Gode

Since debuting in 2013 with his album Be a Man You Ant on Prins Thomas' Full Pupp label, Oslo-born electronic artist Andre Bratten has melded Scandinavian cosmic disco with fizzy tech-house reminiscent of Booka Shade or various Kompakt-signed artists. Months after the release of his Math Ilium Ion EP, featuring the Erol Alkan-approved groover "Trommer & Bass," Bratten returns with Gode, a sophomore album that ventures far away from the club, abandoning disco influences in favor of highly personal experimental techno and downtempo. Bratten still composes music with analog synthesizers and drum machines, but this album also utilizes field recordings, pianos, strings, tape manipulation, and vocals, combining influences such as contemporary classical, arctic drone, and IDM. After a few crackling, shivering numbers (including "Cave," which features Bratten meekly warbling "I'm in a cave" over a calm yet slightly nervous beat), the more uptempo "Philistine" seems like it's going to mark a return to his dancefloor-friendly sound, but the chugging disco beat never kicks in as expected, and the distraught synths swarm until the beat drops to a crawl, surrounded by swirling samples of lost conversations and cheering children. The spectacularly doomy "Cascade of Events" features Susanne Sundfor sighing "if only it was easy" over softly quaking textures. "Space Between Left and Right" keeps its melodies simple and sparkling and its beats busy and clicky, and the seven-minute, vocoder-laden "Zero" sounds as if Boards of Canada replaced childhood nostalgia with petrified apocalyptic dread. The album ends with a soft, atmospheric piano meditation that shares its title and nothing else with Bratten's previous EP. Seemingly out of nowhere (but actually taking three years to materialize), Bratten has crafted a spectacular, surprisingly confessional album of bone-chilling electronic music suggesting that his previous releases barely hinted at his prodigious talents as a composer and arranger. ~ Paul Simpson

2013年にプリンス・トーマス主宰のレーベルからデビューを飾った、ノルウェーに住むエレクトロニカ系のクリエイターが2枚目のアルバムをリリース。ピアノやドラムス、ギターにベースまでをみずから演奏し、そこにフィールド・レコーディングも取り込んだことで、より有機的なサウンドスケープを創造している。ロイクソップの最新作にも参加したスザンヌ・サンドフォーが"Cascade Of Events"で蠱惑的な歌声を響かせているほか、モーターサイコの諸作で名高いオーレ・ヘンリク・モーエがストリングス・アレンジを担当している点も見逃せない。クラウトロック的なループ感が心地良く、キム・ヨーソイやシガー・ロスなどの北欧トロニカ好き以外からも、一目置かれる存在になりそうだ。
bounce (C)上野功平