Rock/Pop
LPレコード

Cheap Trick

4.3

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フォーマット LPレコード
発売日 2015年10月02日
国内/輸入 輸入
レーベルEpic (USA)
構成数 1
パッケージ仕様 -
規格品番 377772
SKU 888837777216

構成数 : 1枚
合計収録時間 : 00:40:00
Also available in a 3-pack with IN COLOR and HEAVEN TONIGHT. Cheap Trick: Robin Zander (vocals, guitar); Rick Nielsen (guitar, background vocals); Tom Petersson (bass, background vocals); Bun E. Carlos (drums). Reissue producer: Bruce Dickinson Recorded at The Record Plant, New York, New York in 1976 and 1977. Includes original liner notes by Eric Von Lustbader and reissue liner notes by Greg Kot. Digitally remastered by Vic Anesini (Sony Music Studios, New York, New York). Cheap Trick's self-titled debut is a '70s rock masterpiece. Although it doesn't contain many renowned songs, it does have superbly underrated compositions and electric performances, and a dark undercurrent is encountered throughout. The melodic hard rock has pop leanings at times, but the album was wisely recorded raw (by Aerosmith producer Jack Douglas), and such disturbing topics as pedophilia, serial murderers, suicide and prostitution are touched upon. "ELO Kiddies" starts the album off on an anthemic note (the track would be used steadily in concert to get the crowd going), while "Hot Love" and "He's A Whore" showed that the band could easily hold their own with the punk rock crowd. "Mandocello" is an absolutely gorgeous acoustic ballad that had hit single written all over it, while "Daddy Should Have Stayed In High School," "The Ballad of TV Violence" and "Speak Now" are all hard-rocking highlights. Many rightly consider CHEAP TRICK to be the band's finest album (Cheap Trick released a totally different self-titled album in 1997, which should not be confused with this 1977 debut of the same name).

  1. 1.[LPレコード]
    1. 1.
      Love
    2. 2.
      Speak Now or Forever Hold Your Peace
    3. 3.
      He's a Whore
    4. 4.
      Mandocello
    5. 5.
      The Ballad of TV Violence (I'm Not the Only Boy)
    6. 6.
      ELO Kiddies [Single Version]
    7. 7.
      Daddy Should Have Stayed in High School
    8. 8.
      Taxman, Mr. Thief
    9. 9.
      Cry, Cry
    10. 10.
      Oh, Candy

作品の情報

メイン
アーティスト: Cheap Trick

オリジナル発売日:1977年

商品の紹介

Cheap Trick's eponymous debut is an explosive fusion of Beatlesque melodic hooks, Who-styled power, and a twisted sense of humor partially borrowed from the Move. But that only begins to scratch the surface of what makes Cheap Trick a dynamic record. Guitarist Rick Nielsen has a powerful sense of dynamics and arrangements, which gives the music an extra kick, but he also can write exceptionally melodic and subversive songs. Nothing on Cheap Trick is quite what it seems. While the songs have hooks and attitude that arena rock was sorely lacking in the late '70s, they are also informed by a bizarre sensibility, whether it's the driving "He's a Whore," the dreamy "Mandocello," or the thumping Gary Glitter perversion "ELO Kiddies." "The Ballad of TV Violence" is about mass murder, while "Daddy Should Have Stayed in High School" concerns pedophiles. All of it is told with a sense of humor, but it doesn't come off as cheap or smirking because of the group's hard-rocking drive and Robin Zander's pop-idol vocals. Even "Oh, Candy," apparently a love song on first listen, is an affecting tribute to a friend who committed suicide. In short, Cheap Trick revel in taboo subjects with abandon, devoting themselves to the power of the hook, as well as sheer volume and gut-wrenching rock & roll -- though the record is more musically accomplished than punk rock, it shares the same aesthetic. The combination of off-kilter humor, bizarre subjects, and blissful power pop made Cheap Trick one of the defining albums of its era, as well as one of the most influential. ~ Stephen Thomas Erlewine
Rovi

メンバーズレビュー

3件のレビューがあります
4.3
33%
67%
0%
0%
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チープトリックの記念すべき1stアルバム!ポップなハードロックが印象的な彼らの中では珍しくダークな印象の今作。逆にそれが1st故の初々しさを感じる1枚!
2020/05/11 平さん
0
デビュー作! 彼らにしては珍しいパンキッシュな縦ノリの音で、リック・ニールセンが弾けるギタリストであることを証明している。 ジャック・ダグラスの手腕も活きている。 歌詞も皮肉たっぷりで面白い。  二枚め以降がヒットしなければこのままの路線で行きたかったんだろうな。
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彼らの全アイテムの中でも異色の作品。次作以降、大傑作「DREAM POLICE」まで加速度を増しながらポップになっていく彼らだが、ここでは「若気の至り」とでも言うべき試行錯誤と屈折しまくった異様なエナジーが充満している。死や犯罪の匂いが散見されるのが本作の特徴で、特に「THE BALLAD~」のリアルさは絶品で、後の「GONNA RAISE HELL」にも通ずる絶望の快感の創出に成功している。
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