Soul/Club/Rap
CDアルバム

Making Time

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2,690
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24pt

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フォーマット CDアルバム
発売日 2016年02月05日
国内/輸入 輸入
レーベルPMR
構成数 1
パッケージ仕様 -
規格品番 4771210
SKU 602547712103

構成数 : 1枚
合計収録時間 : 00:00:00
Scattered collaborations with the likes of Disclosure, Paul White, Banks, and Portico excepted, nothing was heard from Jamie Woon for four years following the release of Mirrorwriting. Woon was in no rush to complete a second album. Just before his follow-up surfaced in November 2015, he spoke of wanting his return to feel like a rebirth. Despite the freshness of Making Time, it sure sounds like the work of the same songwriter and producer who recorded the auspicious Mirrorwriting. It's another batch of nuanced, quietly intense songs that have some degree of heartache to them. The most obvious change, apart from Woon's advancement as a more imaginative lyricist and an assured and pacifying vocalist, is that Making Time is less electronic and features a live rhythm section that largely sticks to knotted, lightly funky patterns. Woon cited D'Angelo's Voodoo as an influence, and though he and his co-producers, including Lexx, White, and Robin Hannibal, could not be expected to hit that level, the album has a distinctive character that rarely loses its grip. The gently pulsing "Message," the snapping/bobbing "Sharpness," and the subtly gorgeous "Dedication" either match or surpass any given highlight from the debut, as does "Forgiven," an unlikely synthesis of contemporary folk and a late-'90s Timbaland-like twitch. Given how relaxed and poised the whole sequence plays out, Woon could have fooled his audience into thinking that he and his partners merely rolled into the studio without any ideas and knocked the whole thing out in a couple weeks. ~ Andy Kellman

  1. 1.[CDアルバム]
    1. 1.
      Message
    2. 2.
      Movement
    3. 3.
      Sharpness
    4. 4.
      Celebration
    5. 5.
      Lament
    6. 6.
      Forgiven
    7. 7.
      Little Wonder
    8. 8.
      Thunder
    9. 9.
      Skin
    10. 10.
      Dedication

作品の情報

メイン
アーティスト： Jamie Woon

オリジナル発売日：2015年

商品の紹介

ディスクロージャーやバンクスを手掛けてきたイギリスの新世代エレクトロニック・ソウルのパイオニア、ジェイミー・ウーンが、2015年にディスクロージャーが在籍する＜PMR＞から発表した大傑作アルバム!
2011年に『ミラー・ライティング』でアルバム・デビューを果たしたイギリスのシンガー・ソングライター、ジェイミー・ウーンが4年振りとなる待望の2ndアルバム『メイキング・タイム』を＜PMR＞からリリース!
Beats1内のファレル・ウィリアムスの番組で、本作収録の1stシングル「Sharpness」が紹介され世界的に話題沸騰中!2ndシングルの「Thunder」は英BBCラジオ1のジャイルス・ピーターソンが番組で紹介し、ポップミュージック界で大きな話題となっている。ジェイムス・ブレイクやチェット・フェィカー、＜4AD＞のソン等によるエレクトロニック・ソウルのパイオニアとも言えるジェイミー・ウーンはデビュー作のリリース後、ラナ・デル・レイやバンクスといったポップシンガーのプロダクションやリミックスを手掛けてきた。ディアンジェロなどのアーティストからインスパイアされたという本作は、打ち込みサウンドが多かったデビュー・アルバムに比べ、よりバンドサウンドへと進化している。
発売・販売元 提供資料（2016/01/18）

Clash - "The trademarks are all still there -- the gently yearning vocals, the precise beats, the layers of reverb -- but there's a little something extra this time around. He's matured both as a singer and a songwriter..." NME - "Like it's predecessor, MAKING TIME has more in common with '90s neo soul singers like Maxwell and Erykah Badu than dubstep." Pitchfork - "The album sounds loose and organic, revealing layers of precision in the production and recording on repeated listens."
Rovi

Scattered collaborations with the likes of Disclosure, Paul White, Banks, and Portico excepted, nothing was heard from Jamie Woon for four years following the release of Mirrorwriting. Woon was in no rush to complete a second album. Just before his follow-up surfaced in November 2015, he spoke of wanting his return to feel like a rebirth. Despite the freshness of Making Time, it sure sounds like the work of the same songwriter and producer who recorded the auspicious Mirrorwriting. It's another batch of nuanced, quietly intense songs that have some degree of heartache to them. The most obvious change, apart from Woon's advancement as a more imaginative lyricist and an assured and pacifying vocalist, is that Making Time is less electronic and features a live rhythm section that largely sticks to knotted, lightly funky patterns. Woon cited D'Angelo's Voodoo as an influence, and though he and his co-producers, including Lexx, White, and Robin Hannibal, could not be expected to hit that level, the album has a distinctive character that rarely loses its grip. The gently pulsing "Message," the snapping/bobbing "Sharpness," and the subtly gorgeous "Dedication" either match or surpass any given highlight from the debut, as does "Forgiven," an unlikely synthesis of contemporary folk and a late-'90s Timbaland-like twitch. Given how relaxed and poised the whole sequence plays out, Woon could have fooled his audience into thinking that he and his partners merely rolled into the studio without any ideas and knocked the whole thing out in a couple weeks. ~ Andy Kellman|
Rovi

Scattered collaborations with the likes of Disclosure, Paul White, Banks, and Portico excepted, nothing was heard from Jamie Woon for four years following the release of Mirrorwriting. Woon was in no rush to complete a second album. Just before his follow-up surfaced in November 2015, he spoke of wanting his return to feel like a rebirth. Despite the freshness of Making Time, it sure sounds like the work of the same songwriter and producer who recorded the auspicious Mirrorwriting. It's another batch of nuanced, quietly intense songs that have some degree of heartache to them. The most obvious change, apart from Woon's advancement as a more imaginative lyricist and an assured and pacifying vocalist, is that Making Time is less electronic and features a live rhythm section that largely sticks to knotted, lightly funky patterns. Woon cited D'Angelo's Voodoo as an influence, and though he and his co-producers, including Lexx, White, and Robin Hannibal, could not be expected to hit that level, the album has a distinctive character that rarely loses its grip. The gently pulsing "Message," the snapping/bobbing "Sharpness," and the subtly gorgeous "Dedication" either match or surpass any given highlight from the debut, as does "Forgiven," an unlikely synthesis of contemporary folk and a late-'90s Timbaland-like twitch. Given how relaxed and poised the whole sequence plays out, Woon could have fooled his audience into thinking that he and his partners merely rolled into the studio without any ideas and knocked the whole thing out in a couple weeks. ~ Andy Kellman
Rovi

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