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| フォーマット | CDアルバム |
| 発売日 | 2016年04月26日 |
| 国内/輸入 | 輸入(イギリス盤) |
| レーベル | Esoteric Recordings |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | 5077748 |
| SKU | 5013929463943 |
構成数 : 1枚
合計収録時間 : 00:00:00
This 1998 reissue contains 9 bonus tracks not on the original release.
The Move: Roy Wood, Carl Wayne, Rick Price, Bev Bevan.
All tracks have been digitally remastered.
The Move was always a hard band to pin down. They began by bringing a hard-edged American rock & roll sensibility to '60s British psych-pop, alternating between rave-ups and trip-outs. By the time of SHAZAM, one of the group's strongest efforts, the sound was most comparable to S.F. SORROW-era Pretty Things. There are hard-rock riffs aplenty, but they're employed in the service of long, ambitious songs, occasionally of a conceptual nature. The lengthy centerpiece, "Cherry Blossom Clinic," is indicative of SHAZAM's sound. "Clinic" tells the story of life inside a mental institution in a constantly shifting tour de force that moves from spoken-word fragments to heavy proto-progressive riffs to fanciful folk/baroque acoustic guitar tapestries.
On the other side of the coin, the band wrings some crunchingly heavy, Led Zep-like blues-rock out of some unlikely source material on the Barry Mann/Cynthia Weill composition "Don't Make My Baby Blue". Similarly, Tom Paxton's simple folk standard "The Last Thing On My Mind" is transformed into a moody, cinematic, seven-and-a-half-minute psychedelic rock epic. As if all this weren't enough, there's also nine (!) juicy bonus tracks.
エディション : Remaster
"SHAZAM" - REMASTERED
1. HELLO SUSIE
2. BEAUTIFUL DAUGHTER
3. CHERRY BLOSSOM CLINIC REVISITED
4. FIELDS OF PEOPLE
5. DON'T MAKE MY BABY BLUE
6. THE LAST THING ON MY MIND
BONUS TRACKS
7. WILD TIGER WOMAN
8. OMNIBUS
A & B SIDES OF MONO SINGLE
9. BLACKBERRY WAY
10. SOMETHING
A & B SIDES OF MONO SINGLE
11. CURLY12. THIS TIME TOMORROW
A & B SIDES OF SINGLE
13. HELLO SUSIE (ABRIDGED US SINGLE VERSION)
14. SECOND CLASS (SHE'S TOO GOOD FOR ME)
RECORDED AT OLYMPIC STUDIOS - 23RD SEPTEMBER 1968

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