フォーマット |
LPレコード |
---|---|
構成数 |
2 |
国内/輸入 |
輸入 |
パッケージ仕様 |
- |
発売日 |
2016年02月中旬 |
---|---|
規格品番 |
STH212610 |
レーベル |
|
SKU |
659457212681 |
構成数 | 2枚
合計収録時間 | 00:00:00
Donuts was made on a hospital bed and in a home studio, on a stripped-down setup with a stack of vinyl. Released on its maker's 32nd birthday, three days before he passed away, the album has a resonance deeper than anyone could've hoped for or even imagined. Some who were close to Dilla have said that there are hidden messages in the samples, the track titles, and who knows where else. It's impossible not to speculate about some things, like the track titled "Don't Cry," the looped "broken and blue" from a version of "Walk on By," the presence of Eddie Kendricks singing "My people, hold on," or the fact that there are 31 tracks, a possible signal that Dilla survived a little longer than he expected. Then again, for every possible message, there are two or three elements that could've been designed to throw any analysis off its trail. After all, if there's one single image that the disc brings to mind, it's that of Dilla goofing off, having fun with some of his favorite records, and messing with some heads in the process. (And you could probably make the album's title out to be a metaphor for the circle of life, but sometimes a donut is just a donut.) Armed with sources that are either known to novice sample spotters or only the most seasoned diggers -- surprisingly, the former greatly outweighs the latter -- Dilla's also just as likely to leave his samples barely touched as he is to render them unrecognizable. It's fitting that Motown echoes, a predominant theme, are often felt, from the use of Dionne Warwick's Holland-Dozier-Holland-written "You're Gonna Need Me" (on "Stop"), to the shifting waves of percussion plucked from Kendricks' "People... Hold On" (on "People"), to the Stevie-like piano licks within Kool & the Gang's "The Fruitman" ("The Diff'rence"). Most of the tracks fall into the 60-90 second range. It's easy to be overwhelmed, or even put off, by the rapid-fire sequence, but it's astounding how so many of the sketches leave an immediate impression. By the third or fourth listen, what initially came across as a haphazard stream of slapped-together fragments begins to take the shape of a 44-minute suite filled with wistful joy. Like everything else Dilla has ever done, Donuts is not defining; in fact, elements of its approach bare the apparent influence of Jaylib collaborator Madlib. His mode has always been too slippery and restlessly progressive to be equated with any one track or album, but Donuts just might be the one release that best reflects his personality. ~ Andy Kellman
2 Workinonit
3 Waves
4 Light My Fire
5 The New
6 Stop
7 People
8 The Diff'rence
9 Mash
10 Time: The Donut of the Heart
11 Glazed
12 Airworks
13 Lightworks
14 Stepson of the Clapper
15 The Twister (Huh, What)
16 One Eleven
17 Two Can Win
18 Don't Cry
19 Anti-American Graffiti
20 Geek Down
21 Thunder
22 Gobstopper
23 One for Ghost
24 Dilla Says Go
25 Walkinonit
26 The Factory
27 U-Love
28 Hi
29 Bye
30 Last Donut of the Night
31 Donuts (Intro)
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J・ディラ=ジェイ・ディー待望のソロ2作目はストーンズ・スロウから。ゲスト・ラッパーも呼ばず、完全なるインストのみで勝負した今作、コモンの『Be』でも抜群のネタ使いを見せ、新作が渇望されていたが、ここまでの出来とは! クラシック・ソウルをモダンなエレクトロニック・ビートに絡め、ソウルフルでまったく新しいビートに仕上げる様は錬金術……いや、魔法! 黒い音がとぐろを巻いて、リスナーの耳を直撃する!
bounce (C)金 雄大タワーレコード (2006年03月号掲載 (P87))
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