Rock/Pop
LPレコード

Psychopomp

0.0

販売価格

¥
3,490
税込
ポイント15%還元

在庫状況 について

フォーマット LPレコード
発売日 2021年05月07日
国内/輸入 輸入
レーベルYellow K
構成数 1
パッケージ仕様 -
規格品番 YKR010
SKU 791154037416

構成数 : 1枚
合計収録時間 : 00:00:00
While not playing with her shoegaze band Little Big Leagues, Michelle Zauner did what a lot of musicians do during breaks. She made more music, spending time on songwriting exercises and bedroom experimentation. Released under the name Japanese Breakfast, the recordings showed a lot of promise, all of which is realized in full on her first widely released album, Psychopomp. Produced in conjunction with Ned Eisenberg, the album has all the hallmarks of a homemade lo-fi album, but also has the feel of a wobbly '80s pop album played on a long-lost cassette. Zauner writes soaring choruses and applies her breathless vocals, and it's kind of magical. The album-opening "Heaven" conjures up thoughts of Belinda Carlisle's similarly titled song and has the kind of uplifting chorus all of Taylor Swift's acolytes would kill to be able to write. The rest of the album shifts between guitar-lashed indie rock with swooping synths ("Rugged Country"), melancholy ballads played on tear-stained keys ("Jane Cum," "Triple 7"), driving pop/rock with pumped-up hooks ("Everybody Wants to Love You"), and bass-heavy, almost painfully heartfelt indie rock ("Heft") on the way to becoming a pretty impressive coming-out party. Zauner's voice is an untrained delight at every turn; sometimes she sounds just barely in control of it, but always brings it back just in time. Working in concert with the held-together-with-tape-and-promises backing tracks, it makes for an exciting, ramshackle listening experience, especially at a time when it feels like bands, especially those with songs as catchy and warm as these, fuss with, polish, and overwork their sound until it barely sounds like humans were involved. There's none of that here; every song has its seams showing and it works very well. Zauner's songs don't need dressing up; time and again she and Eisenberg make the right choices that allow the melodies to breathe and the emotions to flow unhindered by artifice. Psychopomp is an impressive work by an artist well worth watching in the future. ~ Tim Sendra

  1. 1.[LPレコード]
    1. 1.
      In Heaven

      アーティスト: Japanese Breakfast

    2. 2.
      The Woman That Loves You

      アーティスト: Japanese Breakfast

    3. 3.
      Rugged Country

      アーティスト: Japanese Breakfast

    4. 4.
      Everyone Wants to Love You!

      アーティスト: Japanese Breakfast

    5. 5.
      Psychopomp

      アーティスト: Japanese Breakfast

    6. 6.
      Jane Cum

      アーティスト: Japanese Breakfast

    7. 7.
      Heft

      アーティスト: Japanese Breakfast

    8. 8.
      Moon on the Bath

      アーティスト: Japanese Breakfast

    9. 9.
      Triple 7

      アーティスト: Japanese Breakfast

作品の情報

メイン
アーティスト: Japanese Breakfast

オリジナル発売日:2016年

商品の紹介

Spin - "PSYCHOPOMP is a 25-minute-long dream-pop album that feels like much more: a sharp-edged exploration of how loneliness and longing form into brittle personal shields." Pitchfork (Website) - "'In Heaven' welds the billowing, shoegazy coo of peak Asobi Seksu to distinct songwriting fit for the Sundays."
Rovi

While not playing with her shoegaze band Little Big Leagues, Michelle Zauner did what a lot of musicians do during breaks. She made more music, spending time on songwriting exercises and bedroom experimentation. Released under the name Japanese Breakfast, the recordings showed a lot of promise, all of which is realized in full on her first widely released album, Psychopomp. Produced in conjunction with Ned Eisenberg, the album has all the hallmarks of a homemade lo-fi album, but also has the feel of a wobbly '80s pop album played on a long-lost cassette. Zauner writes soaring choruses and applies her breathless vocals, and it's kind of magical. The album-opening "Heaven" conjures up thoughts of Belinda Carlisle's similarly titled song and has the kind of uplifting chorus all of Taylor Swift's acolytes would kill to be able to write. The rest of the album shifts between guitar-lashed indie rock with swooping synths ("Rugged Country"), melancholy ballads played on tear-stained keys ("Jane Cum," "Triple 7"), driving pop/rock with pumped-up hooks ("Everybody Wants to Love You"), and bass-heavy, almost painfully heartfelt indie rock ("Heft") on the way to becoming a pretty impressive coming-out party. Zauner's voice is an untrained delight at every turn; sometimes she sounds just barely in control of it, but always brings it back just in time. Working in concert with the held-together-with-tape-and-promises backing tracks, it makes for an exciting, ramshackle listening experience, especially at a time when it feels like bands, especially those with songs as catchy and warm as these, fuss with, polish, and overwork their sound until it barely sounds like humans were involved. There's none of that here; every song has its seams showing and it works very well. Zauner's songs don't need dressing up; time and again she and Eisenberg make the right choices that allow the melodies to breathe and the emotions to flow unhindered by artifice. Psychopomp is an impressive work by an artist well worth watching in the future. ~ Tim Sendra
Rovi

リトル・ビッグ・リーグの紅一点メンバー、ミシェル・ザウナーが絶好調のデッド・オーシャンズからソロ・デビュー。亡き母との思い出をモチーフにしたというこのフル・アルバムは、優しいノイズに彩られたノスタルジックなドリーム・ポップ/ギター・ポップ作品で、ちょっぴりハスキーなヴォーカルが切なさを助長します。すでにフランキー・コスモスやミツキとも共演済みだし、ブレイクは秒読みでしょう。
bounce (C)越山遊歩
タワーレコード(vol.395(2016年9月25日発行号)掲載)

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