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The Godfather Trilogy

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構成数 : 1
合計収録時間 : 00:51:56
Original score composed by Nino Rota, Carmine Coppola, Pietro Mascagni. Engineers include: Mike Ross-Trevor, John Luard Timperley. Recorded at Smecky Studios, Prague and Whitfield Street Studios, London, England between August and September 2000. Includes liner notes by Nino Rota. Digitally remastered using HDCD technology. Composer: Nino Rota. Liner Note Authors: David Wishart; Nino Rota. Recording information: Smecky Studios, Prague, Czech Republic (08/2000-09/2000); Whitfield Street Studios, London, England (08/2000-09/2000). Editor: Gareth Williams. Unknown Contributor Role: Crouch End Festival Chorus. Arrangers: Christopher Tin; Nino Rota; Pietro Mascagni ; Carmine Coppola. No small part of the success of The Godfather was director Francis Ford Coppola's coup in getting Italian composer Nino Rota, best known for his scores to Federico Fellini's films, to write its music. Rota borrowed and transformed a theme from an earlier work of his as the score's main motive, presenting a lovely, lonely, minor-key melody that evoked the Italian heritage on which Coppola built the film's sense of grand tragedy. The melody was highly serviceable, working both as a single trumpet tune and as the basis for dances and other musical moments throughout the film. Coppola also brought in his father, Carmine Coppola, to handle some of the music on both The Godfather and The Godfather, Part II, with the elder Coppola taking over more extensively on The Godfather, Part III, which was produced after Rota's death. Soundtrack albums for all three films reached the charts, and now Silva America Records has put together an album of music from the three films, newly recorded by the City of Prague Philharmonic conducted by Paul Bateman. The cardboard cover on the CD jewel box contains the phrase "30th Anniversary," which indicates that somebody can't count, because The Godfather was released in 1972, but no matter. The music remains compelling, with the prelude to Pietro Mascagni's opera Cavalleria Rusticana, used as the dramatic conclusion to Part III, fitting in well and suggesting one of the influences on Rota's style. ~ William Ruhlmann
録音 : ステレオ (Studio)

  1. 1.[CDアルバム]
    1. 1.
      The Godfather Waltz
    2. 2.
      The Godfather, film score~Love Theme
    3. 3.
      The Godfather, film score~Sicilian Pastorale
    4. 4.
      The Godfather, film score~The Pick-Up
    5. 5.
      Tarantella (for The Godfather)
    6. 6.
      Mazurka (for The Godfather)
    7. 7.
      The Godfather, film score~Finale
    8. 8.
      The Godfather, Part 2, film score~The Immigrant
    9. 9.
      The Godfather, Part 2, film score~Kay
    10. 10.
      Marcia stilo italiano (for The Godfather, Part 2)
    11. 11.
      The Godfather, Part 2, film score~End Title
    12. 12.
      The Godfather, Part 3, film score~Marcia Religiosa
    13. 13.
      The Godfather, Part 3, film score~Marcia Festa
    14. 14.
      The Godfather, Part 3, film score~The Immigrant / Love Theme
    15. 15.
      The Godfather, Part 3, film score~Intermezzo
    16. 16.
      Cavalleria rusticana, opera (melodramma) in 1 act~Preludio
    17. 17.
      The Godfather, Part 3, film score~Coda (Finale)

作品の情報

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プロデューサー： James Fitzpatrick

商品の紹介

No small part of the success of The Godfather was director Francis Ford Coppola's coup in getting Italian composer Nino Rota, best known for his scores to Federico Fellini's films, to write its music. Rota borrowed and transformed a theme from an earlier work of his as the score's main motive, presenting a lovely, lonely, minor-key melody that evoked the Italian heritage on which Coppola built the film's sense of grand tragedy. The melody was highly serviceable, working both as a single trumpet tune and as the basis for dances and other musical moments throughout the film. Coppola also brought in his father, Carmine Coppola, to handle some of the music on both The Godfather and The Godfather, Part II, with the elder Coppola taking over more extensively on The Godfather, Part III, which was produced after Rota's death. Soundtrack albums for all three films reached the charts, and now Silva America Records has put together an album of music from the three films, newly recorded by the City of Prague Philharmonic conducted by Paul Bateman. The cardboard cover on the CD jewel box contains the phrase "30th Anniversary," which indicates that somebody can't count, because The Godfather was released in 1972, but no matter. The music remains compelling, with the prelude to Pietro Mascagni's opera Cavalleria Rusticana, used as the dramatic conclusion to Part III, fitting in well and suggesting one of the influences on Rota's style.
Rovi

No small part of the success of The Godfather was director Francis Ford Coppola's coup in getting Italian composer Nino Rota, best known for his scores to Federico Fellini's films, to write its music. Rota borrowed and transformed a theme from an earlier work of his as the score's main motive, presenting a lovely, lonely, minor-key melody that evoked the Italian heritage on which Coppola built the film's sense of grand tragedy. The melody was highly serviceable, working both as a single trumpet tune and as the basis for dances and other musical moments throughout the film. Coppola also brought in his father, Carmine Coppola, to handle some of the music on both The Godfather and The Godfather, Part II, with the elder Coppola taking over more extensively on The Godfather, Part III, which was produced after Rota's death. Soundtrack albums for all three films reached the charts, and now Silva America Records has put together an album of music from the three films, newly recorded by the City of Prague Philharmonic conducted by Paul Bateman. The cardboard cover on the CD jewel box contains the phrase "30th Anniversary," which indicates that somebody can't count, because The Godfather was released in 1972, but no matter. The music remains compelling, with the prelude to Pietro Mascagni's opera Cavalleria Rusticana, used as the dramatic conclusion to Part III, fitting in well and suggesting one of the influences on Rota's style. ~ William Ruhlmann
Rovi

フォーマット CDアルバム
発売日 2001年03月13日
国内/輸入 輸入
レーベルSilva America
構成数 1
パッケージ仕様 -
規格品番 1121
SKU 738572112127

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