| フォーマット | CDアルバム |
| 発売日 | 2015年09月04日 |
| 国内/輸入 | 輸入 |
| レーベル | Family Ties |
| 構成数 | 1 |
| パッケージ仕様 | - |
| 規格品番 | ISCB0023770022 |
| SKU | 602547503435 |
構成数 : 1枚
合計収録時間 : 00:57:09
Recording information: 427 Studios, Atlanta, GA; Circle House Studios, Miami, FL; Music Box Studios, Atlanta, GA; Slum Mansion, Atlanta, GA; Twelve Studios, Atlanta, GA; Windmark Studio, Los Angeles, CA.
Creators: Stephanie Hsu; Justine Massa.
Photographer: Diwang Valdez.
Atlanta rapper K Camp did a slow stroll up to this first LP, dropping a slew of mixtape anthems and club tracks that were prime for the G-Unit crew or a Pimp C-associated release, but with both those camps out of the picture, this MC is allowed to drift -- to the tune of T.I., Snoop Dogg, Bun B, and Jeremih, the diverse and superstar lineup of guest artists featured on Only Way Is Up, Camp's down-and-dirty debut. "We ain't doin' much, tryin' to have a good time/Got four bad bitches, the pleasure's all mine" is doled out during "Lil Bit" in a monotone and yet a hypnotic style for maximum pimp hand effect, and like all true club freaks, Camp comes with that midnight-flavored sense of humor, and delights in "Feed her M&Ms, watch her turn into some trouble." Turn it up loud enough and he comes off as the A$AP Generation's version of Petey Pablo, but he's much more versatile, and becomes a plush Usher alternative on "Comfortable," or an unbelievably effective cross of Travis Scott and Drake on the opening bundle of questions dubbed "Change." "Who Am I" is the other deep roller of note, and these two cuts act as moral anchors as the rest of the album wilds out, but traditional ballers lost in the age of Future and Chief Keef will find K Camp a well-rounded and welcome throwback to when weekend music wasn't so abundantly weird. ~ David Jeffries
エディション : Deluxe Edition

※ショッピングカートおよび注文内容の確認画面にてフラゲのお届けになるかご確認ください。
※各種前払い決済をご利用の場合、フラゲは保証しておりません。
※フラゲは配送日時指定なしでご注文いただいた場合に限ります。
読み込み中にエラーが発生しました。
画面をリロードして、再読み込みしてください。
