereo environment for the first time is a revelation, with previouisly `hidden' parts suddenly leaping into the foreground....among the most stunning aspects of the remodeled PET SOUNDS is its dramatically improved fidelity..." Mojo (Publisher) (9/99, p.118) - "You may have heard of this promising combo. Here's one of their earlier albums, and word is it's quite good. The neat wrinkle is that you get the album twice, once in original mono and once in that new-fangled stereo everyone's talking about..." NME (Magazine) (10/2/93, p.29

Rovi

The best Beach Boys album, and one of the best of the 1960s. The group here reached a whole new level in terms of both composition and production, layering tracks upon tracks of vocals and instruments to create a richly symphonic sound. Conventional keyboards and guitars were combined with exotic touches of orchestrated strings, bicycle bells, buzzing organs, harpsichords, flutes, Theremin, Hawaiian-sounding string instruments, Coca-Cola cans, barking dogs, and more. It wouldn't have been a classic without great songs, and this has some of the group's most stunning melodies, as well as lyrical themes which evoke both the intensity of newly born love affairs and the disappointment of failed romance (add in some general statements about loss of innocence and modern-day confusion as well). The spiritual quality of the material is enhanced by some of the most gorgeous upper-register male vocals (especially by Brian and Carl Wilson) ever heard on a rock record. "Wouldn't It Be Nice," "God Only Knows," "Caroline No," and "Sloop John B" (the last of which wasn't originally intended to go on the album) are the well-known hits, but equally worthy are such cuts as "You Still Believe in Me," "Don't Talk," "I Know There's an Answer," and "I Just Wasn't Made for These Times." It's often said that this is more of a Brian Wilson album than a Beach Boys recording (session musicians played most of the parts), but it should be noted that the harmonies are pure Beach Boys (and some of their best). Massively influential upon its release (although it was a relatively low seller compared to their previous LPs), it immediately vaulted the band into the top level of rock innovators among the intelligentsia, especially in Britain, where it was a much bigger hit. ~ Richie Unterberger

Rovi