Rock/Pop
CDアルバム

Brilliant Sanity

5.0

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フォーマット CDアルバム
発売日 2016年04月08日
国内/輸入 輸入
レーベルBella Union
構成数 1
パッケージ仕様 -
規格品番 MOSHICD69
SKU 5414939934124

構成数 : 1枚
合計収録時間 : 00:40:31
Audio Mixer: Dan Carey. If Teleman's debut album, Breakfast, found Thomas and Jonny Sanders and Pete Cattermoul branching out after their time in Pete & the Pirates, then Brilliant Sanity is all about refinement. Working with producer Dan Carey, the men of Teleman (who also include drummer Hiro Amamiya) focused Breakfast's airy pop and chugging rock into songs that are honed, but not necessarily tamed. The results are quirky yet classic-sounding English guitar pop full of a nervy essence and hooks that sneak up on listeners' ears and stay there. On the wonderfully insistent "Superglue," Thomas Sanders sounds equally detached and emotional as he sings about the eternal tug-of-war between freedom and constraints that defines relationships -- and pop music. "Glory Hallelujah"'s "happy ever after" feels both genuine and ironic, while "Drop Out" stealthily cuts all ties, capturing the giddy rush of escaping commitment's gravity. There's a similar weightlessness to "English Architecture"'s sweet ambivalence, "Melrose"'s levitating synths, and "Tangerine"'s psychedelic synth pop daydreams, but the sense of loss -- or something missing -- gives Brilliant Sanity's drift a surprising amount of purpose. Once again, Teleman's sharpened songwriting allows the haunting moods beneath the cheery melodies to cut more deeply, with odd yet potent motifs (glue, shoes, flickering lights) guiding their meditations on permanence and impermanence. The times the band addresses these feelings directly are among the album's most affecting moments: "Dusseldorf"'s melting ice, grey towns, and disappearing girls linger in the memory longer than might be expected, while "Fall in Time"'s battle between intimacy and fear is both eerie and earnest. While Breakfast's amiable ambling is sometimes missed -- "Canvas Shoe" is the closest this album comes to it -- it's hard to deny that Teleman's hard work paid off: Brilliant Sanity's musings on uncertainty are some of their most confident songs yet. ~ Heather Phares

  1. 1.[CDアルバム]
    1. 1.
      Dusseldorf
    2. 2.
      Fall in Time
    3. 3.
      Glory Hallelujah
    4. 4.
      Brilliant Sanity
    5. 5.
      Superglue
    6. 6.
      Canvas Shoe
    7. 7.
      Tangerine
    8. 8.
      English Architecture
    9. 9.
      Melrose
    10. 10.
      Drop Out
    11. 11.
      Devil in My Shoe

作品の情報

メイン
アーティスト: Teleman

その他
エンジニア: Alexis Smith
プロデューサー: Dan Carey

商品の紹介

ブロック・パーティー、ホット・チップ、ドラムスなどを輩出した<LMoshi Moshi>が大プッシュする期待のインディー・バンド、テレマンが約2年ぶりとなるセカンド・アルバムを携えて帰ってきた!プロデューサーにダン・キャリー(ブロック・パーティー、ミステリー・ジェッツ、フランツ・フェルディナンド、リリー・アレン、ファットボーイ・スリム、トーイ他)を迎えた新作では、ヴォーカルのトミーの楽曲を軸としながらも、全メンバーが制作にかかわった。スタジオのホワイト・ボードに各々がコード進行や骨組みを色分けして記入していきながら仕上げていったという。
歌詞はツアーで何時間もバスに揺られながら外の景色を眺める中でトミーによって書かれたものばかり。最終的に場所をプロデューサーのスタジオに移した後、ダン・キャリーの意向でシンセのサウンドをコアに持ってくることとなった。アルバムの美学を特徴づけるのに重要だと感じたからだ。バンド特有のポップなメロディを根底に残しつつも、これまでブラー、スウェードやメトロノミーなどをサポートしてきたテレマンの成長が一層感じられる新しいサウンドに期待して欲しい。
発売・販売元 提供資料(2016/02/08)

If Teleman's debut album, Breakfast, found Thomas and Jonny Sanders and Pete Cattermoul branching out after their time in Pete & the Pirates, then Brilliant Sanity is all about refinement. Working with producer Dan Carey, the men of Teleman (who also include drummer Hiro Amamiya) focused Breakfast's airy pop and chugging rock into songs that are honed, but not necessarily tamed. The results are quirky yet classic-sounding English guitar pop full of a nervy essence and hooks that sneak up on listeners' ears and stay there. On the wonderfully insistent "Superglue," Thomas Sanders sounds equally detached and emotional as he sings about the eternal tug-of-war between freedom and constraints that defines relationships -- and pop music. "Glory Hallelujah"'s "happy ever after" feels both genuine and ironic, while "Drop Out" stealthily cuts all ties, capturing the giddy rush of escaping commitment's gravity. There's a similar weightlessness to "English Architecture"'s sweet ambivalence, "Melrose"'s levitating synths, and "Tangerine"'s psychedelic synth pop daydreams, but the sense of loss -- or something missing -- gives Brilliant Sanity's drift a surprising amount of purpose. Once again, Teleman's sharpened songwriting allows the haunting moods beneath the cheery melodies to cut more deeply, with odd yet potent motifs (glue, shoes, flickering lights) guiding their meditations on permanence and impermanence. The times the band addresses these feelings directly are among the album's most affecting moments: "Dusseldorf"'s melting ice, grey towns, and disappearing girls linger in the memory longer than might be expected, while "Fall in Time"'s battle between intimacy and fear is both eerie and earnest. While Breakfast's amiable ambling is sometimes missed -- "Canvas Shoe" is the closest this album comes to it -- it's hard to deny that Teleman's hard work paid off: Brilliant Sanity's musings on uncertainty are some of their most confident songs yet. ~ Heather Phares
Rovi

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