| フォーマット | LPレコード |
| 発売日 | 2016年02月05日 |
| 国内/輸入 | 輸入 |
| レーベル | Omnivore |
| 構成数 | 2 |
| パッケージ仕様 | - |
| 規格品番 | OMRE1015321 |
| SKU | 816651015320 |
構成数 : 2枚
合計収録時間 : 00:00:00
2 LPs on 1 CD.
Game Theory leader Scott Miller has never made much of a secret of his fondness for Big Star, but while Real Nighttime favored the sound of #1 Record and The Big Shot Chronicles suggested the harder-edged tone of Radio City, Lolita Nation sounded like Game Theory's variation on the themes of Big Star's masterfully damaged swan song, Third/Sister Lovers. Certainly Game Theory's most ambitious album, Lolita Nation was a two-LP set that combined some of Miller's most user-friendly power pop with dark, moody ruminations on betrayal, failed love, and mortality, bursts of avant-garde noise, and fragments of unclassifiable studio doodling, all thrown into a sonic Cuisinart through Miller's aggressive use of aural montage. Lolita Nation is more than a bit disorienting on first listen, though it finds the band playing at the top of their form on challenging material (new guitarist Donnete Thayer makes an impressive debut), and there are more than a few flat-out brilliant tracks (such as "Chardonnay," "The Waist and the Knees," and "The Real Shelia") alongside such head-scratchers as "Turn Me on Dead Man," "Watch Who You're Calling Space Garbage Meteor Mouth," and the 22nd track (which stubbornly defies titling). Taken as a whole and given time to fully absorb, Lolita Nation is probably Game Theory's finest and most impressive album, though it's also the worst place for a beginner to start examining their work. ~ Mark Deming

※ショッピングカートおよび注文内容の確認画面にてフラゲのお届けになるかご確認ください。
※各種前払い決済をご利用の場合、フラゲは保証しておりません。
※フラゲは配送日時指定なしでご注文いただいた場合に限ります。
読み込み中にエラーが発生しました。
画面をリロードして、再読み込みしてください。
